Traces the history of the AK-47 assault rifle, from its inception to its use by more than fifty national armies around the world, to its role in modern-day Afghanistan, discussing how the deadly weapon has helped alter world history.

Tyray Hobbs wants revenge. Weeks ago he was one of the most feared students in Bluford High. But then Darrell Mercer publicly humiliated him, and Tyray lost his reputation. To get it back, he must take down Darrell. But how? With a broken hand, a troubled family, and no friends in sight, Tyray's options are limited. And when the kids he once bullied start threatening him his world completely unravels. Desperate to settle the score and regain respect, Tyray see only ones solution to his problems-- a gun.

From the #1 New York Times bestselling author of Killers of the Flower Moon, a mesmerizing collection of true-crime stories that includes "The Old Man and the Gun"—the inspiration for the movie starring Robert Redford and Sissy Spacek, along with two other riveting tales. "The Old Man and the Gun" is the incredible story of a bank robber and prison escape artist who modeled himself after figures like Pretty Boy Floyd and who, even in his seventies, refuses to retire. "True Crime" follows the twisting investigation of a Polish detective who suspects that a novelist planted clues in his fiction to an actual murder. And "The Chameleon" recounts how a French imposter assumes the identity of a missing boy from Texas and infiltrates the boy's family, only to soon wonder whether he is the one being conned. In this mesmerizing collection, David Grann shows why he has been called a "worthy heir to Truman Capote" and "simply the best narrative nonfiction writer working today," as he takes the reader on a journey through some of the most intriguing and gripping real-life tales from around the world. Look for David Grann’s latest bestselling book, The Wager!

Lord Hideyoshi, the regent of Japan at the time, took the first step toward the control of firearms. It was a very small step, and it was not taken simply to protect feudal lords from being shot at by peasants but to get all weapons out of the hands of civilians. He said nothing about arms control. Instead, he announced that he was going to build a statue of Buddha that would make all existing statues look like midgets. It would be so enormous (the figure was about twice the scale of the Statue of Liberty), that many tons of iron would be needed just for the braces and bolts. Still more was required to erect the accompanying temple, which was to cover a piece of ground something over an eighth of a mile square. All farmers, ji-samurai, and monks were invited to contribute their swords and guns to the cause. They were, in fact, required to. -- from publisher description.

This third installment in the popular series of practical books about guns and shooting is aimed at women of all ages—the fastest-growing segment of the sport—and it couldn’t come at a better time. America and firearms literally grew up together, but today guns are often simply linked to crime and violence; gun control has become a polarizing political issue; and misinformation about firearms is spreading. Now three experts have tackled the subject in a series of books that explores the realities of guns and shooting and sets the record straight about some common misconceptions. On the heels of The Gun Book for Boys and The Gun Book for Parents, The Gun Book for Girls is for girls (and women) interested in guns and shooting but who have little or no background in firearms. Through example and anecdote, the book emphasizes safety and proper usage, and it defines terms and provides hands-on advice about using and maintaining guns. It also covers firearms, shooting methods, clothing and accessories for women, profiles females who shoot and who work in the gun trade, and discusses the issues around guns for self-defense (a topic of special interest to women). Like the other two titles, this book is non-political and written in an easy-to-understand conversational tone. Each book is thoroughly illustrated, and content is presented in easily managed portions that can be read in series or singly, all backed up with an index.

David Carr was an addict for more than twenty years -- first dope, then coke, then finally crack -- before the prospect of losing his newborn twins made him sober up in a bid to win custody from their crack-dealer mother. Once recovered, he found that his recollection of his 'lost' years differed -- sometimes radically -- from that of his family and friends. The night, for example, his best friend pulled a gun on him. 'No,' said the friend (to David's horror, as a lifelong pacifist), 'It was you that had the gun.' Using all his skills as an investigative reporter, he set out to research his own life, interviewing everyone from his parents and his ex-partners to the policemen who arrested him, the doctors who treated him and the lawyers who fought to prove he was fit to have custody of his kids. Unflinchingly honest and beautifully written, the result is both a shocking account of the depths of addiction and a fascinating examination of how -- and why -- our memories deceive us. As David says, we remember the stories we can live with, not the ones that happened.

A Tokyo college student’s discovery and eventual obsession with a stolen handgun awakens something dark inside him. On a nighttime walk along a Tokyo riverbank, a young man named Nishikawa stumbles on a dead body, beside which lies a gun. From the moment Nishikawa decides to take the gun, the world around him blurs. Knowing he possesses the weapon brings an intoxicating sense of purpose to his dull university life. But soon Nishikawa’s personal entanglements become unexpectedly complicated: he finds himself romantically involved with two women while his biological father, whom he’s never met, lies dying in a hospital. Through it all, he can’t stop thinking about the gun—and the four bullets loaded in its chamber. As he spirals into obsession, his focus is consumed by one idea: that possessing the gun is no longer enough—he must fire it.