Lord Hideyoshi, the regent of Japan at the time, took the first step toward the control of firearms. It was a very small step, and it was not taken simply to protect feudal lords from being shot at by peasants but to get all weapons out of the hands of civilians. He said nothing about arms control. Instead, he announced that he was going to build a statue of Buddha that would make all existing statues look like midgets. It would be so enormous (the figure was about twice the scale of the Statue of Liberty), that many tons of iron would be needed just for the braces and bolts. Still more was required to erect the accompanying temple, which was to cover a piece of ground something over an eighth of a mile square. All farmers, ji-samurai, and monks were invited to contribute their swords and guns to the cause. They were, in fact, required to. -- from publisher description.

David Carr was an addict for more than twenty years -- first dope, then coke, then finally crack -- before the prospect of losing his newborn twins made him sober up in a bid to win custody from their crack-dealer mother. Once recovered, he found that his recollection of his 'lost' years differed -- sometimes radically -- from that of his family and friends. The night, for example, his best friend pulled a gun on him. 'No,' said the friend (to David's horror, as a lifelong pacifist), 'It was you that had the gun.' Using all his skills as an investigative reporter, he set out to research his own life, interviewing everyone from his parents and his ex-partners to the policemen who arrested him, the doctors who treated him and the lawyers who fought to prove he was fit to have custody of his kids. Unflinchingly honest and beautifully written, the result is both a shocking account of the depths of addiction and a fascinating examination of how -- and why -- our memories deceive us. As David says, we remember the stories we can live with, not the ones that happened.

“[H]aunting and harrowing.” —Booklist (starred review) “Vivid, distressing, and all too real.” —Kirkus Reviews In this 20th anniversary edition of Todd Strasser’s gut-wrenching and critically acclaimed Give a Boy a Gun, two boys bring guns to school in search of revenge against their classmates. For as long as they can remember, Brendan and Gary have been mercilessly teased and harassed by the jocks who rule Middletown High. But not anymore. Stealing a small arsenal of guns from a neighbor, they take their classmates hostage at a school dance. In the panic of this desperate situation, it soon becomes clear that only one thing matters to Brendan and Gary: revenge. This special 20th anniversary edition includes updated backmatter and statistics on school shootings—a topic that is now more relevant than ever.

Award-winning author James Alan Gardner returns to the superheroic fantasy world of All Those Explosions Were Someone Else's Fault with They Promised Me The Gun Wasn't Loaded. Only days have passed since a freak accident granted four college students superhuman powers. Now Jools and her friends (who haven’t even picked out a name for their superhero team yet) get caught up in the hunt for a Mad Genius’s misplaced super-weapon. But when Jools falls in with a modern-day Robin Hood and his band of super-powered Merry Men, she finds it hard to sort out the Good Guys from the Bad Guys—and to figure out which side she truly belongs on. Especially since nobody knows exactly what the Gun does . . . .

Best Books of the Year: Financial Times, The Economist Book of the Year: The Leaflet (International Forum on the Future of Constitutionalism) Longlisted for the Cundill History Prize Profiled in The New Yorker New York Times Book Review • Editors’ Choice Vivid and magisterial, The Gun, the Ship, and the Pen reconfigures the rise of a modern world through the advent and spread of written constitutions. A work of extraordinary range and striking originality, The Gun, the Ship, and the Pen traces the global history of written constitutions from the 1750s to the twentieth century, modifying accepted narratives and uncovering the close connections between the making of constitutions and the making of war. In the process, Linda Colley both reappraises famous constitutions and recovers those that have been marginalized but were central to the rise of a modern world. She brings to the fore neglected sites, such as Corsica, with its pioneering constitution of 1755, and tiny Pitcairn Island in the Pacific, the first place on the globe permanently to enfranchise women. She highlights the role of unexpected players, such as Catherine the Great of Russia, who was experimenting with constitutional techniques with her enlightened Nakaz decades before the Founding Fathers framed the American constitution. Written constitutions are usually examined in relation to individual states, but Colley focuses on how they crossed boundaries, spreading into six continents by 1918 and aiding the rise of empires as well as nations. She also illumines their place not simply in law and politics but also in wider cultural histories, and their intimate connections with print, literary creativity, and the rise of the novel. Colley shows how—while advancing epic revolutions and enfranchising white males—constitutions frequently served over the long nineteenth century to marginalize indigenous people, exclude women and people of color, and expropriate land. Simultaneously, though, she investigates how these devices were adapted by peoples and activists outside the West seeking to resist European and American power. She describes how Tunisia generated the first modern Islamic constitution in 1861, quickly suppressed, but an influence still on the Arab Spring; how Africanus Horton of Sierra Leone—inspired by the American Civil War—devised plans for self-governing nations in West Africa; and how Japan’s Meiji constitution of 1889 came to compete with Western constitutionalism as a model for Indian, Chinese, and Ottoman nationalists and reformers. Vividly written and handsomely illustrated, The Gun, the Ship, and the Pen is an absorbing work that—with its pageant of formative wars, powerful leaders, visionary lawmakers and committed rebels—retells the story of constitutional government and the evolution of ideas of what it means to be modern.

The war between society and the antisocial personality has long been a subject of fascination, and few have explored it as thoroughly as award-winning author Jack Olsen. In his national best seller Son: A Psychopath and His Victims, Olsen studied a psychopathic rapist who found the perfect protective coloration in jogging shoes and sweats. In this book, the story of Claude Lafayette Dallas, Jr., Olsen takes on perhaps his most challenging assignment -- explicating the curious relationship between a homicidal young "mountain man" and those who saw in his colorful ways the embodiment of the cowboy mystique of the West. On a snow-blown day, Dallas killed two game wardens who entered his trapping and poaching camp in ldaho's Owyhee Desert. The cold-bloodedness of Dallas's crime shocked the West. Stained with his victim's blood. he confessed to a companion, "This is Murder One for me." Then Claude Dallas vanished into the wild and rugged mountains that had sheltered him for so long. For fifteen long months he was the subject of an international manhunt until the FBI and a drawling country sheriff joined forces to run him to earth in a rain of bullets. Only then did lawmen learn about the network of friends who had helped him elude capture. To some of Dallas's rustic neighbors the deadly progression from cowboy to poacher to killer seemed justifiable, even admirable. Clanking around the bars and barrancas of the high desert country in his hand-filed spurs and well-oiled guns, Claude Dallas had brought a strange new madness to the mythology of the West, a madness that even a jury of his peers found nostalgically seductive in a sensational trial. Claude Dallas came within a whisker of going free. Only Jack Olsen, through painstaking research into Dallas's background and exhaustive on-the-scene interviewing, could unravel such a rat's nest of contradictions and confusions and create so compelling a portrait of the killer whose bloody deeds might have been foreordained from childhood. From Publishers Weekly Claude Dallas Jr. was raised in Upper Michigan and Ohio by a father whose philosophy was "give a boy a gun and you're makin' a man." After high school, the young man went to the rugged border area of Idaho, Oregon and Nevada and worked as a cow-puncher and handyman on several ranches. But his dream was evidently to become a 19th centurystyle mountain man and so he turned to poaching, often killing animals even though he had no need for the meat. In 1981, he killed two game wardens in front of a witness. On the run for 15 months, he was eventually captured in a shootout and found guilty of manslaughter in a singularly bizarre trial. From Library Journal ``Give a boy a gun and you're makin' a man,'' Claude Dallas, Sr., is quoted as saying in this book about his son, Claude Jr., a self-made cowboy, trapper, and ``mountain man'' who was convicted of manslaughter in the shooting deaths of two Idaho game wardens. Claude Jr. was well-liked by many, including a sympathetic jury which rejected possible first or second degree murder verdicts. Was it a case of self-defense or outright murder? Olsen, who last wrote the popular `` Son'': a psychopath and his victims ( LJ 11/15/83), skillfully presents his viewpoint in a readable tale more reminiscent of Old West traditions than of the 1980s. Recommended.