Through the story of Tamara, an abused Native American child, North Dakota Senator Byron Dorgan describes the plight of many children living on reservations—and offers hope for the future. On a winter morning in 1990, U.S. Senator Byron Dorgan of North Dakota picked up the Bismarck Tribune. On the front page, a small Native American girl gazed into the distance, shedding a tear. The headline: "Foster home children beaten—and nobody's helping." Dorgan, who had been working with American Indian tribes to secure resources, was upset. He flew to the Standing Rock Indian Reservation to meet with five-year-old Tamara who had suffered a horrible beating at a foster home. He visited with Tamara and her grandfather and they became friends. Then Tamara disappeared. And he would search for her for decades until they finally found each other again. This book is her story, from childhood to the present, but it's also the story of a people and a nation. More than one in three American Indian/Alaskan Native children live in poverty. AI/AN children are disproportionately in foster care and awaiting adoption. Suicide among AI/AN youth ages 15 to 24 is 2.5 times the national rate. How has America allowed this to happen? As distressing a situation as it is, this is also a story of hope and resilience. Dorgan, who founded the Center for Native American Youth (CNAY) at the Aspen Institute, has worked tirelessly to bring Native youth voices to the forefront of policy discussions, engage Native youth in leadership and advocacy, and secure and share resources for Native youth. You will fall in love with this heartbreaking story, but end the book knowing what can be done and what you can do.

Complex and hauntingly beautiful, Lygia Fagundes Telles's most acclaimed novel is a journey into the inner lives of three young women, each revealing her secrets and loves, each awaiting a destiny tied to the colorful and violent world of modern Brazil. Sensual and wealthy Lorena dreams of a tryst with a married man. Unhappy Lia burns with a frantic desire to free her imprisoned fiancé. Glamorous Ana Clara, unable to escape her past, falls toward a tragedy of drugs and obsession. Intimate and unforgettable, The Girl in the Photograph creates an extraordinary picture of the wonder and the darkness that come to possess a woman's mind, and stands as one of the greatest novels to come out of Brazil in the late twentieth century.

It's the summer of 1933 and Alice Eveleigh has arrived at Fiercombe Manor in disgrace. Hiding her shame in this isolated house concealed within a Gloucestershire valley in the care of housekeeper, Mrs Jelphs, Alice soon begins to sense that something isn't quite right within the walls of this beautiful manor - for one thing she is being watched. There are secrets at Fiercombe that those who remain there are determined to keep. Tragedy haunts the empty rooms and foreboding hangs heavy in the stifling heat. Traces of the previous occupant, Elizabeth Stanton, are everywhere, and Alice discovers Elizabeth's life eerily mirrors the path she herself is on. The past is set to repeat its sorrows, and with devastating consequences.

"More than any other Vietnam book in recent years, The Girl in the Picture confronts us with the ceaseless, ever-compounding casualties of modern warfare." —The San Francisco Chronicle On June 8, 1972, nine-year-old Kim Phuc, severely burned by napalm, ran from her blazing village in South Vietnam and into the eye of history. Her photograph-one of the most unforgettable images of the twentieth century-was seen around the world and helped turn public opinion against the Vietnam War. This book is the story of how that photograph came to be-and the story of what happened to that girl after the camera shutter closed. Award-winning biographer Denise Chong's portrait of Kim Phuc-who eventually defected to Canada and is now a UNESCO spokesperson-is a rare look at the Vietnam War from the Vietnamese point-of-view and one of the only books to describe everyday life in the wake of this war and to probe its lingering effects on all its participants.

Explores and analyzes the historical context and significance of the newspaper photograph of African American Elizabeth Eckford trying to enter Little Rock, Arkansas's all-white Central High School in 1957.

When she unearths a photograph of her mother--who had died when she was a child--inscribed to an unknown man, an Irish-American woman returns to Los Angeles to discover who her mother really was, only to meet with lies and deceptions.

In this haunting and richly imagined dual-narrative tale that echoes the eerie mystery of Rebecca and The Little Stranger, two women of very different eras are united by the secrets hidden within the walls of an English manor house. In 1933, naive twenty-two year-old Alice—pregnant and unmarried—is in disgrace. Her mother banishes her from London to secluded Fiercombe Manor in rural Gloucestershire, where she can hide under the watchful eye of her mother’s old friend, the housekeeper Mrs. Jelphs. The manor’s owners, the Stantons, live abroad, and with her cover story of a recently-deceased husband Alice can have her baby there before giving it up for adoption and returning home. But as Alice endures the long, hot summer at Fiercombe awaiting the baby’s birth, she senses that something is amiss with the house and its absentee owners. Thirty years earlier, pregnant Lady Elizabeth Stanton desperately hopes for the heir her husband desires. Tormented by the memory of what happened after the birth of her first child, a daughter, she grows increasingly terrified that history will repeat itself, with devastating consequences. After meeting Tom, the young scion of the Stanton family, Alice becomes determined to uncover the clan’s tragic past and exorcise the ghosts of this idyllic, isolated house. But nothing can prepare Alice for what she uncovers. Soon it is her turn to fear: can she escape the tragic fate of the other women who have lived in the Fiercombe valley . . .