A garment that responds to emotions, lace patterns that grow from a plant, textile that decomposes itself and fashion that literally zips people together ... With a critical look at today's fashion industry, more than fifty young designers and a number of illustrious innovators such as Viktor & Rolf and Comme des Garçons give us their vision of the fashion of tomorrow. The development of new technologies and a grasp of the importance of sustainability are what is driving young designers worldwide and causing them to expand the borders of the traditional fashion system. With their innovative solutions and fresh designs, this latest generation of fashion designers has arrived at the interface between fashion and art. At the invitation of Han Nefkens Fashion on the Edge, and scouted by fashion experts from around the world, six designers have each produced a new work especially for the exhibition 'The future of fashion is now': Iris van Herpen (the Netherlands), Digest Design Workshop (China), Lucía Cuba (Peru), Craig Green (Great Britain), D & K (Australia) and Olek (Poland/the United States). This book not only provides an overview of the work by the more than fifty designers being shown at the exhibition, but it also traces the development of and ideas behind the exhibition's special works. Exhibition: Museum Boijmans van Beuningen, Rotterdam, The Netherlands (11.10.2014-18.01.2015).

An investigation into the damage wrought by the colossal clothing industry--and the grassroots, high-tech, international movement fighting to reform it from a bestselling journalist who has traveled the globe to discover the visionary designers and companies who are propelling the industry toward that more positive future.ture.

The book explains in detail and with many examples the concept of responsible innovation by answering the following questions: How will the fashion industry be in 2030? What can the different stakeholders do in order to speed the responsible innovation? Which will be the role of traceability, circularity, cradle-to-cradle, collaborative consumption, B-corporations? How technologies can catalyze the change? How the consumers interested in sustainability can contribute to this change?

Sustainable Fashion provides a unique and accessible overview of fashion ethics and sustainability issues of the past, present and future. This book is the first to situate today's eco-fashion movement in its multifaceted historical context, investigating the relationship between fashion and the environment as far back as the early nineteenth century. Employing an expanded definition of sustainability that also considers ethical issues, Farley Gordon and Hill explore each stage of the fashion production cycle, from the cultivation of raw fibers to the shipment of the finished garment. Structured thematically, each of the six chapters is dedicated to the discussion of one major issue, from recycling and repurposing to labor practices and the treatment of animals. Including interviews with eco-fashion designers, Sustainable Fashion will appeal to students and scholars of fashion, as well as students of design, history and cultural studies.

At heart, this book aims to inspire fearless innovators committed to spearheading the future of fashion. It is for all of us looking to make a positive impact in an industry that we love and care about. It is increasingly acknowledged that the practice of design is not exclusive to designers, nor is it found only in studios. The materials, garments, services, shows, supply chains and stores that make up the fashion industry all work the way they do because of innumerable design decisions, made by creatives all over the world. Circular design goes far beyond rethinking single products or services, it has the potential to redefine how the entire fashion system operates. It's a chance for anyone in the fashion industry - regardless of job title - to support the shift to a circular economy where, by design, waste and pollution are eliminated, products and materials are circulated, and nature is regenerated. Circular design is a pioneering practice of design. It is the creative opportunity of the coming decade for the creatives, innovators, and pioneers who seek to reshape the fashion industry.

This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.