In The Fourth Gospel and the Manufacture of Minds, Tyler Smith offers an account of how conventions for representing minds in ancient historiography, biography, romance, and drama illuminate the cognitive dimension of the Fourth Gospel.

When studying irony in the Gospel of John, scholars have largely relied on modern literary theories and anachronistic interpretive tools. In this book, Dr. Tat Yan Lee pushes beyond contemporary interpretations to examine the literary context of the Gospel’s original audience. Utilizing Aristotle’s Poetics and drawing parallels between John’s Gospel and ancient Greek tragedy, Dr. Lee offers a fresh perspective on the role of dramatic irony within the text. His exploration of Aristotelian theory highlights the significance of emotion as an intended by-product of ancient drama and provides a critical method for establishing plausible early readings of the Gospel and its dramatic devices. Offering present-day readers a chance to encounter John’s Gospel through ancient eyes, this book holds valuable insight for Johannine scholars, classicists, students of literary theory, and all those desiring greater insight into the gospel and its impact.

The annual Review of Biblical Literature presents a selection of reviews of the most recent books in biblical studies and related fields, including topical monographs, multi-author volumes, reference works, commentaries, and dictionaries. RBL reviews German, French, Italian, and English books and offers reviews in those languages.

This volume reimagines the first-century reception of the Gospel of Mark within a reconstructed (yet hypothetical) performance event. In particular, it considers the disciples' character and characterization through the lens of performance criticism. Questions concerning the characterization of the disciples have been relatively one-sided in New Testament scholarship, in favor of their negative characterization. This project demonstrates why such assumptions need not be necessary when we (re-)consider the oral/aural milieu in which the Gospel of Mark was first composed and received by its earliest audiences.

This volume explores the creation of the collection now known as the New Testament. While it is generally accepted that it did not emerge as a collection prior to the late second century CE, a more controversial question is how it came to be. How did the writings that make up the New Testament—The Gospels, the so-called Praxapostolos (Acts and the canonical letters), the Epistles of Paul, and Revelation—make their way into the collection, and what do we know about their possible historical origins, and in turn the emergence of the New Testament itself? The New Testament as we know it first became recognisable in more detail in Irenaeus of Lyon towards the end of the second century CE. However, questions remain as to how and by whom was it redacted. Was it a slow, organic process in which texts written by different authors, members of different communities and in various places, grew together into one book? Or were certain writings compiled on the basis of an editorial decision by an individual or a group of editors, revised for this purpose and partly harmonised with each other? This volume sketches out the complex development of the New Testament, arguing that key second century scholars played an important role in the emergence of the canonical collection and putting forward the possible historical origins of the text’s composition. Christ’s Torah: The Making of the New Testament in the Second Century is of interest to students and scholars working on the New Testament and anyone with an interest in early Christianity more broadly.

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