A woman recounts her summer internship at the White House during which she engaged in an affair with the president of the United States that, when exposed, destroyed her and the presidency, and tries to make sense of her actions.

When film producer Kathy Walker suspects her husband of being unfaithful, she must decide whether to follow her suspicions at the risk of destroying everything, or trust the man she's been married to for 18 years. Original. A first novel.

The #1 New York Times bestselling authors of The Nanny Diaries return with “a convincing portrait of a damaged young woman whose head is turned by the attentions of a dashing and powerful political figure.…An utterly absorbing page-turner” (Booklist). I was twenty-two years old only three weeks out of college. I thought my whole life was beginning...then he kissed me. Jamie McAlister has resigned herself to the fact that in this job market, her painfully expensive degree might only get her a position at Starbucks, when she suddenly lands a prestigious internship at the White House. Although she doesn’t hit it off with the other interns—who come from so much money that ten weeks without a paycheck doesn’t faze them—she is eager to work hard and make the best of the opportunity while it lasts. An unexpected encounter late one evening with the charismatic President Gregory Rutland seems like just a fleeting flirtation, but when he orchestrates clandestine meetings and late-night phone calls, their relationship quickly escalates. Jamie knows what she is doing is wrong: he’s married, he has kids, he’s the President. Yet each time she tries to extricate herself, Greg pulls her back in. With the conflicted desires of the most powerful man in the world driving her to her breaking point, Jamie can’t help but divulge intimate details to those closest to her. But she must have confided in the wrong person, because she soon finds herself, and everyone she cares about, facing calculated public destruction at the hands of Greg’s political enemies, and—perhaps no matter how much he cares about her—at the hands of Greg himself.

Making it up the aisle was the easy part: Rebecca "Bex" Porter must survive her own scandals and adjust to royal British life in this "positively delicious" follow-up to The Royal We that's "just as fun, charming, and delightful as the first" (Taylor Jenkins Reid). After a scandalous secret turns their fairy-tale wedding into a nightmare, Rebecca "Bex" Porter and her husband Prince Nicholas are in self-imposed exile. The public is angry. The Queen is even angrier. And the press is salivating. Cutting themselves off from friends and family, and escaping the world's judgmental eyes, feels like the best way to protect their fragile, all-consuming romance. But when a crisis forces the new Duke and Duchess back to London, the Band-Aid they'd placed over their problems starts to peel at the edges. Now, as old family secrets and new ones threaten to derail her new royal life, Bex has to face the emotional wreckage she and Nick left behind: with the Queen, with the world, and with Nick's brother Freddie, whose sins may not be so easily forgotten—nor forgiven.

This book has been replaced by Getting Past the Affair, Second Edition, ISBN 978-1-4625-4748-7.

BONUS: This edition contains an excerpt from Mary Balogh's The Secret Mistress. Born a commoner, Hannah Reid has been Duchess of Dunbarton since she was nineteen years old. Now her husband is dead and, more beautiful than ever at thirty, Hannah has her freedom at last. To the shock of a conventional friend, she announces her intention to take a lover—and not just any lover, but the most dangerous and delicious man in all of upper-class England: Constantine Huxtable. Constantine’s illegitimacy has denied him the title of earl, so now he denies himself nothing. Rumored to be living the easy life of a sensualist on his country estate, he always chooses recent widows for his short-lived affairs. Hannah will fit the bill nicely. But once these two passionate and scandalous figures find each other, they discover that it isn’t so easy to extricate oneself from the fires of desire—without getting singed.

"Ending the Affair is a critical account of the state of current affairs television in Australia today. It questions its future, draws lessons from the past and shows why television current affairs matters."--BOOK JACKET.