Almost a century after his untimely death in 1922, this lively new assessment looks at the man Michael Collins described as 'father of us all', and reclaims Griffith as the founder of both Sinn Fein and the Irish Free State. Since his death when President of Dail Eireann, Griffith's role has often been misrepresented. Too radical for Fine Gael, he was not militant enough for opponents of the Anglo-Irish Treaty. Kenny argues that efforts to 'other' Griffith as 'un-Irish' raise uncomfortable questions about Irish identity. Griffith is also shown to have become a scapegoat for Irish anti-Semitism, which he rejected, and his courage in signing the Treaty to end the War of Independence, when Eamon de Valera refused to go to London, is highlighted. A dedicated nationalist and intellectual, as well as a skilled editor and balladeer, Griffith encouraged women to become involved in the struggle for national independence, and, unusually for his time, was able to distinguish between Oscar Wilde's private life and his work. His complex relationships with W.B. Yeats and James Joyce are also revealed in significant new ways. The Enigma of Arthur Griffith brings the real Arthur Griffith back into focus for a new generation.

Almost a century after his untimely death in 1922, this lively and insightful new assessment explores the man Michael Collins described as ‘father of us all’ and reclaims Arthur Griffith as the founder of both Sinn Féin and the Irish Free State. Since his death when President of Dáil Éireann, Griffith’s role has often been misrepresented. Too radical for some, he was not militant enough for others. His legacy belongs to no single political party today. Colum Kenny argues that efforts to ‘other’ Griffith as ‘un-Irish’ raise uncomfortable questions about Irish identity. A dedicated activist and intellectual, as well as a skilled editor and balladeer, Griffith knew what it meant to be poor. He encouraged women to get involved in the struggle for Irish independence, and, unusually for his time, distinguished between Oscar Wilde’s private life and his work. Griffith’s complex relationships with Maud Gonne, W.B. Yeats and James Joyce are revealed here in significant new ways. The Enigma of Arthur Griffith brings the ‘father of us all’ into focus for a new generation.

As a working-class Dubliner who played a crucial role in inspiring and leading Dáil Éireann in its formative stages, Arthur Griffith's life and world is one of the greatest windows into understanding the dynamics of the Irish revolution. Owen McGee's authoritative biography is based on fascinating original research and presents a fresh analysis and interpretation of Griffith's life and the economic basis of the political history of the era. Griffith has been typified as 'the last Young Irelander' and Owen McGee's masterly account reflects on this by examining the very different conceptions of Irish nationalism that existed before and after the formation of the Irish state. It also suggests that Griffith's belief in the importance of economic freedoms and the ability of an independent Ireland to provide for its own people, was an ideal that inspired the subsequent evolution of the Irish state.

'The Black and Tans [raises voice] raided my aunt's house where my mother was in bed at three o'clock in the morning ... I was due to be born three days later ... she got a stroke of paralysis and lost the power of all her left side. So I never saw my mother walk ... she could get around with the aid of a chair.'Stories of the Black and Tans have been told across Ireland since the force was first released into the country in March 1920. Casting a dark and lingering shadow, they remain an evocative and emotive category of memory. For people who lived through it and those who inherited associated stories, the Black and Tans were the embodiment of British repression, violence and malevolence. The Irish War of Independence is a landmark in the chronology of Irish history and profoundly affected all areas of life. Much of that experience was never recorded.Based on Tomás Mac Conmara's almost two decades of oral history recordings, selected from over 400 interviews, as well as access to multiple private family collections, The Time of the Tans illuminates the stories of a period that has dominated the historical consciousness of Ireland. From direct testimony of 105-year-old Margaret Hoey, to the inherited tradition of Flan O'Brien, who was born in 1927, the stories pulsate with an intensity of emotion. The majority of interviewees who were recorded for this research have sadly since passed away. Now, their memories which have been preserved for posterity, breathe new life into an enduringly important period in modern Irish history.

A fighter pilot who flew 75 combat missions in World War I, George C. Kenney was a charismatic leader who established himself as an innovative advocate of air power. As General MacArthur's air commander in the Southwest Pacific during World War II, Kenney played a pivotal role in the conduct of the war, but until now his performance has remained largely unexplored. Thomas Griffith offers a critical assessment of Kenney's numerous contributions to MacArthur's war efforts. He depicts Kenney as a staunch proponent of airpower's ability to shape the outcome of military engagements and a commander who shared MacArthur's strategic vision. He tells how Kenney played a key role in campaigns from New Guinea to the Philippines; adapted aircraft, pilots, doctrine, and technology to the demands of aerial warfare in the southwest Pacific; and pursued daring strategies that likely would have failed in the European theater. Kenney is shown to have been an operational and organizational innovator who was willing to scrap doctrine when the situation called for ingenuity, such as shifting to low-level attacks for more effective bombing raids. Griffith tells how Kenney established air superiority in every engagement, provided close air support for troops by bombing enemy supply lines, attacked and destroyed Japanese supply ships, and carried out rapid deployment by airlifting troops and supplies. Griffith draws on Kenney's diary and correspondence, the personal papers of other officers, and previously untapped sources to present a comprehensive portrayal of both the officer and the man. He illuminates Kenney's relationship with MacArthur, General "Hap" Arnold, and other field commanders, and closely examines factors in air warfare often neglected in other accounts, such as intelligence, training, and logistical support. MacArthur's Airman is a rich and insightful study that shows how air, ground, and marine efforts were integrated to achieve major strategic objectives. It firmly establishes the importance of MacArthur's campaign in New Guinea and reveals Kenney's instrumental role in turning the tide against the Japanese.

Ezra Pound referred to 1922 as Year One of a new era. It was the year that began with the publication of James Joyce's Ulysses and ended with the publication of T. S. Eliot's The Waste Land, two works that were arguably "the sun and moon" of modernist literature, some would say of modernity itself. In Constellation of Genius, Kevin Jackson puts the titanic achievements of Joyce and Eliot in the context of the world in which their works first appeared. As Jackson writes in his introduction, "On all sides, and in every field, there was a frenzy of innovation." It is in 1922 that Hitchcock directs his first feature; Kandinsky and Klee join the Bauhaus; the first AM radio station is launched; Walt Disney releases his first animated shorts; and Louis Armstrong takes a train from New Orleans to Chicago, heralding the age of modern jazz. On other fronts, Einstein wins the Nobel Prize in Physics, insulin is introduced to treat diabetes, and the tomb of Tutankhamun is discovered. As Jackson writes, the sky was "blazing with a ‘constellation of genius' of a kind that had never been known before, and has never since been rivaled." Constellation of Genius traces an unforgettable journey through the diaries of the actors, anthropologists, artists, dancers, designers, filmmakers, philosophers, playwrights, politicians, and scientists whose lives and works—over the course of twelve months—brought a seismic shift in the way we think, splitting the cultural world in two. Was this a matter of inevitability or of coincidence? That is for the reader of this romp, this hugely entertaining chronicle, to decide.