Archaeologist Brandon Thackery and his rival Miles 'Klicks' Jordan fulfill a dinosaur lover's dream with history's first time-travel jaunt to the late Mesozoic. Hoping to solve the extinction mystery, they find Earth's gravity is only half its 21st century value and dinosaurs that behave very strangely. Could the slimey blue creatures from Mars have something to do with both? At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

China's reform era is ending. Core factors that characterized it-political stability, ideological openness, and rapid economic growth-are unraveling. Since the 1990s, Beijing's leaders have firmly rejected any fundamental reform of their authoritarian one-party political system, and on the surface, their efforts have been a success. But as Carl Minzner shows, a closer look at China's reform era reveals a different truth. Over the past three decades, a frozen political system has fueled both the rise of entrenched interests within the Communist Party itself, and the systematic underdevelopment of institutions of governance among state and society at large. Economic cleavages have widened. Social unrest has worsened. Ideological polarization has deepened. Now, to address these looming problems, China's leaders are progressively cannibalizing institutional norms and practices that have formed the bedrock of the regime's stability in the reform era. End of an Era explains how China arrived at this dangerous turning point, and outlines the potential outcomes that could result.

Chris McDonnell’s Steven Universe: End of an Era is the eagerly anticipated follow-up to the bestselling behind-the-scenes companion book Steven Universe: Art & Origins. Foreword by Hugo Award–winning author N. K. Jemisin Showcasing new concept art, storyboards, background paintings, and exclusive interviews, End of an Era will update the history of the Emmy Award–winning series to cover season four through to the critically acclaimed finale, “Change Your Mind,” and beyond. Fans will find a special focus on creator and showrunner Rebecca Sugar’s elaborate process for creating the lore for the series, as she and the crew reveal how they discovered and developed the complete story arc for each character, as well as how they were able to design a show that so refreshingly captures and celebrates the experience of childhood. Steven Universe: End of an Era is a heartfelt send-off to one of the most progressive, imaginative, and beloved animated series of our time. “This book extends the life of this treasured animated series.” —Variety

In The End of the Republican Era, Theodore J. Lowi predicts not only a collapse of the Republican coalition but also the potential collapse of the United States’ republican experiment at large. Professing that the ideologies of dominant political coalitions contain the seeds of their own destruction, Lowi suggests that the efforts of a new conservative Right to enforce a national, religion-based morality has brought about the demise of the Republican era. A new, in-depth afterword by Lowi brings the text up to date with a discussion of political events since the book’s original publication. Noting the appearance of the new Conservative coalition, whose ideology runs counter to that of the traditional Republican party, Lowi affirms that the Republican era did in fact come to an end during the 1990s, having morphed into a Conservative party.

"[W]e can't come off as a bunch of angry white men.” Robert Bennett, chairman of the Ohio Republican Party One of the enduring legacies of the 2012 Presidential campaign was the demise of the white American male voter as a dominant force in the political landscape. On election night, after Obama was announced the winner, a distressed Bill O'Reilly lamented that he didn't live in “a traditional America anymore.” He was joined by others who bellowed their grief on the talk radio airwaves, the traditional redoubt of angry white men. Why were they so angry? Sociologist Michael Kimmel, one of the leading writers on men and masculinity in the world today, has spent hundreds of hours in the company of America's angry white men – from white supremacists to men's rights activists to young students –in pursuit of an answer. Angry White Men presents a comprehensive diagnosis of their fears, anxieties, and rage. Kimmel locates this increase in anger in the seismic economic, social and political shifts that have so transformed the American landscape. Downward mobility, increased racial and gender equality, and a tenacious clinging to an anachronistic ideology of masculinity has left many men feeling betrayed and bewildered. Raised to expect unparalleled social and economic privilege, white men are suffering today from what Kimmel calls "aggrieved entitlement": a sense that those benefits that white men believed were their due have been snatched away from them. Angry White Men discusses, among others, the sons of small town America, scarred by underemployment and wage stagnation. When America's white men feel they've lived their lives the ‘right' way – worked hard and stayed out of trouble – and still do not get economic rewards, then they have to blame somebody else. Even more terrifying is the phenomenon of angry young boys. School shootings in the United States are not just the work of “misguided youth” or “troubled teens”—they're all committed by boys. These alienated young men are transformed into mass murderers by a sense that using violence against others is their right. The future of America is more inclusive and diverse. The choice for angry white men is not whether or not they can stem the tide of history: they cannot. Their choice is whether or not they will be dragged kicking and screaming into that inevitable future, or whether they will walk openly and honorably – far happier and healthier incidentally – alongside those they've spent so long trying to exclude.

This is Shanghai, once the commercial capital of the Far East, in the days of the Chinese revolution. Shanghai-born Sam Tata returned there in 1949. His photographs show vividly the old Shanghai, a multi-racial city of swarming streets and alleys, and document Chinese city life, rich and poor, Europeans and Chinese, the flight of refugees, and summary trials and executions. The introduction tells the story of Shanghai, and gives the recollections of Chinese and Europeans living in the city at the time. Annotation copyrighted by Book News, Inc., Portland, OR