Dorothy Dunnett has earned worldwide acclaim for the masterful blending of historical fact and imagination in her two series of novels set in brilliantly reconstructed fifteenth- and sixteenth-century landscapes. The Dorothy Dunnett Companion II is an encyclopedic resource that completes and expands the reach of the first Companion in documenting the historical and literary riches of Dunnett's Lymond Chronicles and House of Niccolo novels. In this second guide, Elspeth Morrison not only covers the final three Niccolo novels for the first time, but also provides a wealth of additional information about all of the earlier novels and highlights the links between the two now-completed series. Once again, she illuminates the real figures and events and the cultural and literary allusions Dunnett weaves into her works, translating foreign phrases and offering up fascinating background details, from the history of golf and the argot of galley slaves to the uses of puffins and polar bears. Together with the first Companion, The Dorothy Dunnett Companion II provides a complete and essential guide to the world of Lymond and Niccolo.

Dorothy Dunnett has earned worldwide acclaim for the masterful blending of historical fact and imagination in her two series of novels set in brilliantly reconstructed fifteenth- and sixteenth-century landscapes. The Dorothy Dunnett Companion II is an encyclopedic resource that completes and expands the reach of the first Companion in documenting the historical and literary riches of Dunnett's Lymond Chronicles and House of Niccolo novels. In this second guide, Elspeth Morrison not only covers the final three Niccolo novels for the first time, but also provides a wealth of additional information about all of the earlier novels and highlights the links between the two now-completed series. Once again, she illuminates the real figures and events and the cultural and literary allusions Dunnett weaves into her works, translating foreign phrases and offering up fascinating background details, from the history of golf and the argot of galley slaves to the uses of puffins and polar bears. Together with the first Companion, The Dorothy Dunnett Companion II provides a complete and essential guide to the world of Lymond and Niccolo.

Here is a lovingly assembled, essential A-Z companion to Dorothy Dunnett’s brilliant Lymond Chronicles and the first five novels in the House of Niccolò series. Elspeth Morrison has re-created the author’s exhaustive original research, documenting her myriad sources and literary references. Foreign phrases are translated; poems and quotations presented in full; historical figures and events fleshed out; subtle allusions–and there are many–noted. From the origins of the Arabic drink qahveh to a recipe for quince paste, from the medical uses of ants and alum, to Zacco, Zenobia, and Zoroaster, this easy-to-use A-to-Z reference richly illuminates the intricacies of the complex and far-flung Renaissance world Dorothy Dunnett’s creations so colorfully inhabit.

Combining all the political intrigue of Game of Thrones with the sweeping romanticism of Outlander, Dorothy Dunnett’s legendary Lymond Chronicles have enthralled readers for decades and amassed legions of devoted fans. The first book in the series introduces Dunnett’s unforgettable antihero as he returns to Scotland with a wild plan to redeem his reputation and save his home. The year is 1547. Scotland is clinging to independence after a humiliating English invasion. Paradoxically, the country’s freedom may depend on a man who stands accused of treason. He is Francis Crawford of Lymond, a scapegrace nobleman of crooked felicities and murderous talents, with a scholar’s erudition and a wicked tongue. Clawing his way back into a country that has outlawed him, and to a family that has turned its back on him, Lymond will prove that he has both the will and the cunning to clear his name and defend his people—no matter the cost.

Back in print by popular demand--"A stunning revelation of the historical Macbeth, harsh and brutal and eloquent." --Washington Post Book World. With the same meticulous scholarship and narrative legerdemain she brought to her hugely popular Lymond Chronicles, our foremost historical novelist travels further into the past. In King Hereafter, Dorothy Dunnett's stage is the wild, half-pagan country of eleventh-century Scotland. Her hero is an ungainly young earl with a lowering brow and a taste for intrigue. He calls himself Thorfinn but his Christian name is Macbeth. Dunnett depicts Macbeth's transformation from an angry boy who refuses to accept his meager share of the Orkney Islands to a suavely accomplished warrior who seizes an empire with the help of a wife as shrewd and valiant as himself. She creates characters who are at once wholly creatures of another time yet always recognizable--and she does so with such realism and immediacy that she once more elevates historical fiction into high art.

Dorothy Dunnett died in November 2001. She left behind this anthology, chosen by her from the hundreds of poems that she used in her series of novels known as The Lymond Chronicles. It contains an extensive collection of Renaissance poetry, featuring work by Thomas Wyatt and King James I, extracts from the Psalms and even an anonymous poem called Monologue of a Drunkard. As Dorothy herself writes, here in one volume is the poetry of love, of folk-humour and ballad, the songs of Persian poets and of the troubadours, translated where need be into English.

In this fourth book in the legendary Lymond Chronicles, Francis Crawford of Lymond desperately searches the Ottoman empire for his kidnapped child. Somewhere within the bejeweled labyrinth of the Ottoman empire, a child is hidden. Now his father, Francis Crawford of Lymond, soldier of fortune and the exiled heir of Scottish nobility, is searching for him while ostensibly engaged on a mission to the Turkish Sultan. At stake is the political order of three continents, for Lymond's child is a pawn in a cutthroat game whose gambits include treason, enslavement, and murder. In that game's final move, which is played inside the harem of the Topkapi palace, Lymond will come face to face with his most implacable enemy and the dreadful ambiguities of his own nature. With a Foreword by the author.