Will all evil finally turn to good, or does some evil remain stubbornly opposed to God and God's goodness? Will even the devil be redeemed? Addressing a theological issue of perennial interest, this comprehensive book (in two volumes) surveys the history of Christian universalism from the second to the twenty-first century and offers an interpretation of how and why universalist belief arose. The author explores what the church has taught about universal salvation and hell and critiques universalism from a biblical, philosophical, and theological standpoint. He shows that the effort to extend grace to everyone undermines the principle of grace for anyone.

And no one knows that better than Sammy Divine. Once an angel, now cast down, Sammy’s out to prove he’s not the only angel who can be led into temptation . . . Hope Henderson’s sister has disappeared without a trace, and Hope will do anything to find her—even make a deal with the Devil. An ancient text holds the key to unspeakable power, and it’s the Archangel Gabriel’s job to make sure it stays hidden, even if he has to become mortal to do it. Lives, love, and the fate of the world hang in the balance, as Hope and Gabriel learn that when passion’s involved, desire can be a devil that’s impossible to control.

This book offers a broad-based study of Jonathan Edwards as a religious thinker. Much attention has been given to Edwards in relation to his Puritan and Calvinist forebears. McClymond, however, examines Edwards in relation to his eighteenth-century intellectual context. In each of six chapters, he contextualizes and interprets some text or issue in Edwards within the emergent post-Lockean, post-Newtonian culture of the English-speaking world of the 1700s. Among the topics considered are spiritual perception, metaphysics, contemplation, ethics and morality, and apologetics.

In the minds of some, universal salvation is a heretical idea that was imported into Christianity from pagan philosophies by Origen (c.185–253/4). Ilaria Ramelli argues that this picture is completely mistaken. She maintains that Christian theologians were the first people to proclaim that all will be saved and that their reasons for doing so were rooted in their faith in Christ. She demonstrates that, in fact, the idea of the final restoration of all creation (apokatastasis) was grounded upon the teachings of the Bible and the church’s beliefs about Jesus’ total triumph over sin, death, and evil through his incarnation, crucifixion, resurrection, and ascension. Ramelli traces the Christian roots of Origen’s teaching on apokatastasis. She argues that he was drawing on texts from Scripture and from various Christians who preceded him, theologians such as Bardaisan, Irenaeus, and Clement. She outlines Origen’s often-misunderstood theology in some detail and then follows the legacy of his Christian universalism through the centuries that followed. We are treated to explorations of Origenian universal salvation in a host of Christian disciples, including Athanasius, Didymus the Blind, the Cappadocian fathers, Evagrius, Maximus the Confessor, John Scotus Eriugena, and Julian of Norwich.

A new era of Witchblade begins in this series-changing volume as Sara Pezzini, the Witchblade bearer for 100 issues, gives up the mystical gauntlet to a new bearer in Dani Baptiste! The Witchblade is a mysterious gauntlet which bonds with a female bearer and serves as the Balance between the forces of Light and Dark. Detective Sara Pezzini, the current bearer has discovered she is pregnant and in order to safeguard her baby has given up the artifact to young dancer Dani Baptiste. Written by Ron Marz (Ion, Samurai: Heaven & Earth) and featuring art by Adriana Melo (Star Wars), Stjepan Sejic (First Born), and Sami Basri (Anita Blake) this volume introduces readers to Dani Baptiste and serves as a prologue for First Born. Collecting Witchblade #101-109, plus cover gallery for a massive nine-issue trade paperback.

The basis for the Apple TV+ show Black Bird. In with the Devil presents the true story of a young man destined for greatness on the football field—until a few wrong turns led him to a ten-year prison sentence. He was offered an impossible mission: Coax a confession out of a fellow inmate, a serial killer, and walk free. Jimmy Keene grew up outside of Chicago. Although he was the son of a policeman and rubbed shoulders with the city's elite, he ended up on the wrong side of the law and was sentenced to ten years with no chance of parole. Just a few months into his sentence, Keene was approached by the prosecutor who put him behind bars. He had convicted a man named Larry Hall for abducting and killing a fifteen-year-old. Although Hall was suspected of killing nineteen other young women, there was a chance he could still be released on appeal. If Keene could get him to confess to two murders, there would be no doubt about Hall's guilt. In return, Keene would get an unconditional release from prison. But he could also get killed. A story that gained national notoriety, this is Keene's powerful tale of peril, violence, and redemption.

Furthering his contribution to the science and religion debate, David Ray Griffin draws upon the cosmology of Alfred North Whitehead and proposes a radical synthesis between two worldviews sometimes thought wholly incompatible. He argues that the traditions designated by the names "scientific naturalism" and "Christian faith" both embody a great truth--a truth of universal validity and importance--but that both of these truths have been distorted, fueling the conflict between the visions of the scientific and Christian communities. Griffin contends, however, that there is no inherent conflict between science, or even the kind of naturalism that it properly presupposes, and the Christian faith, understood in terms of the primary doctrines of the Christian good news.