In Ireland, few figures have generated more hatred than Oliver Cromwell, whose seventeenth-century conquest, massacres, and dispossessions would endure in the social memory for ages to come. The Devil from over the Sea explores the many ways in which Cromwell was remembered and sometimes conveniently 'forgotten' in historical, religious, political, and literary texts, according to the interests of different communities across time. Cromwell's powerful afterlife in Ireland, however, cannot be understood without also investigating his presence in folklore and the landscape, in ruins and curses. Nor can he be separated from the idea of the 'Cromwellian': a term which came to elicit an entire chain of contemptuous associations that would begin after his invasion and assume a wholly new force in the nineteenth century. What emerges from all these memorializing traces is a multitudinous Cromwell who could be represented as brutal, comic, sympathetic, or satanic. He could be discarded also, tellingly, from the accounts of the past, and especially by those which viewed him as an embarrassment or worse. In addition to exploring the many reasons why Cromwell was so vehemently remembered or forgotten in Ireland, Sarah Covington finally uncovers the larger truths conveyed by sometimes fanciful or invented accounts. Contrary to being damaging examples of myth-making, the memorializations contained in martyrologies, folk tales, or newspaper polemics were often productive in cohering communities, or in displaying agency in the form of 'counter-memories' that claimed Cromwell for their own and reshaped Irish history in the process.

DIRK PITT IS BACK, AND ON HIS SHOULDERS RESTS THE FATE OF THE ENTIRE PLANET . . . JOIN THE LATEST THRILL RIDE FROM THE GRAND MASTER OF ADVENTURE, CLIVE CUSSLER _________ In 1959 a Skytrain plane flees Tibet - carrying a precious artefact - but after crossing the Himalayas it is never seen again . . . Sixty years later Dirk Pitt and NUMA are surveying near the Philippines when a rogue wave nearly sinks their ship. Diverting to rescue washed-away islanders, Pitt discovers the wave has raised a sunken relic - an ancient cargo plane. But before he can get to the bottom of one mystery, Pitt is hit with another: beat the Chinese military to find a lost hypersonic missile. Yet what should be a simple search and retrieve reveals evidence of a far more dangerous weapon. Because the rogue wave that almost sank Pitt and devastated the islands was no natural phenomenon. And the weapon that caused it is to be turned on a much bigger target . . . _________ Praise for Clive Cussler: 'The Adventure King' Sunday Express 'Just about the best in the business' New York Post 'Cussler is hard to beat' Daily Mail

Violet is in love with River, a mysterious 17-year-old stranger renting the guest house behind the rotting seaside mansion where Violet lives. But when eerie, grim events begin to happen, Violet recalls her grandmother's frequent warnings about the devil and wonders if River is evil.

In Ireland, few figures have generated more hatred than Oliver Cromwell, whose seventeenth-century conquest, massacres, and dispossessions would endure in the social memory for ages to come. The Devil from over the Sea explores the many ways in which Cromwell was remembered and sometimes conveniently 'forgotten' in historical, religious, political, and literary texts, according to the interests of different communities across time. Cromwell's powerful afterlife in Ireland, however, cannot be understood without also investigating his presence in folklore and the landscape, in ruins and curses. Nor can he be separated from the idea of the 'Cromwellian': a term which came to elicit an entire chain of contemptuous associations that would begin after his invasion and assume a wholly new force in the nineteenth century. What emerges from all these memorializing traces is a multitudinous Cromwell who could be represented as brutal, comic, sympathetic, or satanic. He could be discarded also, tellingly, from the accounts of the past, and especially by those which viewed him as an embarrassment or worse. In addition to exploring the many reasons why Cromwell was so vehemently remembered or forgotten in Ireland, Sarah Covington finally uncovers the larger truths conveyed by sometimes fanciful or invented accounts. Contrary to being damaging examples of myth-making, the memorializations contained in martyrologies, folk tales, or newspaper polemics were often productive in cohering communities, or in displaying agency in the form of 'counter-memories' that claimed Cromwell for their own and reshaped Irish history in the process.

Stranded on a desert island, a young man yearns for objects from his past. A local from a small coastal town in England is found dead as the tide goes out. A Norwegian whaling ship is stranded in the Arctic, its crew threatened by mysterious forces. In the nineteenth century, a ship drifts in becalmed waters in the Indian Ocean, those on it haunted by their evil deeds. A surfer turned diver discovers there are things worse than drowning under the sea. Something from the sea is creating monsters on land. In The Devil and the Deep, award-winning editor Ellen Datlow shares an all-original anthology of horror that covers the depths of the deep blue sea, with brand new stories from New York Times bestsellers and award-winning authors such as Seanan McGuire, Christopher Golden, Stephen Graham Jones, and more.

In 1916, a three-masted windjammer bearing Norwegian colours sailed out of a quiet anchorage in Germany, loaded with cargo and apparently bound for Australia. Her true mission was quite different. The ship was, in fact, the SMS Seeadler, commanded by swashbuckling German aristocrat Felix von Luckner. Over an epic voyage, he used cunning and deception to destroy fourteen merchant ships, all the while evading the utterly foxed and infuriated British Admiralty in a daring game of cat and mouse. This rip-roaring World War I story depicts a life of espionage, counterespionage and piracy of the most gentlemanly kind.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.