"Originally published in the United Kingdom in 2015 by Hot Key Books."

Like No Country for Old Men and Snow Falling on Cedars, a haunting, suspenseful, and dazzlingly written novel of secrets, corruption, tragedy, and vengeance from the author of Crazy Heart—the basis of the 2009 Academy Award-winning film—an electrifying crime drama and psychological thriller in which a young cop becomes the focal point for a community’s grief and rage in the aftermath of a tragic accident. Out on a rural highway on a cold, icy night, Patrolman Ronny Forbert sits in his cruiser trying to keep warm and make time pass until his shift ends. Then a familiar beater Jeep Cherokee comes speeding over a hill, forcing the rookie cop to chase after it. The driver is his old friend turned nemesis, Matt Laferiere, the rogue son of a man as beaten down as the town itself. Within minutes, what begins as a clear-cut arrest for drunk driving spirals out of control into a heated argument between two young men with a troubled past and ends in a fatal hit and run on an icy stretch of blacktop. As the news spreads around town, Police Chief Gordy Hawkins remains certain that Ronny Forbert followed the rules, at least most of them, and he’s willing to stand by the young cop. But a few manipulative people in town see opportunity in the tragedy. As uneasy relationships, dark secrets, and old grievances reveal themselves, the people of this small, tightly woven community decide that a crime must have been committed, and someone—Officer Ronny Forbert—must pay a price, a choice that will hold devastating consequences for them all.

When alcohol and depression overtakes Jim Delano, he forfeits his family, his friends and his job in Dallas-Fort Worth. Jim sets out in his old pickup to live an unencumbered life devoid of responsibility in sparsely populated west Texas. However, the accidental discovery of a dead immigrant worker leads him into a murky world of drugs and counterfeit cash. The only way to recover the life he left behind is through working undercover with his former mentor to bring down the syndicate that controls the desolate Texas town of San Mateo near the Mexican border.

After rescuing his parents, Danny returns to his old life, burying the taro that allowed him to speak to animals, trees, and the very storms that led to his adventure. Danny thinks he's left magic and mystery behind, but Sammael, a creature of terrible imagination, refuses to let him go. A strange new girl, Cath, enters Danny's world, bringing with her a message: Danny's cousin Tom has sold his soul to Sammael. It's up to Danny and Cath to find Tom and stop Sammael, who seeks to destroy humankind once and for all.

A 2016 Michael L. Printz Honoree "This is East Texas, and there's lines. Lines you cross, lines you don't cross. That clear?" New London, Texas. 1937. Naomi Vargas and Wash Fuller know about the lines in East Texas as well as anyone. They know the signs that mark them. They know the people who enforce them. But sometimes the attraction between two people is so powerful it breaks through even the most entrenched color lines. And the consequences can be explosive. Ashley Hope Pérez takes the facts of the 1937 New London school explosion—the worst school disaster in American history—as a backdrop for a riveting novel about segregation, love, family, and the forces that destroy people.

The story of the color black in art, fashion, and culture—from the beginning of history to the twenty-first century Black—favorite color of priests and penitents, artists and ascetics, fashion designers and fascists—has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color. For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings—and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful—and ambivalent—shaper of social, symbolic, and ideological meaning in European societies. With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design.