Batman and Robin go up against the Joker who is stealing royal treasures with the help of a giant flying playing card.

Batman and Robin go up against the Joker who is stealing royal treasures with the help of a giant flying playing card.

A guide to the most memorable quotes by Gotham’s clown prince of crime, The Joker! As one of Gotham’s most notorious criminal masterminds and Batman’s archenemy, The Joker has shared lots of cracks and quips throughout his comic history. Now readers can enjoy the clown prince’s wisdom in this collectible tiny book. Part of an exciting new series of miniature comic book titles, this book compiles all of The Joker’s cleverest quotes and wittiest banter along with classic artwork in an appealing mini package.

The Joker’s debuted as a “typical hoodlum” and yet, he has grown and changed over time, to become what is often called “The Clown Prince of Crime.” This work takes a close look at the Joker and examines his place in our cultural landscape to better understand how it is that he fascinates us all.

Traces the life and career of the influential producer, shares the impressions of those who worked with him, and surveys Warner Brothers films.

Explores the character of the Joker and his significance as the quintessential villain.

Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today. Batman’s foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.