Finalist for the Helen Bernstein Book Award for Excellence in Journalism From a New York Times investigative reporter, this “authoritative and devastating account of the impacts of social media” (New York Times Book Review) tracks the high-stakes inside story of how Big Tech’s breakneck race to drive engagement—and profits—at all costs fractured the world. The Chaos Machine is “an essential book for our times” (Ezra Klein). We all have a vague sense that social media is bad for our minds, for our children, and for our democracies. But the truth is that its reach and impact run far deeper than we have understood. Building on years of international reporting, Max Fisher tells the gripping and galling inside story of how Facebook, Twitter, YouTube, and other social network preyed on psychological frailties to create the algorithms that drive everyday users to extreme opinions and, increasingly, extreme actions. As Fisher demonstrates, the companies’ founding tenets, combined with a blinkered focus on maximizing engagement, have led to a destabilized world for everyone. Traversing the planet, Fisher tracks the ubiquity of hate speech and its spillover into violence, ills that first festered in far-off locales, to their dark culmination in America during the pandemic, the 2020 election, and the Capitol Insurrection. Through it all, the social-media giants refused to intervene in any meaningful way, claiming to champion free speech when in fact what they most prized were limitless profits. The result, as Fisher shows, is a cultural shift toward a world in which people are polarized not by beliefs based on facts, but by misinformation, outrage, and fear. His narrative is about more than the villains, however. Fisher also weaves together the stories of the heroic outsiders and Silicon Valley defectors who raised the alarm and revealed what was happening behind the closed doors of Big Tech. Both panoramic and intimate, The Chaos Machine is the definitive account of the meteoric rise and troubled legacy of the tech titans, as well as a rousing and hopeful call to arrest the havoc wreaked on our minds and our world before it’s too late.

When the crew of a Shoomaran freighter find themselves stranded on Earth in 5342 BC, they learn that the native inhabitants are destined to die out in only a thousand years. Aided by a machine that can foretell the future, they are able to make minor changes from time-to-time in order to keep mankind on the path to survival. However, in spite of all of their efforts, the clock will finally run out for everyone in less than a year from now. Unable to find a solution on their own, they turn to those that they have watched over for more than seven millennia. But will the humans be able to find a way to save the solar system from annihilation? The Chaos Machine is the first book of The Chaos Trilogy. It was originally intended to be a stand-alone novel, but continues with Second Contact. The third book, Mankind 2.0, bridges the first two books and ties everything together. Author's note: Whether you enjoy reading this or not, I would appreciate any honest reviews. It's the only way I can get any feedback as to how I'm doing as an author.

Buy now to get the main key ideas from Max Fisher's The Chaos Machine The conventional wisdom that social media brings out the worst in people is accurate, but it doesn’t go far enough. In The Chaos Machine (2022), international reporter Max Fisher uncovers just how deeply and negatively social media has affected our world. Big tech companies have allowed their unsupervised algorithms to exploit weaknesses in the human mind, earning them billions of dollars by spreading misinformation and hate speech. Fisher provides a chilling exploration of the role social media played in the rise of Trumpism and far-right extremism, the genocides in Myanmar and Sri Lanka, and much more.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 I visited Facebook headquarters in late 2018, and among the artwork was a two-story mural painted by a Chinese artist flown in from the Guggenheim Museum. The mural reminded me of the Chinese artist who’d been featured at the museum. #2 In 2017, Jacob, the Indian man in charge of reviewing posts for Facebook and Instagram, noticed the posts growing more hateful, more conspiratorial, and more extreme. He felt his team’s ability to constrain this rising hate and incitement was hamstrung by the platforms’ secret rulebooks. #3 I would go to interview Facebook officials, and they would always have thoughtful answers about how they were going to fix the problems they were facing. But when I would ask about the dangers posed by the platform itself, a mental wall would go up. #4 Many within Facebook believe in the platform's ability to generate positive effects. The company's global-policy chief explained to me how the platform's algorithms and design deliberately shape users' experiences and incentives, but she seemed unaware that these elements are the core of the product.

When a mysterious alien woman from the planet Laertes convinces Dr. Bashir to gamble for her at Quark's gaming tables, things seem innocent enough. Yet the more Dr. Bashir wins, the more things go wrong in the Federation: Ore ships vanish. Planets lose their atmosphere. Suns go nova. The cause and effect is hard to understand, but is proven by the bizarre Laertian science called Complexity Theory. When Bashir tries to stop gambling, a Laertian warfleet appears to force him to continue, while on the planet Laertes itself Major Kira and Science Officer Dax must battle their way through chaos and danger to find a way to stop the Laertians -- and save Deep Space Nine™ and the Federation from utter destruction!

This book is the combined proceedings of the latest IFIP Formal Description Techniques (FDTs) and Protocol Specification, Testing and Verification (PSTV) series. It addresses FDTs applicable to communication protocols and distributed systems, with special emphasis on standardised FDTs. It features state-of-the-art in theory, application, tools and industrialisation of formal description.