“A dynamic group biography studded with design history and high-society dash . . . [This] elegantly wrought narrative bears the Cartier hallmark.”—The Economist The “astounding” (André Leon Talley) story of the family behind the Cartier empire and the three brothers who turned their grandfather’s humble Parisian jewelry store into a global luxury icon—as told by a great-granddaughter with exclusive access to long-lost family archives “Ms. Cartier Brickell has done her grandfather proud.”—The Wall Street Journal The Cartiers is the revealing tale of a jewelry dynasty—four generations, from revolutionary France to the 1970s. At its heart are the three Cartier brothers whose motto was “Never copy, only create” and who made their family firm internationally famous in the early days of the twentieth century, thanks to their unique and complementary talents: Louis, the visionary designer who created the first men’s wristwatch to help an aviator friend tell the time without taking his hands off the controls of his flying machine; Pierre, the master dealmaker who bought the New York headquarters on Fifth Avenue for a double-stranded natural pearl necklace; and Jacques, the globe-trotting gemstone expert whose travels to India gave Cartier access to the world’s best rubies, emeralds, and sapphires, inspiring the celebrated Tutti Frutti jewelry. Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family’s history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more. The Cartiers also offers a behind-the-scenes look at the firm’s most iconic jewelry—the notoriously cursed Hope Diamond, the Romanov emeralds, the classic panther pieces—and the long line of stars from the worlds of fashion, film, and royalty who wore them, from Indian maharajas and Russian grand duchesses to Wallis Simpson, Coco Chanel, and Elizabeth Taylor. Published in the two-hundredth anniversary year of the birth of the dynasty’s founder, Louis-François Cartier, this book is a magnificent, definitive, epic social history shown through the deeply personal lens of one legendary family.

In this “heady tale of romance, intrigue, and empowerment” (Pam Jenoff, New York Times bestselling author) during the Gilded Age, a determined and remarkable female journalist is determined to uncover the truth of the legendary Hope Diamond—from the New York Times bestselling author of Tiffany Blues. New York, 1910: A city of extravagant balls in Fifth Avenue mansions and poor immigrants crammed into crumbling Lower East Side tenements. A city where the suffrage movement is growing stronger every day, but most women reporters are still delegated to the fashion and lifestyle pages. But Vera Garland is set on making her mark in a man’s world of serious journalism. Shortly after the world-famous Hope Diamond is acquired for a record sum, Vera begins investigating rumors about schemes by its new owner, jeweler Pierre Cartier, to manipulate its value. Vera is determined to find the truth behind the notorious diamond and its mysterious curses, especially when her reporting puts her in the same orbit as a magazine publisher whose blackmailing schemes led to the death of her beloved father. Appealing to a young Russian jeweler for help, Vera is unprepared when she begins falling in love with him…and even more unprepared when she gets caught up in his deceptions and finds herself at risk of losing all she has worked so hard to achieve. “Vivid…[and] memorable” (Publishers Weekly), Cartier’s Hope is “a twisting tale of greed, revenge, and masked identities that put love and lives at risk. A fast-paced historical novel that shines with as much intrigue and mystery as the Hope Diamond itself” (Beatriz Williams, New York Times bestselling author).

This large coffee table book, about Cartier watches, should be seen as an addition to the collection of excellent books about Cartier, already on the market. Most of these excellent books give an overview of the history of 'La Maison', combined with photographs of watches, jewels tiaras and the famous people that wore those items. 'The 'Gentleman's Files' narrows this down to just men's watches, highlighting the period between 1985 and 2018. It was then that Cartier, for the first time, concentrated on a large range of men's models, from simple time-only models to highly complicated timepieces, often with visually strong ties to their designs from very early years. The watches described in the 'Gentleman's files' are my personal choice and just a selection of what Cartier released in that period. While form and function were united in harmony by 'La Maison' in these creations, it is their unique style that set them apart from any other brand. To do justice to this, the setup of this book is not chronological or aimed to provide you with every single detail of the watches shown, but rather to highlight their style in a unique way. It will, therefore, serve as a visual memento to some of the most stylish and tantalizing watch designs ever created.

Jacques Cartier's voyages of 1534, 1535, and 1541constitute the first record of European impressions of the St Lawrence region of northeastern North American and its peoples. The Voyages are rich in details about almost every aspect of the region's environment and the people who inhabited it. As Ramsay Cook points out in his introduction, Cartier was more than an explorer; he was also Canada's first ethnographer. His accounts provide a wealth of information about the native people of the region and their relations with each other. Indirectly, he also reveals much about himself and about sixteenth-century European attitudes and beliefs. These memoirs recount not only the French experience with the Iroquois, but alo the Iroquois' discovery of the French. In addition to Cartier's Voyages, a slightly amended version of H.P. Biggar's 1924 text, the volume includes a series of letters relating to Cartier and the Sieur de Roberval, who was in command of cartier on the last voyage. Many of these letters appear for the first time in English. Ramsay Cook's introduction, 'Donnacona Discovers Europe,' rereads the documents in the light of recent scholarship as well as from contemporary perspectives in order to understand better the viewpoints of Cartier and the native people with whom he came into contact.

Created with the full co-operation of Cartier, this exquisite book showcases the rich holdings of the Cartier Collection and archive. It features not only a sumptuous array of rings, bracelets, necklaces, and tiaras, but also cocktail and smoking accessories, mystery clocks and lavish objects created by Cartier's ateliers in Paris, London and New York. Organized thematically, the book features magnificent jewels and accessories owned by such arbiters of taste as Daisy Fellowes, the Duchess of Windsor, Princess Grace, Barbara Hutton and Elizabeth Taylor. Throughout, specially commissioned photographs of Cartier's legendary jewels are accompanied by vintage photographs - drawn from the Condé Nast and Cartier archives - of these royals, socialites and Hollywood stars in their Cartier finery, including work by Steichen, Horst, Beaton and Charbonneau.

The glory of classic Cartier jewelry is exhibited through fifty years worth of designs shown in this exhibition catalog. It shows how surprising the First Cartiers were, in two clear ways: first, art nouveau elements are almost totally absent. Instead there is a singular reinterpretation of the neoclassical vocabulary: floral motifs, acanthus scrolls, and garlands or drops. Care for detail in these architectural motifs-often in three dimensions-is paramount. At the same time, Cartier introduced the use of platinum for the mounts. This metal was more solid and more luminous but also harder to work. It required a revolution in setting techniques as well as new tools and underlying techniques. Layer by layer, these foundation designs raised Cartier to the position of visionary and pioneer.Specialists, collectors, fans of Cartier objects, and those who love decorative arts will discover a surprising new view of Cartier in this major catalog.