A warm and comforting read, set against the nation's favourite holiday camp, from bestselling author of The Woolworths Girls 'Molly Missons gazed around in awe. So this was Butlin's. Whitewashed buildings, bordered by rhododendrons, gave a cheerful feeling to a world still recovering from six years of war. The Skegness holiday camp covered a vast area, much larger than Molly expected to see.' Molly Missons hasn't had the best of times recently. Having lost her parents, now some dubious long-lost family have darkened her door - attempting to steal her home and livelihood... After a horrendous ordeal, Molly applies for a job as a Butlin's Aunty. When she receives news that she has got the job, she immediately leaves her small home town - in search of a new life in Skegness. Molly finds true friendship in Freda, Bunty and Plum. But the biggest shock is discovering that star of the silver screen, Johnny Johnson, is working at Butlin's as head of the entertainment team. Johnny takes an instant liking to Molly and she begins to shed the shackles of her recent traumas. Will Johnny be just the distraction Molly needs - or is he too good be to be true?

Can romance blossom in times of trouble? It's 1938 and as the threat of war hangs over the country, Sarah Caselton is preparing for her new job at Woolworths. Before long, she forms a tight bond with two of her colleagues: the glamorous Maisie and shy Freda. The trio couldn't be more different, but they immediately form a close-knit friendship, sharing their hopes and dreams for the future. Sarah soon falls into the rhythm of her new position, enjoying the social events hosted by Woolies and her blossoming romance with young assistant manager, Alan. But with the threat of war clouding the horizon, the young men and women of Woolworths realize that there are bigger battles ahead. It's a dangerous time for the nation, and an even more perilous time to fall in love . . . The first in Elaine Everest's Woolworths series, The Woolworths Girls is followed by the festive sequel, Christmas at Woolworths.

Even though there was a war on, the Woolworths girls brought Christmas cheer to their customers Best friends Sarah, Maisie and Freda are brought together by their jobs at Woolworths. With their loved ones away on the front line, their bonds of friendship strengthen each day. Betty Billington is the manager at Woolworths, and a rock for the girls, having given up on love . . . Until a mysterious stranger turns up one day – could he reignite a spark in Betty? As the year draws to a close, and Christmas approaches, the girls must rely on each other to navigate the dark days that lie ahead . . . With so much change, can their friendship survive the war? Following on from her bestselling debut The Woolworths Girls, Christmas at Woolworths is the heartfelt second book in Elaine Everest's Woolworths series.

The Woolworths girls have come a long way together . . . Fun loving Maisie, is devoted to her young family and her work at Woolworths. But her happy life with her RAF officer husband, their baby daughter leads her to think of the family she left behind . . . With the war now into its fourth year, what will she find when she sets about searching for them? Sarah and her husband, Alan, are blissfully happy and long for a sibling for their daughter. But dark days lay ahead for this close family. Freda heads home to Birmingham, to go in search of her family, back to the life she fled – far from the safety of Woolworths and her new friends. With families’ separated by war, will the Woolworths girls be able to pull together? Wartime at Woolworths is the third moving instalment in the much-loved Woolworths series by bestselling author Elaine Everest.

These vibrant photographs capture the unique and somewhat tragi-comic character of the most well-known of all British package holidays: the Butlin's 'jolliday'. Lewis, who worked at Butlin's in the 60s, returned to the Skegness camp in 1982 when the original vision was beginning to fade. Billy Butlin created his holiday attraction in the 1930s, when British workers were granted paid holidays for the first time and families were drawn by the promise of individual chalets, a theatre and a swimming pool.

The Patchwork Girls by Elaine Everest is a moving story about the ties of friends and family, set during the turbulence of the Second World War. 1939. After the sudden and tragic loss of her husband, Helen is returning home to her mother’s house in Biggin Hill, Kent – the one place she vowed she’d never go back to again. Alone and not knowing where to turn, Helen finds herself joining the local women’s sewing circle despite being hopeless with a needle and thread. These resourceful women can not only make do and mend clothes, quilts and woolly hats, but their friendship mends something deeper in Helen too. Lizzie is a natural leader, always ready to lend a helping hand or a listening ear. Effie has uprooted her life from London to keep her two little girls away from the bombing raids, and the sewing circle is a welcome distraction from worries about how to keep a roof over their heads and about her husband too, now serving in active duty overseas. When the reason for Helen's husband's death comes to light, her world is turned upside down yet again. The investigating officer on the case, Richard, will leave no stone unturned, but it’s not long before his interest in Helen goes beyond the professional. As she pieces together old fabrics into a beautiful quilt, will Helen patch up the rifts in her own life?

Our True Intent Is All For Your Delight features the vintage color photographs of the John Hinde postcard company, originally made in the 1970s for sale as postcards and published here in book form for the first time. Butlin's was a network of Holiday Camps that revolutionized the British holiday in the years following World War II and, by the 1970s, was attracting a million people each year. The John Hinde team of photographers documented Butlin's glamorous and kitsch bars and ballrooms with technical brilliance and with the participation of large casts of holidaymakers. Precursors to the art photography of Andreas Gursky and Jeff Wall, these images are simultaneously heart-warming and hilarious, with dazzling design and color. They are a unique social-historical record of Britain in the early 1970s, described by Martin Parr in his introduction as "some of the strongest images of Britain of the period." Martin Parr is a leading figure in British and European photography and a jackdaw collector of images and -postcards. Born in Epsom, Surrey, in 1952, he spent two summer breaks from college working as a "walkie" photographer at Butlin's, snapping holidaymakers for their family albums. His encounter at Butlin's with John Hinde's postcards helped determine his own style, and he came to fame in 1986 with color-saturated scenes of working-class British holidaymakers, The Last Resort. Author of over 30 photography books, his retrospective was shown at the Barbican Art Gallery, London, in 2002. He is a member of Magnum Photos, and his work has been collected by museums throughout the world, including the Getty Museum in Los Angeles, the Philadelphia Museum and the Museums of Modern Art in New York and San Francisco.