For years war and at times preventable scenarios have taken life, maimed others, crippled yet others mentally, physically and intellectually, if not spiritually, The T4 program, PTSD and all.... worldwide. For the authors generation, The 1970's brought in cholera, the 1980's brought in the AIDs/HIV scare, and then the unholy beverages, .... not without pioneering conspiracy theories to back them up Mayan.... illuminati conspiracies, Georgia guide stones and all types of fantasy. Would there be any survivors? The 20th century was dominated by ethnic, race, political and religious struggles and conflicts; the 21st century has vastly inherited the problem with a huge shift in attitude and preference, but in all this, what is the future for Persons with Disabilities in a world of alternative lifestyles, eugenics, euthanasia, acclaimed United Nations human rights and conventions? sequel to "The Bright Dark Nights Of The Soul" book - (2013) script, the author a recipient of the "Pro Ecclesia" gold medal award from the late Saint Pope John Paul II avails for posterity diaries and points for reflections on cultural and humanitarian perspectives impacting on aspects of existential crisis, search for meaning and purpose for persons with Disabilities deeper into the 21st century. With contributions and insights from Corporate social responsibility initiatives, scholars, clergy, custodians of persons with disabilities, persons who lived in the 19th and 20th century in Africa: Some who served in the American Peace Corps in 1960's Africa, encounters with so called - "natives" and "savages", War Veterans and members of the armed forces, multicultural religious and missionary icons, contemporary peace and outreach initiatives from international religious, secular and political leaders: Towards this end, a case study paper in the United States on a Disabilities outreach project in Africa is availed in Six language translations, French, Spanish, Portuguese, English and the Luo and kikuyu African Languages to hopefully stimulate further multicultural reflections and action in the diaspora communities towards persons with disabilities.

John Boyes (1875-1951) was a British born ivory trader and soldier of fortune in Africa. If true, and it is declared to be authentic, this is certainly one of the most remarkable stories of adventure told in many a year. The author describes how he, a young Englishman, entered East Africa as a trader, gained such ascendency over the wild tribe of the Kikuyu that they made him their king, continuing thus until the English captured him and let him barely escape with his life. The descriptions are vivid, and bring to light the Kikuyu country. From inside the book: "THE following pages describe a life of adventure in the more remote parts of Africa- adventures such as the explorer and sportsmen do not generally encounter. The man to whom the episodes narrated in this book refer has been personally known to me for ten years. We have hunted big game and explored together many a time in the African jungle; and as it is principally at my instigation that he has put the following account of his experiences into writing, I think it is due to him and to the public that I should make known my responsibility in the matter. It seemed to me that the adventures John Boyes underwent were something quite out of the common; in these matter-of-fact days they may be said to be almost unique. In the of exploration and discovery, when Captain Cook and such heroes lived and thrived, they were perhaps common enough; but every year the opportunities of such adventure get more and more remote, and as the uttermost parts, of the earth are brought under the influence of civilization will become ever more impossible. For this reason alone a story such as told here seems to be worth recording. "There is no attempt at literary style. The man tells his tale in a simple, matter-of-fact way, and, as his Editor, I have thought it better from every point of view to leave his words as he has written them. "The reader will judge for himself as to the interest of the adventures here related, but I think any one will admit that no ordinary force of character was necessary to carry them through to a successful issue. The whole life of the author during the time he was a wanderer in the Kikuyu country, and later while he was practically supreme ruler of the tribe-a tribe numbering half a million of people- was one of imminent daily risk. "Each hour he went about with his life in his hands, and if he came out scatheless from the melee, he has only to thank his courage, nerve, and resource. All these qualities he obviously possessed in a high degree. "He appears to have been harshly treated by the British East Africa authorities. Doubtless much that he did was grossly misrepresented to them by more or less interested parties. He certainly did yeoman's service to the colony in its early days by opening up an unknown and hostile country which lay right on the border land of the Uganda Railway, at that time in course of construction. His energetic action enabled the coolies on the line to work safe from many hostile attacks. He supplied them with the food without which they would have starved- all for a very small reward, and at great personal risk to himself. But the love of adventure was in him, and such people do not work for profit alone. The life itself brings its own reward. An impartial observer will perhaps be able to understand the point of view of the British Administration, and will appreciate their difficulty, indeed their ability, to allow an independent white power to rule beside their own; but the public will judge for themselves whether they set about to do what they did with regard to John Boyes in the most tactful way, or whether they treated a brave fellow-country man in the manner he deserved."

Real musicians don’t sign autographs, date models, or fly in private jets. They spend their lives in practice rooms and basement clubs or toiling in the obscurity of coffee-shop gigs, casino jobs, and the European festival circuit. The ten linked stories in Power Ballads are devoted to this unheard virtuoso: the working musician. From the wings of sold-out arenas to hip-hop studios to polka bars, these stories are born out of a nocturnal world where music is often simply work, but also where it can, in rare moments, become a source of grace and transcendence, speaking about the things we never seem to say to each other. A skilled but snobby jazz drummer joins a costumed heavy metal band to pay his rent. A country singer tries to turn her brutal past into a successful career. A vengeful rock critic reenters the life of an emerging singer-songwriter, bent on wreaking havoc. The characters in Power Ballads—aging head-bangers, jobbers, techno DJs, groupies, and the occasional rock star (and those who have to live with them)—need music to survive, yet find themselves lost when the last note is played, the lights go up, and it’s time to return to regular life. By turns melancholy and hilarious, Power Ballads is not only a deeply felt look at the lives of musicians but also an exploration of the secret music that plays inside us all.

Growing up on the rough streets of Newark, New Jersey, Rameck, George,and Sampson could easily have followed their childhood friends into drug dealing, gangs, and prison. But when a presentation at their school made the three boys aware of the opportunities available to them in the medical and dental professions, they made a pact among themselves that they would become doctors. It took a lot of determination—and a lot of support from one another—but despite all the hardships along the way, the three succeeded. Retold with the help of an award-winning author, this younger adaptation of the adult hit novel The Pact is a hard-hitting, powerful, and inspirational book that will speak to young readers everywhere.

Harrington's retelling of a little-known Central African story is perfectly matched with "New York Times"-bestselling artist Pinkney's jazzy depiction of a can-do little critter. Full color.

New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.