Cheap booze. Flying fleshpots. Lack of sleep. Endless spin. Lying pols. Just a few of the snares lying in wait for the reporters who covered the 1972 presidential election. Traveling with the press pack from the June primaries to the big night in November, Rolling Stone reporter Timothy Crouse hopscotched the country with both the Nixon and McGovern campaigns and witnessed the birth of modern campaign journalism. The Boys on the Bus is the raucous story of how American news got to be what it is today. With its verve, wit, and psychological acumen, it is a classic of American reporting. NOTE: This edition does not include photographs.

A comically crowded bus carries a funny, feathered cast of characters in a familiar sing-along with a funny farmyard twist in this brand-new version of the classic children's song. Full color.

Meg Landry expected it to be a day like any other -- her asthmatic eight-year-old son would step off the bus, home from school. But on this day, the boy on the bus is not Meg's son -- or at least doesn't appear to be. This new boy shares Charlie's copper hair, tea-brown eyes, and slight frame. But there is something profoundly, if indefinably, different about him. He has a finer nose, his skin is shinier, and his face looks more mature, as if he has grown into being Charlie more than the real Charlie ever had. In the wake of Meg's quiet alarm, her far-flung family returns home, and a jangly unease sets in. Neither Charlie's father, Jeff, nor Charlie's rebellious teenage sister, Katie, can help Meg settle the question of the boy. They look to her for certainty -- after all, shouldn't a mother know her own child? In this daring novel, Deborah Schupack dissects a family stretched out along the seams of postmodern small-town life. With the precision of a literary wordsmith, Schupack has crafted an extraordinary tale of a mother's love for her son and a mystery that may ultimately rip them apart. Tense and atmospheric, this debut is a rare combination of intellectual sophistication and page-turning suspense.

Watch the wheels on the bus go round and round and sing along.

This hilarious new version of the beloved children's song "The Wheels on the Bus" will have young readers errping and roaring and honking along. "The seals on the bus go "errp, errp, errp" All through the town." Two children and their parents board a city bus on their way to a party. At the next stop, who should get on but a group of seals, who holler "errp, errp, errp" at the top of their lungs. Each time the bus stops a new kind of animal joins the passengers and adds to the din, to the children's delight and the parents' annoyance. But when several hissing skunks want to come aboard, even the children cry "help! help! help!"

The riveting New York Times bestseller and Stonewall Book Award winner that will make you rethink all you know about race, class, gender, crime, and punishment. Artfully, compassionately, and expertly told, Dashka Slater's The 57 Bus is a must-read nonfiction book for teens that chronicles the true story of an agender teen who was set on fire by another teen while riding a bus in Oakland, California. Two ends of the same line. Two sides of the same crime. If it weren’t for the 57 bus, Sasha and Richard never would have met. Both were high school students from Oakland, California, one of the most diverse cities in the country, but they inhabited different worlds. Sasha, a white teen, lived in the middle-class foothills and attended a small private school. Richard, a Black teen, lived in the economically challenged flatlands and attended a large public one. Each day, their paths overlapped for a mere eight minutes. But one afternoon on the bus ride home from school, a single reckless act left Sasha severely burned, and Richard charged with two hate crimes and facing life imprisonment. The case garnered international attention, thrusting both teenagers into the spotlight. But in The 57 Bus, award-winning journalist Dashka Slater shows that what might at first seem like a simple matter of right and wrong, justice and injustice, victim and criminal, is something more complicated—and far more heartbreaking. Awards and Accolades for The 57 Bus: A New York Times Bestseller Stonewall Book Award Winner YALSA Award for Excellence in Nonfiction for Young Adults Finalist A Boston Globe-Horn Book Nonfiction Honor Book Winner A TIME Magazine Best YA Book of All Time A Los Angeles Times Book Prize Finalist Don’t miss Dashka Slater’s newest propulsive and thought-provoking nonfiction book, Accountable: The True Story of a Racist Social Media Account and the Teenagers Whose Lives It Changed, which National Book Award winner Ibram X. Kendi hails as “powerful, timely, and delicately written.”

A backstage audition led Mark Hembree into a five-year stint (1979–1984) as the bassist for Bill Monroe's Blue Grass Boys. Hembree’s journey included playing at the White House and on the acclaimed album Master of Bluegrass. But it also put him on a collision course with the rigors of touring, the mysteries of Southern culture, and the complex personality of bandleader-legend Bill Monroe. Whether it’s figuring out the best time for breakfast (early) or for beating the boss at poker (never), Hembree gives readers an up-close look at the occasionally exalting, often unglamorous life of a touring musician in the sometimes baffling, always colorful company of a bluegrass icon. The amusing story of a Yankee fish out of water, On the Bus with Bill Monroe mixes memoir with storytelling to recount the adventures of a Northerner learning new ways and the Old South.