In the longest story in this collection, an eleven-year-old girl has a strange adventure in an overgrown garden, and probably saves the world from a fate worse than any conventional apocalypse. Her parents would undoubtedly think that she’s been dreaming if she attempted to explain what had happened, but that’s what parents do, because they think it’s what they ought to do. The other stories all describe similarly equivocal victories, which sometimes don’t appear to the other characters in the stories to be victories at all—but they are: every last one of them. You just have to look at them the right way—and it really is worth doing that? After all, who among us really wants to get stuck in the way things want to seem? Eight scintillating stories of science fiction by a master of the genre!

Eight tales of science fiction and fantasy perched on the edge of reality, including one dark fantasy novella, "Appearances," published for the first time anywhere.

Sheena is a vampire from Leeds who works in a call center, and has a dark secret that even she doesn't know about. Her boyfriend has to discover it the hard way, alas. Like the other two vampire stories included in the book, both of which feature vampire babies, "Sheena" is a love story, which shares the life-enhancing attributes common to all love stories. Here are ten tales of the fantastic, the horrific, and the gothic, including: "Rose, Crowned with Thorns," "Rent," "Tenebrio," "Behind the Wheel," "Innocent Blood," "Emptiness," "The Woman in the Mirror," "Regression," "Heartbreaker," and "Sheena." Great reading by a great writer!

Although the problems of writing fantasy and science fiction include all those pertaining to the writing of any kind of fiction, particular problems arise in stories in which unprecedented things can and do happen, as well as stories that often involve unhuman characters of various sorts, and that might require the elaborate design of entire imaginary worlds. This book provides an elementary introduction to problems of those kinds, and the ways in which they modify the general problems of writing fiction. It also suggests strategies that might enable the problems to be handled constructively and productively. The author has published more than seventy novels in the field, more than twenty short story collections, and more than twenty related works of non-fiction; he has, as the saying goes, been there, done that, and chewed his t-shirt in relevant frustration. Robert Reginald says: "An absolutely first-rate guide to writing fantastic literature. Stableford has much to say that potential writers of ALL fiction might find valuable, interesting, and highly illuminating. His reasonable discussion and dissection of the basic issues facing authors of creative fiction--and the solutions to be found to each problem--are dollops of solid gold advice, in this editor's humble opinion. Every would-be author should read this book--and more than once!"

First published in 1976, "The Mind-Riders" features a remarkable anticipation of virtual reality gaming, in which the revised sport of boxing pits physically identical virtual fighters against one another, operated by electronically-connected "handlers" -- with viewers receiving transmissions of the combatants' emotions as their simulations slug it out. Ryan Hart, banished from the sport in its early days because of his lack of marketable emotion, is brought back by an obsessed media executive who wants to see the reigning champion beaten at any cost. Hart is not certain that he can win, after such a lapse of time, nor is he certain he can resist pressure to give the vast virtual crowds the dose of sadistic exultation they crave. But that doesn't stop him from heading into the virtual "ring" and fighting the bout of his life! Rousing science fiction adventure by a master of the genre.

Throughout the centuries that have passed since humans first ventured into interstellar space, they have been at war with the alien Veich. The human race has, in consequence, been fully militarized, its educational system being a form of military training--which includes, among other disciplines, the elimination of fear from the human psyche. Attitudes to the war have, however, been colored by the gradual discovery of relics revealing that it is echoing an earlier interstellar conflict whose antagonists have completely disappeared, victors and vanquished alike. On a neglected continent of an unimportant world, ex-sergeant Remy and other human and Veich deserters have joined forces to form a mercenary company that places its expert skills at the disposal of the dominant indigenes. This refuge from the greater war is, however, disrupted when archeologists on another world discover evidence that there might be significant relics of the earlier war buried in the inhospitable heart of the continent, where barbarian tribes are currently massing for a religious war. Remy has no alternative but to revert to working for his own race, knowing that whatever he enables them to find, or even if they find nothing at all, his own life will be in grave peril, and that nothing will ever be the same again.... Great military SF! Also published as Optiman.

The final contact made by the Daedalus Mission begins badly, even before the ship makes a hard landing in the middle of nowhere. The situation of the colony doesn't seem to make any sense, and neither does the situation of the indigenous aliens--the Sets--that have helped the colony survive and thrive. Alex Alexander doesn't take long to work out a hypothesis that might explain the mystery--a hypothesis that the people on the ground have already worked out for themselves--and he's fortunate enough to fall in with a colonist who's obsessively determined to prove the hypothesis. Unfortunately, the quest seems likely to become so dangerous that both of them might die trying--and there's too much at stake not to take it to the very limit of possibility, no matter what the cost. The stunning conclusion (Book Six) of The Daedalus Mission series.