Once Upon a Time meets Game of Thrones in New York Times bestselling author Gena Showalter’s magical, romantic dark fantasy series, in which the fairy tales we know and love are prophecies of the future. Welcome to the Forest of Good and Evil, where villains may be heroes and heroes may be villains...it all depends on who you ask. In the realm of Enchantia, creatures of legend still exist, magic is the norm, and fairy tales are real. Raised in the human world, Everly Morrow has no idea she’s a fairy-tale princess—until she begins to commune with mirrors. Soon, a horrifying truth is revealed. She is fated to be Snow White’s greatest enemy, the Evil Queen. With powers beyond her imagination or control, Everly returns to the land of her birth. There, she meets Roth Charmaine, the supposed Prince Charming. Their attraction is undeniable, but their relationship is doomed. As Everly faces disasters and betrayals, giving in to her dark side proves more tempting. Can she resist, or will she become the villain she was born to be? Critics love The Evil Queen: “Showalter (the Everlife books) delivers an entertaining series opener that condemns prejudice while championing self-determination. Romance-sweet and steamy, gay and straight-features prominently, action and humor abound, and the mystery of how each character figures into the legend imparts intrigue.”—Publishers Weekly “The novel's conceit has a lot of potential with its deconstruction of a cherished fairy tale, an interesting take on good and evil as actions rather than fate, and a long cast of characters in ever evolving roles that will leave readers wondering who they are supposed to be.”—Kirkus Reviews The Forest of Good and Evil Series: The Evil Queen The Glass Queen

The dizzying rise and horrific downfall of the last queen of France from the New York Times bestselling author of Duchessina. From the moment she was betrothed to the dauphin of France at age fourteen, perfection was demanded of Marie-Antoinette. Desperate for affection and subjected to constant scrutiny, this spirited young woman can’t help but want to let loose with elaborate parties, scandalous fashions, and even a forbidden love affair. Meanwhile, the peasants of France are suffering from increasing poverty and becoming outraged. They want to make the queen pay for her reckless extravagance—with her life. Includes historical notes, an author’s note, and bibliography “Historical-fiction fans will be swept up in the cruel fates of the monarchs and political forces, particularly as the drama escalates into horror.”—Booklist “Beautifully written from the point of view of Marie-Antoinette, and then from the point of view of her daughter, this is fascinating book that fans of historical fiction will find captivating.”—Through the Looking Glass Children’s Book Reviews “This novel about the ill-fated queen covers her life from age 13 when, as an Austrian princess, she prepares to marry the French dauphin to her death by guillotine in 1793 . . . Meyer writes in a lighthearted, casual style, vividly portraying the historical era and aptly defining unfamiliar vocabulary.”—School Library Journal

Drowning her unhappiness in luxurious parties and scandalous fashions when she falls short of impossible court standards and expectations, Marie-Antoinette incites the wrath of her impoverished French subjects and her disapproving mother. By the award-winning author of Doomed Queen Anne.

This title explores the role of plot talk, conspiracy theory, and libellous secret history during the Elizabethan regime, analysing the back and forth between Catholic critics and William Cecil and his circle, and the effect this had on the political, cultural, intellectual, and religious history of the time, both in England, and in a wider European context.

A “gripping historical drama” that tells the story of young Elizabeth Tudor’s journey to the throne—and her fierce rivalry with her half sister (School Library Journal). Imprisonment. Betrayal. Lost love. Murder. What more must a princess endure? Elizabeth Tudor’s teenage and young adult years during the turbulent reigns of Edward and then Mary Tudor are hardly those of a fairy-tale princess. Her mother has been beheaded by Elizabeth's own father, Henry VIII. Her jealous half sister, Mary, has her locked away in the Tower of London. And her only love interest betrays her in his own quest for the throne… Told in the voice of the young Elizabeth and ending when she is crowned queen, this novel in the exciting Young Royals series explores the relationship between two sisters who became mortal enemies. New York Times-bestselling author Carolyn Meyer has written an intriguing historical tale that reveals the deep-seated rivalry between a determined girl who became Elizabeth I, one of England's most powerful monarchs—and the sister who tried everything to stop her.

A tale of the Wars of the Roses follows Elizabeth Woodville, who ascends to royalty and fights for the well-being of her family, including two sons whose imprisonment in the Tower of London precedes a devastating unsolved mystery.

Bad Queen Bess? analyses the back and forth between the Elizabethan regime and various Catholic critics, who, from the early 1570s to the early 1590s, sought to characterise that regime as a conspiracy of evil counsel. Through a genre novel - the libellous secret history - to English political discourse, various (usually anonymous) Catholic authors claimed to reveal to the public what was 'really happening' behind the curtain of official lies and disinformation with which the clique of evil counsellors at the heart of the Elizabethan state habitually cloaked their sinister manoeuvres. Elements within the regime, centred on William Cecil and his circle, replied to these assaults with their own species of plot talk and libellous secret history, specialising in conspiracy-driven accounts of the Catholic, Marian, and then, latterly, Spanish threats. Peter Lake presents a series of (mutually constitutive) moves and counter moves, in the course of which the regime's claims to represent a form of public political virtue, to speak for the commonweal and true religion, elicited from certain Catholic critics a simply inverted rhetoric of private political vice, persecution, and tyranny. The resulting exchanges are read not only as a species of 'political thought', but as a way of thinking about politics as process and of distinguishing between 'politics' and 'religion'. They are also analysed as modes of political communication and pitch-making - involving print, circulating manuscripts, performance, and rumour - and thus as constitutive of an emergent mode of 'public politics' and perhaps of a 'post reformation public sphere'. While the focus is primarily English, the origins and imbrication of these texts within, and their direct address to, wider European events and audiences is always present. The aim is thus to contribute simultaneously to the political, cultural, intellectual, and religious histories of the period.