Printmaking is a practical and comprehensive guide to printmaking techniques with clear step–by–step illustrations. This fully updated second edition contains new images throughout, including improved process shots and examples of the latest work from contemporary printmakers. There are expanded chapters on digital and mixed media processes, as well as a brand new 'Print & Make' chapter, which explores the opportunities for creative expression within the many processes available to print makers. For example, this edition includes a new, detailed section on Japanese moku hanga woodblock printing while the more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed. The addition of new images showing a broader range of subject matter, include more contemporary prints and international artists. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up–to–date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike. Special attention is given to safe practices, addressing the important concern for health and safety. Step–by–step illustrations provide an enhanced visual reference – either photographic or diagrams for clarity – and the authors have supplied more information on safer and more sustainable practices. Since nontoxic alternatives are a rapidly growing and ever–evolving landscape, Printmaking 2nd Edition presents products and practices that are accessible worldwide. Praise for Printmaking 2nd Edition 'A lavishly illustrated large–format volume that constitutes a veritable printmaker's bible.' – The West Australia News

A guide to how hand-printing can turn plain household objects, clothing, and accessories into unique works of art.

Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.

The annotated Teacher's Edition provides a full-size student page and is designed to help art educators tailor instruction to the individual needs of their classroom and students. Comprehensive, point-of-use support includes teaching tips, learning strategies, and background notes. Easily identifiable icons and descriptive headings help teachers quickly select those features that meet their teaching needs. The Teacher's Edition is a valuable resource for the printmaking classroom, and includes the following point-of-use features: * Art Criticism - Discussion Prompts and questions encourage students to describe, analyze, interpret, and judge works of art. * Interdisciplinary Connections - Integrate the arts across the curriculum with engaging teaching strategies and research assignments. * National Standards - See how chapter objectives and lesson content correlate to the National Visual Arts Standards. * Special Needs / Gifted and Talented - Supplemental strategies for helping special learners master the basics and to challenge motivated and accomplished students.

Publisher Description

Be inspired by this vast range of experimental printing ideas. Printmaking has been part of the artist's arsenal for centuries. Goya, Du¿ rer, M. C. Escher, Rembrandt, Toulouse-Lautrec, Van Gogh, Picasso, Lichtenstein, Edvard Munch, Andy Warhol and Pierre Bonnard - to name but a few - were advocates. The scope of printmaking is vast. The Printing Ideas Book explores the different processes available to artists - such as screenprinting, etching, lithography, risography, collagraphy, linocut, cyanotypes, woodcut, aquatint, monoprints, digital printing, drypoint and engraving - from a new and exciting angle. To celebrate the art of printmaking, this book is filled to the brim with experimental, arresting and beautiful examples of printing from all over the world.