At the height of the sixties, a group of Texas writers stood apart from Texas’ conservative establishment. Calling themselves the Mad Dogs, these six writers—Bud Shrake, Larry L. King, Billy Lee Brammer, Gary Cartwright, Dan Jenkins, and Peter Gent—closely observed the effects of the Vietnam War; the Kennedy assassination; the rapid population shift from rural to urban environments; Lyndon Johnson’s rise to national prominence; the Civil Rights Movement; Tom Landry and the Dallas Cowboys; Willie Nelson, Jerry Jeff Walker, the new Outlaw music scene; the birth of a Texas film industry; Texas Monthly magazine; the flowering of “Texas Chic”; and Ann Richards’ election as governor. In Texas Literary Outlaws, Steven L. Davis makes extensive use of untapped literary archives to weave a fascinating portrait of writers who came of age during a period of rapid social change. With Davis’s eye for vibrant detail and a broad historical perspective, Texas Literary Outlaws moves easily between H. L. Hunt’s Dallas mansion and the West Texas oil patch, from the New York literary salon of Elaine’s to the Armadillo World Headquarters in Austin, from Dennis Hopper on a film set in Mexico to Jerry Jeff Walker crashing a party at Princeton University. The Mad Dogs were less interested in Texas’ mythic past than in the world they knew firsthand—a place of fast-growing cities and hard-edged political battles. The Mad Dogs crashed headfirst into the sixties, and their legendary excesses have often overshadowed their literary production. Davis never shies away from criticism in this no-holds-barred account, yet he also shows how the Mad Dogs’ rambunctious personae have deflected a true understanding of their deeper aims. Despite their popular image, the Mad Dogs were deadly serious as they turned their gaze on their home state, and they chronicled Texas culture with daring, wit, and sophistication.

Fearless and irresistible, outlaws are the original bad boys. Now New York Times bestselling author Jodi Thomas and Linda Broday, Phyliss Miranda, and DeWanna Pace offer up four sexy and romantic stories for women who love men who know how to pack heat. . . If Cozette Camanez's groom doesn't show up for their wedding by dawn, she'll lose her family ranch. Trouble is, the groom doesn't exist-until unsuspecting thief Michael Hughes comes along. Never was an outlaw faced with such a lovely-and willing-target. . . Larissa Patrick, the beautiful daughter of a wealthy rancher, has been kidnapped. Only one man can save her: gunfighter Johnny Bravo. Rescuing Larissa is the easy part-but getting her home without losing his heart will take the discipline of a saint. And Johnny's no saint. . . Lawman Ethan Kimble is finally face to face with his quarry: socialite and bank robber Savannah Parker. The only thing between them is a Winchester pointed at his heart-and some undeniable sparks. If Kimble can tame the Texas Flame, they may ignite a passion that breaks every rule. . . When outlaw Shadow Rivers and desperado Odessa Kilmore escape a hail of bullets and team up on a long journey, both are determined to hide their secrets-and their attraction. No easy task as they discover a love more powerful than their enemies combined. . . "Readers couldn't ask for a finer quartet of heroes." –Romantic Times on Give Me a Texas Ranger

Between 1936 and 1940, field workers in the Federal Writers' Project collected many accounts that provide an authentic and vivid picture of the early days of New Mexico. This volume focuses on outlaws and desperados.

To Rory Yates being a Texas Ranger is about justice, but all of that changes when he is brought to a small southern town to help uncover the mysteries behind a local woman's death—only to discover corruption and lies. Texas Ranger Rory Yates is not keen for hero status. But it's unavoidable once his girlfriend, country singer Willow Dawes, writes a song about his bravery. Rory escapes his newfound fame when he's sent to the remote West Texas town of Rio Lobo, a municipality with two stoplights. And now, according to the Chief of Police, it has one too many Texas Rangers. Rio Lobo Detective Ariana Delgado is the one who requested Rory, and the only person who believes a local councilwoman's seemingly accidental death is a murder. Then Rory begins to uncover a tangle of small-town secrets, favors, and lies as crooked as Texas law is straight. To get to the truth before more people die, Rory is forced to take liberties with the investigation. The next ballad of Rory Yates may not be about a hero, but rather an outlaw song.

A fascinating journey through the Lone Star State's unruly past— with maps, photos, and more Texas rightfully claims a celebrated place in the “wildest” West of both myth and reality—which makes it truly stranger than fiction that The Crime Buff's Guide to Outlaw Texas is the first-ever travel guide to the many sites related to the Lone Star State's renowned rambunctious past, complete with GPS coordinates that put you at the scene of the action. From outlaws like Sam Bass and John Wesley Hardin to Bonnie & Clyde and Houston's notorious Candy Man killer, Texas has dozens of places where true-crime buffs can actually stand close to history. For many readers, the attraction to these sites—some well-known, some obscured by time—is irresistible. Written with the same fast-paced, gripping style that marked the author's widely praised earlier work, The Crime Buff's Guide to Outlaw Texas is an indispensable resource for both criminal-history enthusiasts and travelers. Each site description includes a concise summary of the location's significance, historical context, maps, directions, and photos. Praise for a previous book by the same author, The Darkest Night “Heartbreaking . . . Not unlike Truman Capote's In Cold Blood.” —Chicago Sun-Times “This uncommon story has every chilling component of human terror, drama, and suspense that readers of true crime look for.” —Vincent Bugliosi, #1 New York Times bestselling author of Helter Skelter “A very, very, good book . . . written by a very, very, good writer.” —Ann Rule, #1 New York Times bestselling author of Stranger Beside Me

In the tradition of Ian Frazier's Great Plains, and as vivid as the work of Cormac McCarthy, an intoxicating, singularly illuminating history of the Texas borderlands from their settlement through seven generations of Roger D. Hodge's ranching family. What brought the author's family to Texas? What is it about Texas that for centuries has exerted a powerful allure for adventurers and scoundrels, dreamers and desperate souls, outlaws and outliers? In search of answers, Hodge travels across his home state--which he loves and hates in shifting measure--tracing the wanderings of his ancestors into forgotten histories along vanished roads. Here is an unsentimental, keenly insightful attempt to grapple with all that makes Texas so magical, punishing, and polarizing. Here is a spellbindingly evocative portrait of the borderlands--with its brutal history of colonization, conquest, and genocide; where stories of death and drugs and desperation play out daily. And here is a contemplation of what it means that the ranching industry that has sustained families like Hodge's for almost two centuries is quickly fading away, taking with it a part of our larger, deep-rooted cultural inheritance. A wholly original fusion of memoir and history--as piercing as it is elegiac--Texas Blood is a triumph.

Once upon a time there was an innocent lad from West Texas who wrote a novel and fell in with a rabble of Texas writers as they were bridging the literary gap between J. Frank Dobie and his paisanos and the current bumper crop of Texas writers who seem to be everywhere writing about everything. This rowdy rabble of gap bridgers bonded in a sort of literary and social club they called Maddog Inc. (Motto: Doing indefinable services to mankind.) But our hero managed to live through it all anyway. This is his story. Jay Milner was part of a generation of Texas writers whose heyday lasted from the late 1950s through the 1970s. The group comprised Billie Lee Brammer, Edwin "Bud" Shrake, Gary Cartwright, Dan Jenkins, Larry L. King, Pete Gent, and (peripherally) Larry McMurtry and Willie Morris, among others. From the musical scene there were the "picker poets" such as Willie Nelson, Jerry Jeff Walker, Guy Clark, Billy Joe Shaver, and Waylon Jennings. Some of the primary works coming from this generation of writers include Brammer's The Gay Place, Shrake's Strange Peaches, Cartwright's Confessions of a Washed-up Sportswriter, King's The Whorehouse Papers and None But a Blockhead, Jan Reid's The Improbable Rise of Redneck Rock, and Willie Nelson's album Phases and Stages.