On December 29, 1890, the US Seventh Cavalry killed more than two hundred Lakota Ghost Dancers - including men, women, and children - at Wounded Knee Creek, South Dakota. After the work of death ceased at Wounded Knee Creek, the work of memory commenced. For the US Army and some whites,Wounded Knee represented the site where the struggle between civilization and savagery for North America came to an end. For other whites, it was a stain on the national conscience, a leading example of America's dishonorable dealings with Native peoples. For Lakota people it was the site of the"biggest murders," where the United States violated its treaty promises and slaughtered innocents.Historian David Grua argues that Wounded Knee serves as a window into larger debates over how the US's conquest of the indigenous peoples should be remembered. Opposing efforts to memorialize the event ultimately proved a contest over language and assumptions rooted in the concept of "race war" orthe struggle between "civilization" and "savagery." Was Wounded Knee a heroic "battle" - the final victory of the American empire in the trans-Mississippi West? Or was it a "massacre" that epitomized the nation's failure to deal honorably with Native peoples? Even today, over a century later, thetransmission of memory to survivors' descendants remains potent, and December 29, 2015, the 125th anniversary of Wounded Knee, will be marked by commemorations and lingering questions about the United States' willingness to address the liabilities of Indian conquest.

FINALIST FOR THE 2019 NATIONAL BOOK AWARD LONGLISTED FOR THE 2020 ANDREW CARNEGIE MEDAL FOR EXCELLENCE A NEW YORK TIMES BESTSELLER Named a best book of 2019 by The New York Times, TIME, The Washington Post, NPR, Hudson Booksellers, The New York Public Library, The Dallas Morning News, and Library Journal. "Chapter after chapter, it's like one shattered myth after another." - NPR "An informed, moving and kaleidoscopic portrait... Treuer's powerful book suggests the need for soul-searching about the meanings of American history and the stories we tell ourselves about this nation's past.." - New York Times Book Review, front page A sweeping history—and counter-narrative—of Native American life from the Wounded Knee massacre to the present. The received idea of Native American history—as promulgated by books like Dee Brown's mega-bestselling 1970 Bury My Heart at Wounded Knee—has been that American Indian history essentially ended with the 1890 massacre at Wounded Knee. Not only did one hundred fifty Sioux die at the hands of the U. S. Cavalry, the sense was, but Native civilization did as well. Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear—and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence—the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention. In The Heartbeat of Wounded Knee, Treuer melds history with reportage and memoir. Tracing the tribes' distinctive cultures from first contact, he explores how the depredations of each era spawned new modes of survival. The devastating seizures of land gave rise to increasingly sophisticated legal and political maneuvering that put the lie to the myth that Indians don't know or care about property. The forced assimilation of their children at government-run boarding schools incubated a unifying Native identity. Conscription in the US military and the pull of urban life brought Indians into the mainstream and modern times, even as it steered the emerging shape of self-rule and spawned a new generation of resistance. The Heartbeat of Wounded Knee is the essential, intimate story of a resilient people in a transformative era.

On December 28, 1894, the day before the fourth anniversary of the massacre at Wounded Knee, Lakota chief Two Sticks was hanged in Deadwood, South Dakota. The headline in the Black Hills Daily Times the next day read “A GOOD INDIAN”—a spiteful turn on the infamous saying “The only good Indian is a dead Indian.” On the gallows, Two Sticks, known among his people as Can Nopa Uhah, declared, “My heart knows I am not guilty and I am happy.” Indeed, years later, convincing evidence emerged supporting his claim. The story of Two Sticks, as recounted in compelling detail in this book, is at once the righting of a historical wrong and a record of the injustices visited upon the Lakota in the wake of Wounded Knee. The Indian unrest of 1890 did not end with the massacre, as the government willfully neglected, mismanaged, and exploited the Oglala in a relentless, if unofficial, policy of racial genocide that continues to haunt the Black Hills today. In From Wounded Knee to the Gallows, Philip S. Hall and Mary Solon Lewis mine government records, newspaper accounts, and unpublished manuscripts to give a clear and candid account of the Oglala’s struggles, as reflected and perhaps epitomized in Two Sticks’s life and the miscarriage of justice that ended with his death. Bracketed by the run-up to, and craven political motivation behind, Wounded Knee and the later revelations establishing Two Sticks’s innocence, this is a history of a people threatened with extinction and of one man felled in a battle for survival hopelessly weighted in the white man’s favor. With eyewitness immediacy, this rigorously researched and deeply informed account at long last makes plain the painful truth behind a dark period in U.S. history.

The “fascinating” #1 New York Times bestseller that awakened the world to the destruction of American Indians in the nineteenth-century West (The Wall Street Journal). First published in 1970, Bury My Heart at Wounded Knee generated shockwaves with its frank and heartbreaking depiction of the systematic annihilation of American Indian tribes across the western frontier. In this nonfiction account, Dee Brown focuses on the betrayals, battles, and massacres suffered by American Indians between 1860 and 1890. He tells of the many tribes and their renowned chiefs—from Geronimo to Red Cloud, Sitting Bull to Crazy Horse—who struggled to combat the destruction of their people and culture. Forcefully written and meticulously researched, Bury My Heart at Wounded Knee inspired a generation to take a second look at how the West was won. This ebook features an illustrated biography of Dee Brown including rare photos from the author’s personal collection.

In December 1890 the U.S. Seventh Cavalry massacred a band of Lakota men, women, and children at Wounded Knee, South Dakota. Miraculously, after a four-day blizzard, an infant was found alive under the frozen body of her dead mother. The dashing brigadier general (and future Assistant Attorney General of the United States) Leonard W. Colby kidnapped and then adopted the baby girl named Lost Bird (1890–1920) as a "living curio," and exploited her in order to attract prominent tribes as clients of his law practice.After the general's wife, the nationally known suffragist and newspaper editor Clara B. Colby, divorced her husband, she raised the Lakota child as a white girl in a well-meaning but disastrous attempt to provide a stable home. Lost Bird ran away to join Buffalo Bill's Wild West Show and appeared in silent films and vaudeville. During her brief but unforgettable life she endured sexual abuse, violence, prostitution, and the rejection of her own tribe before dying at age twenty-nine on Valentine's Day. This remarkable biography examines the life of the woman who became a symbol of the warring cultures that entrapped her, and a heartbreaking microcosm of all those Native American children who lost their heritage through adoption, social injustice, and war.

Profiles the Lakota who witnessed the Battle of Little Bighorn and the massacre at Wounded Knee, worked in Hollywood and for Buffalo Bill Cody's "Wild West Show," and fought for the transformation of the Black Hills.

Traces the white man's conquest of the Indians of the American West, emphasizing the causes, events, and effects of the major Indian Wars leading to the symbolic end of Indian freedom at Wounded Knee.