Stephen King frequently places his human characters in danger against a supernatural antagonist. These characters, being realists of the late 20th and early 21st centuries, must first overcome their disbelief at what is happening to them, and then decide what to do about it. Both their explanations for the strange happenings and their attempts to deal with them can be divided into four main categories: cultural appropriation; Christianity, especially Catholic rites; attempts at utter destruction; and a resignation to simply live--or die--with the supernatural intact. This book examines over 30 of King's works, revealing that the overall success of the characters in removing the supernatural threat from their towns, or perhaps defeating it entirely, does not depend fully on which of these four paths of action they choose. It is possible for any attempt to destroy the supernatural threat to fail, and what works in one of King's books will not have the same outcome in another. For King, the most likely success comes when his characters can choose a course of action that allows them to stand and be true to themselves.

Stephen King frequently places his human characters in danger against a supernatural antagonist. These characters, being realists of the late 20th and early 21st centuries, must first overcome their disbelief at what is happening to them, and then decide what to do about it. Both their explanations for the strange happenings and their attempts to deal with them can be divided into four main categories: cultural appropriation; Christianity, especially Catholic rites; attempts at utter destruction; and a resignation to simply live--or die--with the supernatural intact. This book examines over 30 of King's works, revealing that the overall success of the characters in removing the supernatural threat from their towns, or perhaps defeating it entirely, does not depend fully on which of these four paths of action they choose. It is possible for any attempt to destroy the supernatural threat to fail, and what works in one of King's books will not have the same outcome in another. For King, the most likely success comes when his characters can choose a course of action that allows them to stand and be true to themselves.

A beautiful photographer is driving home one night when a car swerves past her and kills two pedestrians. Although she escapes the accident without harm, she has trouble shaking off the after effects...and comes to unsettling crossroads in her life. Soon she marries a local hockey star whose raucous lifestyle leads to a divorce. Then a scheming local cop, who has pursued her since the accident, takes advantage of her, and she marries again...and fails into a near-fatal mistake!

A monumentally devastating plague leaves only a few survivors who, while experiencing dreams of a battle between good and evil, move toward an actual confrontation as they migrate to Boulder, Colorado.

A frightening suspense novel about nine-year-old Trisha, who becomes lost in the woods as night falls.

M-O-O-N spells the start of the third volume of Marvel's critically acclaimed adaptation of Stephen King's horror epic. Nick Andros has hit the road and teamed up with the childlike Tom Cullen. After the horrors of Captain Trips, a bike trip through Oklahoma and Nebraska sounds like fun, right? Except it's tornado season, True Believers, and not everyone Nick and Tom meet is on the side of the angels. Hell hath no fury like Julie Lawry, another survivor of the plague... COLLECTING: The Stand: Soul Survivors 1-5

The Functions of Unnatural Death in Stephen King: Murder, Sickness, and Plots examines the function of death in over thirty of King’s works to parse out the ways the Master of Horror plays with the idea of death and approaches it from multiple angles.