Join Super Pig and her friends from Hollyhock Farm, and The Piney Woods in this rewrite of the authors favorite stories from The Adventures of Super Pig and Super Pig to the Rescue. In this third book of the Super Pig Series, The Adventures of Super Pig, two, you will fi nd familiar friends and perhaps meet some new ones. Like, Chrissie Cow, who runs off to join the circus, Alan Alligator, who lives in a pond that is much too small and Judy Groundhog, who fl oats away with Pinky Pigs big, red balloon. In each story in this childrens book youll read about loveable characters that always seem to fi nd themselves in need of a Super Hero. Youll fi nd out how Super Pig became Super and go with her on her rescues, and youll also fi nd out you dont have to be a Super Hero to do the right thing

This is a Job for Super Pig! Join Pinky Pig and her alter ego Super Pig in this fourth book of The Adventures of Super Pig series This Is A Job For Super Pig! Youll read about old familiar friend and meet new characters like Corine Milk Cow who is afraid of fireworks, Triton Sea Turtle who gets lost and ends up in June Bug Creek, and Anson Field Mouse who goes flying in a remote controlled airplane. In the six brand new stories the lively animals of Hollyhock Farm and The Piney Woods will help save a deer, make new friends, and encourage Super Pig to learn to fly. In each story in this childrens book, youll read about lovable characters that always seem to find themselves in need of a Super Hero.

Much philosophical work on pop culture apologises for its use; using popular culture is a necessary evil, something merely useful for reaching the masses with important philosophical arguments. But works of pop culture are important in their own right--they shape worldviews, inspire ideas, change minds. We wouldn't baulk at a book dedicated to examining the philosophy of The Great Gatsby or 1984--why aren't Star Trek and Superman fair game as well? After all, when produced, the former were considered pop culture just as much as the latter. This will be the first major reference work to right that wrong, gathering together entries on film, television, games, graphic novels and comedy, and officially recognizing the importance of the field. It will be the go-to resource for students and researchers in philosophy, culture, media and communications, English and history and will act as a springboard to introduce the reader to the other key literature in the field.

The essays in this anthology represent a cross-section of current scholarship examining the complex interplay between work, in its broadest theoretical conceptualization, and the world cultures in and through which this labor is performed. Although aimed primarily at an academic audience, the included essays, written in English, Spanish, and French, are also accessible to the curious layperson interested in looking at literature, theater, cinema, and philosophy through the lens of world languages and cultures. For more than thirty years, the Southeast Conference for Languages, Literatures and Film (SCFLLF) has been a premier platform for the discussion and dissemination of the latest scholarship in the Humanities, with emphasis on non-English area studies. The current volume continues our tradition of selecting and showcasing some of the most impactful papers originally presented at the 24th SCFLLF, held in St. Petersburg, Florida, in March of 2020.