Guiding students systematically through the process of analysis, this extensively revised Student Workbook complements the fourth edition of Analysis of Tonal Music: A Schenkerian Approach. It presents works from a variety of instrumental settings, including four complete vocal works and excerpts from string quartets, symphonic movements, opera, chamber works, orchestral suites, sonatas and concertos, and solo piano works. Two-section chapters in Part 1 provide students with more guidance than the previous edition: Preliminaries offer a review of foundational Schenkerian terms and concepts--along with short excerpts and targeted practice exercises--while slightly lengthier excerpts for Analysis include guided tips. In Part 2, Analytical Applications (chapters 7-11), the scale of the excerpts gradually increases. Chapter 7 offers small-scale Ursatz patterns (8-20 bars); chapters 8 and 9 reinforce complete one- and two-part forms; and the final two chapters conclude with the study of ternary form and sonata process. This Student Workbook is available for separate purchase (978-0-19-0846688) or in money-saving bundles with the text. Please contact your Oxford University Press sales representative or call 800.280.0280 for details.

Introduces the fundamental principles of Schenkerian analysis within the context of the music itself.

This student workbook accompanies Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint. The exercises are organized by chapter into 61 discrete assignments, each progressing from short, introductory analytical and writing exercises to more-involved tasks. This volume also features additional keyboard exercises for 12 chapters. The student workbook is enhanced by a DVD of recordings by the Eastman students and faculty of musical examples from the text and analytical exercises within.

This 8-CD set accompanies The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening. It offers nearly 2000 recorded examples--from solo piano to full orchestra--of the exercises in the text and workbooks, performed by students and faculty from the Eastman School of Music.

"Exercices from workbook performed by musicians from the Eastman School of Music"--Disque 1.

Carl Schachter is the world's leading practitioner of Schenkerian theory and analysis. His articles and books have been broadly influential, and are seen by many as models of musical insight and lucid prose. Yet, perhaps his greatest impact has been felt in the classroom. At the Mannes College of Music, the Juilliard School of Music, Queens College and the Graduate Center of the City University of New York, and at special pedagogical events around the world, he has taught generations of musical performers, composers, historians, and theorists over the course of his long career. In Fall 2012, Schachter taught a doctoral seminar at the CUNY Graduate Center in which he talked about the music and the musical issues that have concerned him most deeply; the course was in essence a summation of his extensive and renowned teaching. In The Art of Tonal Analysis, winner of the Society for Music Theory's 2017 Citation of Special Merit, music theorist Joseph Straus presents edited transcripts of those lectures. Accompanied by abundant music examples, including analytical examples transcribed from the classroom blackboard, Straus's own visualizations of material that Schachter presented aurally at the piano, and Schachter's own extended Schenkerian graphs and sketches, this book offers a vivid account of Schachter's masterful pedagogy and his deep insight into the central works of the tonal canon. In making the lectures of one of the world's most extraordinary musicians and musical thinkers available to a wide audience, The Art of Tonal Analysis is an invaluable resource for students and scholars of music.