Cindy Winters loves to play hockey. When her family's basement apartment is flooded and the floor freezes, she's even happy to skate on the concrete. Her parents are too poor to enroll her in a league, but she's resourceful and does odd jobs until she has earned enough money to play. Armed with her mother's old equipment, she is thrilled to join a team. But her happiness doesn't last long. Among her teammates are the horrible Blister Sisters. They make her life miserable. And worse, Cindy's sidelined by the coach, who just happens to be Mrs. Blister. It looks like she'll be spending the season cleaning equipment, instead of playing on the ice. Cindy's luck changes when her Fairy Goaltender appears and saves the day. With its great good humor and hilarious illustrations, Kevin Sylvester's Splinters is bound to become a favorite.

From the "astounding" (Entertainment Weekly), "spectacularly evocative" (The Atlantic), and "brilliant" (Los Angeles Times) author of the New York Times bestsellers The Recovering and The Empathy Exams comes a return to the essay form in this expansive book. With the virtuosic synthesis of memoir, criticism, and journalism for which Leslie Jamison has been so widely acclaimed, the fourteen essays in Make It Scream, Make It Burn explore the oceanic depths of longing and the reverberations of obsession. Among Jamison's subjects are 52 Blue, deemed "the loneliest whale in the world"; the eerie past-life memories of children; the devoted citizens of an online world called Second Life; the haunted landscape of the Sri Lankan Civil War; and an entire museum dedicated to the relics of broken relationships. Jamison follows these examinations to more personal reckonings -- with elusive men and ruptured romances, with marriage and maternity -- in essays about eloping in Las Vegas, becoming a stepmother, and giving birth. Often compared to Joan Didion and Susan Sontag, and widely considered one of the defining voices of her generation, Jamison interrogates her own life with the same nuance and rigor she brings to her subjects. The result is a provocative reminder of the joy and sustenance that can be found in the unlikeliest of circumstances. Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay One of the fall's most anticipated books: Time, Entertainment Weekly, O, Oprah Magazine, Boston Globe, Newsweek, Esquire, Seattle Times, Baltimore Sun, BuzzFeed, BookPage, The Millions, Marie Claire, Good Housekeeping, Minneapolis Star Tribune, Lit Hub, Women's Day, AV Club, Nylon, Bustle, Goop, Goodreads, Book Riot, Yahoo! Lifestyle, Pacific Standard, The Week, and Romper.

"In nineteenth-century Copenhagen, an orphaned seamstress goes to work for a retired ballerina and uses her magic to investigate her father's mysterious death while working for the same family years ago"--

"Sami's mother disappeared ten years ago, and the police have always suspected that Sami's father killed her. But they've never had any convincing evidence...until now. Sami's sure her father's innocent. Or is she?"--

A collection of short poems about love, animals, the seasons, nature, and other subjects, by poets ranging from Ezra Pound and Walt Whitman to Lewis Carroll and Ogden Nash.

Assessing the legacy of the Frankfurt School in the twenty-first century Although successive generations of the Frankfurt School have attempted to adapt Critical Theory to new circumstances, the work done by its founding members continues in the 21st century to unsettle conventional wisdom about culture, society and politics. Exploring unexamined episodes in the School's history and reading its work in unexpected ways, these essays provide ample evidence of the abiding relevance of Horkheimer, Adorno, Benjamin, Marcuse, Löwenthal, and Kracauer in our troubled times. Without forcing a unified argument, they range over a wide variety of topics, from the uncertain founding of the School to its mixed reception of psychoanalysis, from Benjamin's ruminations on stamp collecting to the ironies in the reception of Marcuse's One-Dimensional Man, from Löwenthal's role in Weimar's Jewish Renaissance to Horkheimer's involvement in the writing of the first history of the Frankfurt School. Of special note are their responses to visual issues such as the emancipation of color in modern art, the Jewish prohibition on images, the relationship between cinema and the public sphere, and the implications of a celebrated Family of Man photographic exhibition. The collection ends with two essays tracing the still metastasizing demonization of the Frankfurt School by the so-called Alt Right as the source of "cultural Marxism" and "political correctness," which has gained alarming international resonance and led to violence by radical right-wing fanatics.

Sunday O’Neil has made peace with all of her unhinged fences. She decides to move forward and leave her broken relationship behind her and start a “new beginning”. Sunday meets Dean Daniels who is kind and moreover, has no agenda except to make her happy. Sunday is reluctant to embrace another relationship, but somehow finds herself drawn to him. Dean was not the stereotypical type of man Sunday normally was attracted to. Aside from her personal relationship failures in the past, Sunday O’Neil flourishes as a savvy business professional who owns her own employer paid employment agency. She is a dynamic head hunter! Sunday finds herself being pursued by Reinhart Preston, president of P & P Solar Industries. He is a wealthy, ruthless, undeniably handsome business man and president of P & P Solar Industries. Mr. Preston is determined by any means necessary to become the number one wholesaler of solar panels in the United States. Mr. Preston’s proposal to Sunday O’Neil was monetarily overwhelming yet unrealistic, and had a threatening overtone if not accepted. A love hate business relationship is born. Unbeknownst to Sunday there are lies and deception on woven into Mr. Preston’s business proposal. Sunday O’Neil fi nds herself in a twisted world of business, erotic encounters, betrayal, lies and deception. Can Sunday O’Neil keep her head above water? -Beautifully written second instalment of Susan Bird’s “Fences” trilogy. I did not expect this turbulent ending. Thoroughly enjoyable. Dennis Koller author of “Kissed by the Snow” -Susan Bird’s book literally played like a soundtrack in my mind. Love the idea to mix music and literature! Loved this book I could not put it down. Wow, this ending I did not see coming. Venus Zamora.....Actress