"I am going to write every single day and tell you about my life here in Spitalfields at the heart of London..." Drawing comparisons with Pepys, Mayhew and Dickens, the gentle author of Spitalfields Life has gained an extraordinary following in recent years, by writing hundreds of lively pen portraits of the infinite variety of people who live and work in the East End of London. Everything you seek in London can be found here - street life, street art, markets, diverse food, immigrant culture, ancient houses and history, pageants and parades, rituals and customs, traditional trades and old family businesses. Spend a night in the bakery at St John, ride the rounds with the Spitalfields milkman, drop in to the Golden Heart for a pint, meet a fourth-generation paper bag seller, a mudlark who discovers treasure in the river Thames, a window cleaner who sees ghosts and a master bell-founder whose business started in 1570. Join the bunny girls for their annual reunion, visit the wax sellers of Wentworth Street and discover the site of Shakespeare's first theatre. All of human life is here in Spitalfields Life.

Around 1900, photographer Horace Warner took a series of portraits of some of the poorest people in London - creating relaxed, intimate images that gave dignity to his subjects and producing great photography that is without parallel. Discovered recently and only seen by members of Warner's family for more than a century, almost all of these photographs are published here for the first time.

'East End Vernacular' presents a magnificent selection of pictures - many never published before - revealing the evolution of painting in the East End of London and tracing the changing character of the streets through the 20th century.

This book surveys the lives and experiences of hundreds of thousands of eighteenth-century non-elite Londoners in the evolution of the modern world.

Rodinsky's world was that of the East European Jewry, cabbalistic speculation, an obsession with language as code and terrible loss. He touched the imagination of artist Rachel Lichtenstein, whose grandparents had left Poland in the thirties. This text weaves together Lichtenstein's quest for Rodinsky -which took her to Poland, to Israel and around Jewish London -with Iain Sinclair's meditations on her journey into her own past, and on the Whitechapel he has reinvented.

SHORTLISTED FOR THE HESSELL-TILTMAN HISTORY PRIZE 2017 AN OBSERVER BOOK OF THE YEAR 2016 Religious strife, civil conflict, waves of immigration, the rise and fall of industry, great prosperity and grinding poverty – the handful of streets that constitute modern Spitalfields have witnessed all this and much more. In Spitalfields, one of Britain's best-loved historians tells the stories of the streets he has lived in for four decades. Starting in Roman times and continuing right up to the present day, Cruickshank explains how Spitalfields' streets evolved, what people have lived there, and what lives they have led. En route, he discovers the tales of the Huguenot weavers who made Spitalfields their own after the Great Fire of London. He recounts the experiences of the first Jewish immigrants. He evokes the slum-ridden courts and alleys of Jack the Ripper's Spitalfields. And he describes the transformation of the Spitalfields he first encountered in the 1970s from a war-damaged collection of semi-derelict houses to the vibrant community it is today. This is a fascinating evocation of one of London's most distinctive districts. At the same time, it is a history of England in miniature.