To his chagrin, Alaskan PI Cecil Younger learns his teenage daughter has launched her own detective agency. But when her first case goes awry, she’s going to need some help from an unlikely source: her father, who’s currently locked up in prison. The verdict from the three-judge panel is in. Cecil Younger, bumbling criminal defense investigator and totally embarrassing father, has been sentenced to seven-and-a-half years in prison for his involvement in . . . well, a number of things, ranging from destruction of private property to killing a guy. But compared to the original twenty-five-year sentence, it's not so bad. His success with getting his sentence reduced has attracted the attention of his fellow inmates, and one man, "Fourth Street," reaches out for advice for his upcoming parole hearing in exchange for protection and companionship. When he isn't reading Adrienne Rich or James Baldwin with Fourth Street, Cecil spends his time filling up large yellow legal pads. He writes, mostly, about his teenage daughter, Blossom, who is on a Nancy Drew–like quest to help her friend, George, discover the truth about her biological parents, which turns out to be complicated. Shortly after submitting a mail-in genetics test, George learns she is the infamous "Baby Jane Doe" who was kidnapped from her Native mother shortly after she was born. A media and legal circus quickly ensues, and George's reunion with her birth family isn’t the heartwarming story the journalists hoped it would be. There is an even darker secret about the baby-snatching case, a secret threatens to destroy not just George’s family—but Cecil’s as well.

"Ursula K. Le Guin, loved by millions for her fantasy and science-fiction novels, ponders life, death and the vast beyond in So Far So Good, an astute, charming collection finished weeks before her death in January, 2018. Fans will recognize some of the motifs here—cats, wind, strong women — as well as her exploration of the intersection between soul and body, the knowable and the unknown. The writing is clear, artful and reverent as Le Guin looks back at key memories and concerns and looks forward to what is next: 'Spirit, rehearse the journey of the body/ that are to come, the motions/ of the matter that held you.'"―Washington Post "Le Guin’s farewell poetry collection, contains all that created her reputation for fiction—sharp insight, restless imagination, humor that is both mordant and humane, and, above all else, that connection to all creation, that 'immense what is'."—New York Journal of Books “It’s hard to think of another living author who has written so well for so long in so many styles as Ursula K. Le Guin.” —Salon “She never loses touch with her reverence for the immense what is.” —Margaret Atwood “There is no writer with an imagination as forceful and delicate as Le Guin’s.” —Grace Paley Legendary author Ursula K. Le Guin was lauded by millions for her ground- breaking science fiction novels, but she began as a poet, and wrote across genres for her entire career. In this clarifying and sublime collection—completed shortly before her death in 2018—Le Guin is unflinching in the face of mor- tality, and full of wonder for the mysteries beyond. Redolent of the lush natural beauty of the Pacific Northwest, with rich sounds playfully echoing myth and nursery rhyme, Le Guin bookends a long, daring, and prolific career. From “How it Seems to Me”: In the vast abyss before time, self is not, and soul commingles with mist, and rock, and light. In time, soul brings the misty self to be. Then slow time hardens self to stone while ever lightening the soul, till soul can loose its hold of self . . . Ursula K. Le Guin is the author of over sixty novels, short fiction works, translations, and volumes of poetry, including the acclaimed novels The Left Hand of Darkness and The Dispossessed. Her books continue to sell millions of copies worldwide. Le Guin died in 2018 in her home in Portland, Oregon.

So Far, So Good beautifully lays out life like a mosaic-opportunities of acclaim and fortune among moments of deep heartbreak, regret, and personal disappointment, all culminating in a life destined for purpose. If you have ever felt alone, uncertain, or overwhelmed, or questioned why God has allowed difficult circumstances to become part of your personal narrative, Jody's story is for you. Every word on these pages comes with the hope that as you read them you will find healing and comfort in knowing you are not alone.

Thirteen-year-old Natalie Gallagher is trying to escape: from her parents' ugly divorce, and from the vicious cyber-bullying of her former best friend. Adrift, confused, she is a girl trying to find her way in a world that seems to either neglect or despise her. Her salvation arrives in an unlikely form: Bridget O'Connell, an Irish maid working for a wealthy Boston family. The catch? Bridget lives only in the pages of a dusty old 1920s diary Natalie unearthed in her mother's basement. But the life she describes is as troubling -- and mysterious -- as the one Natalie is trying to navigate herself, almost a century later. I am writing this down because this is my story. There were only ever two people who knew my secret, and both are gone before me. Who was Bridget, and what became of her? Natalie escapes into the diary, eager to unlock its secrets, and reluctantly accepts the help of library archivist Kathleen Lynch, a widow with her own painful secret: she's estranged from her only daughter. Kathleen sees in Natalie traces of the daughter she has lost, and in Bridget, another spirited young woman at risk. What could an Irish immigrant domestic servant from the 1920s teach them both? As the troubles of a very modern world close in around them, and Natalie's torments at school escalate, the faded pages of Bridget's journal unite the lonely girl and the unhappy widow . . . and might even change their lives forever.