The year is 1861. The American Civil War has just begun, and London arms dealer Daniel Alberton is becoming a very wealthy man. His quiet dinner party seems remote indeed from the passions rending America. Yet investigator William Monk and his bride, Hester, sense growing tensions and barely concealed violence. For two of the guests are Americans, each vying to buy Alberton’s armaments. Soon Monk and Hester’s forebodings are fulfilled as one member of the party is brutally murdered and two others disappear– along with Alberton’s entire inventory of weapons. As Monk and Hester track the man they believe to be the murderer all the way to Washington, D.C., and the bloody battlefield at Manassas, Slaves of Obsession twists and turns like a powder-keg fuse and holds the reader breathless and spellbound. . . .

'Slaves of Obsession' twists and turns like a powder keg fuse as Monk and Hester track the man they believe to be a cold-blooded murderer all the way to Washington D.C. and the bloody battlefield at Manassas. Yet finally, in a hushed London courtroom scene, Anne Perry holds her readers breathless and spellbound while Sir Oliver Rathbone fights to defend the innocent, and perhaps the guilty, from the hangman's noose.

All's fair in love and war... The advent of the American Civil War brings new intrigue to Monk's Victorian London in Anne Perry's masterful novel Slaves and Obsession. Perfect for fans of C. J. Sansom and Ann Granger. 'Perry has here provided a meticulously plotted crime story with alibis and deception leading unerringly to the solution' - Scotsman In the American Civil War the opposing armies are desperate for arms. A London trader selling weapons to the South faces a moral dilemma when his daughter, in love with a Confederate, insists he change sides. When he is brutally murdered, her lover is the immediate suspect. William and Hester Monk must bring the pair back from the front line in America to face justice in an English court. What readers are saying about Slaves and Obsession: 'One of Anne Perry's best...A really enjoyable and gripping book' 'A riveting mystery wrapped up in the dark and seamy side of Victorian London' 'Anne Perry is the best Victorian crime [writer] I have ever read'

The year is 1861. The American Civil War has just begun, and London arms dealer Daniel Alberton is becoming a very wealthy man. His quiet dinner party seems remote indeed from the passions rending America. Yet investigator William Monk and his bride, Hester, sense growing tensions and barely concealed violence. For two of the guests are Americans, each vying to buy Alberton’s armaments. Soon Monk and Hester’s forebodings are fulfilled as one member of the party is brutally murdered and two others disappear— along with Alberton’s entire inventory of weapons. As Monk and Hester track the man they believe to be the murderer all the way to Washington, D.C., and the bloody battlefield at Manassas, Slaves of Obsession twists and turns like a powder-keg fuse and holds the reader breathless and spellbound.

The year is 1861. The American Civil War has just begun, and London arms dealer Daniel Alberton is becoming a very wealthy man. His quiet dinner party seems remote indeed from the passions rending America. Yet investigator William Monk and his bride, Hester, sense growing tensions and barely concealed violence. For two of the guests are Americans, each vying to buy Alberton's armaments. Soon Monk and Hester's forebodings are fulfilled as one member of the party is brutally murdered and two others disappear-- along with Alberton's entire inventory of weapons. As Monk and Hester track the man they believe to be the murderer all the way to Washington, D.C., and the bloody battlefield at Manassas, "Slaves of Obsession" twists and turns like a powder-keg fuse and holds the reader breathless and spellbound.

A leading African-American historian of race in America exposes the uncomfortable truths about race, slavery and the American academy, revealing that our leading universities, dependent on human bondage, became breeding grounds for the racist ideas that sustained it.

This volume offers the first comprehensive treatment of how the five canonical Greek novels represent slaves and slavery. In each novel, one or both elite protagonists are enslaved, and Owens explores the significance of the genre’s regular social degradation of these members of the elite. Reading the novels in the context of social attitudes and stereotypes about slaves, Owens argues for an ideological division within the genre: the earlier novelists, Xenophon of Ephesus and Chariton, challenge and undermine elite stereotypes; the three later novelists, Longus, Achilles Tatius, and Heliodorus, affirm them. The critique of elite thinking about slavery in Xenophon and Chariton opens the possibility that these earlier authors and their readers included literate ex-slaves. The interests and needs of these authors and their readers shaped the emerging genre and not only made the protagonists’ slavery a key motif but also made slavery itself a theme that helped define the genre. The Representation of Slavery in the Greek Novel will be of interest not only to students of the ancient novel but also to anyone working on slavery in the ancient world.