Sisters and the English Household revalues unmarried adult sisters in nineteenthcentury English literature as positive figures of legal and economic autonomy representing productive labor in the domestic space. As a crucial site of contested values, the adult unmarried sister carries the discursive weight of sustained public debates about ideals of domesticity in nineteenth-century England. Engaging scholarly histories of the family, and providing a detailed account of the 70-year Marriage with a Deceased Wife’s Sister controversy, Anne Wallace traces an alternative domesticity anchored by adult sibling relations through Dorothy Wordsworth’s journals; William Wordsworth’s poetry; Mary Lamb’s essay “On Needle-Work”; and novels by Jane Austen, Elizabeth Gaskell, Charles Dickens, Dinah Mulock Craik and George Eliot. Recognizing adult sibling relationships, and the figure of the adult unmarried sibling in the household, as primary and generative rather than contingent and dependent, and recognizing material economy and law as fundamental sources of sibling identity, Sisters and the English Household resets the conditions for literary critical discussions of sibling relations in nineteenth-century England.

'Sisters and the English Household' revalues unmarried adult sisters in nineteenth-century English literature as positive figures of legal and economic autonomy representing productive labour in the domestic space. As a crucial site of contested values, the adult unmarried sister carries the discursive weight of sustained public debates about ideals of domesticity in nineteenth-century England. Engaging scholarly histories of the family, and providing a detailed account of the 70-year Marriage with a Deceased Wife's Sister controversy, Wallace traces an alternative domesticity anchored by adult sibling relations through Dorothy Wordsworth's journals; William Wordsworth's poetry; Mary Lamb's essay 'On Needle-Work'; and novels by Jane Austen, Elizabeth Gaskell, Charles Dickens, Dinah Mulock Craik and George Eliot. Recognizing adult sibling relationships, and the figure of the adult unmarried sibling in the household, as primary and generative rather than contingent and dependent, and recognizing material economy and law as fundamental sources of sibling identity, 'Sisters and the English Household' resets the conditions for literary critical discussions of sibling relations in nineteenth-century England. In the twenty-first century, literary scholars have increasingly explored the significant historical distance between the ways we name, plot and characterize sibling relations, and the quite different ways that pre-twentieth-century writers and readers might have done so. Yet, as Mary Jean Corbett and Naomi Tadmor have separately argued, efforts to historicize our understanding of English families over the crucial transitional period of the eighteenth and nineteenth centuries have been weakened by scholars' reliance on terms and ideas that assume stable, universally human familial structures and relations. When we focus on the sibling relation, this reliance proves particularly limiting, driving continuing tendencies to define 'brother' and 'sister' in terms of sexual, specifically conjugal relations that reinscribe those stabilizing concepts, or to subsume the sibling relation into other categories, eliding its potential primacy in 'family'. 'Sisters and the English Household' works to escape these lingering critical limitations through two innovations: a reframing of efforts to historicize 'family' as a further historicizing of 'domesticity' that renders it multiple and fluid rather than monolithic; and a turn towards the unmarried adult sister as a figure of legal and economic autonomy representing productive labour in the domestic space. The book traces two distinct nineteenth-century ideals of domesticity, one of which understood sibling fortunes as fruitfully intertwined through the full extent of the siblings' lives (corporate domesticity), while the other expected the domestic, material and, to some extent, emotional separation of adult siblings from their birth-homes and from each other (industrial domesticity). The second configuration, although counterbalanced by persistent idealizations of the first, sibling-anchored model, was gradually and unevenly ascendant through the period. As households came to be primarily defined by the relations between spouses, and between parents and children, the mutual householding and devotion of siblings, once expected features of family life, began to seem extraordinary. More specifically, as a domestic space defined by the apparent exclusion of productive labour was increasingly idealized, the adult unmarried sister in the house became an object of intense cultural scrutiny, her troubling autonomy rendering her the crucial figure in the English nineteenth-century's protracted cultural negotiation of familial, household and domestic ideals.

Caught up in a terrifying war, facing choices of life and death, two Iraqi sisters take us into the hidden world of women’s lives under U.S. occupation. Through their powerful story of love and betrayal, interwoven with the stories of a Palestinian American women’s rights activist and a U.S. soldier, journalist Christina Asquith explores one of the great untold sagas of the Iraq war: the attempt to bring women’s rights to Iraq, and the consequences for all those involved. On the heels of the invasion, twenty-two-year-old Zia accepts a job inside the U.S. headquarters in Baghdad, trusting that democracy will shield her burgeoning romance with an American contractor from the disapproval of her fellow Iraqis. But as resistance to the U.S. occupation intensifies, Zia and her sister, Nunu, a university student, are targeted by Islamic insurgents and find themselves trapped between their hopes for a new country and the violent reality of a misguided war. Asquith sets their struggle against the broader U.S. efforts to bring women’s rights to Iraq, weaving the sisters’ story with those of Manal, a Palestinian American women’s rights activist, and Heather, a U.S. army reservist, who work together to found Iraq’s first women’s center. After one of their female colleagues is gunned down on a highway, Manal and Heather must decide whether they can keep fighting for Iraqi women if it means risking their own lives. In Sisters in War, Christina Asquith introduces the reader to four women who dare to stand up for their rights in the most desperate circumstances. With compassion and grace, she vividly reveals the plight of women living and serving in Iraq and offers us a vision of how women’s rights and Islam might be reconciled.

A new big brother finds lots to love about his new baby.

Brothers and sisters are so much a part of our lives that we can overlook their importance. Even scholars of the family tend to forget siblings, focusing instead on marriage and parent-child relations. Based on a wealth of family papers, period images, and popular literature, this is the first book devoted to the broad history of sibling relations, spanning the long period of transition from early to modern America. Illuminating the evolution of the modern family system, Siblings shows how brothers and sisters have helped each other in the face of the dramatic political, economic, and cultural changes of the eighteenth and nineteenth centuries. The book reveals that, in colonial America, sibling relations offered an egalitarian space to soften the challenges of the larger patriarchal family and society, while after the Revolution, in antebellum America, sibling relations provided order and authority in a more democratic nation. Moreover, Hemphill explains that siblings serve as the bridge between generations. Brothers and sisters grow up in a shared family culture influenced by their parents, but they are different from their parents in being part of the next generation. Responding to new economic and political conditions, they form and influence their own families, but their continuing relationships with brothers and sisters serve as a link to the past. Siblings thus experience and promote the new, but share the comforting context of the old. Indeed, in all races, siblings function as humanity's shock-absorbers, as well as valued kin and keepers of memory. This wide-ranging book offers a new understanding of the relationship between families and history in an evolving world. It is also a timely reminder of the role our siblings play in our own lives.

Brothers and sisters can be dear, can be company, can bring cheer, can start arguments, can make noise, can cause tears, can break toys . . . Brothers and brothers. Sisters and sisters. Brothers and sisters. Full, half, step, old and young, close in age and far apart. The bond between all siblings is powerful and special. Celebrate the love of brothers and sisters everywhere with award-winning author Eloise Greenfield in this poignant collection of poems for and about families, illustrated by renowned artist Jan Spivey Gilchrist in pen and ink and vibrant watercolor.

Originally published: London: Words & Pictures, 2014.