On a rainy September morning that just so happens to be her sixteenth birthday, Ailen Bright, a chicken-legged, straw-haired teenager, decides to commit suicide via drowning in the family bathtub. The ornate marble tub, adhering to her abusive father's love for anything expensive and Italian, is decorated by five sirens - who seemingly help her escape the house when her father breaks down the bathroom door. After an almost-successful suicide attempt number two, which lands her at the bottom of a lake, she learns that sirens are, in fact, real, and they want to turn her into one of them. An amazing, yet dark look into the mind and heart of a suicidal teenager, this urban fantasy follows Ailen's struggle to figure out the meaning of life, the unraveling of her confusing feelings for her theatrically goofy best friend Hunter, and her desperate battle for her father's love.

Ailen Bright is more lost than ever. Her father has betrayed her yet again, but keeps her longing for his love alive with some almost-heartfelt confessions, though few and far between. She and Hunter can never be together without fighting the urge to strangle each other with their bare hands. And to top it off, two-faced Canosa won't leave her alone. Her resolve to do the right thing is wavering as she tries to protect the ones she loves, simultaneously searching for a reason to keep on living, and the final chapter of Siren Suicides comes to a tumultuous close, bringing death, life, and love.

In the second installment of the Siren Suicides trilogy, Ailen Bright finds herself in a sticky situation. Her new supernatural abilities haven't solved anything - in fact, they've royally messed up her life. She can't be with the one person she loves (though her self-control is wavering by the second), her old, well-dressed dog of a father hasn't learned any new tricks, and her supposed siren sister doesn't seem to have her best interests at heart. A pawn in the game between her father and the Siren of Canosa, Ailen is constantly searching for her next move. Through all the hardships, however, Ailen's self-doubt begins to dissipate as she comes to accept her new identity.

"For fans of Ottessa Moshfegh, Juliet the Maniac is a worthy new entry in that pantheon of deconstruction... Dazzling."—NEW YORK TIMES BOOK REVIEW This portrait of a young teenager's fight toward understanding and recovering from mental illness is shockingly honest, funny, and heartfelt. Ambitious, talented fourteen-year-old honors student Juliet is poised for success at her Southern California high school. However, she soon finds herself in an increasingly frightening spiral of drug use, self-harm, and mental illness that lands her in a remote therapeutic boarding school, where she must ultimately find the inner strength to survive. A highly anticipated debut—from a writer hailed as "a combination of Denis Johnson and Joan Didion" (Dazed)—that brilliantly captures the intimate triumph of a girl's struggle to become the woman she knows she can be.

Read Devyn Quinn's blogs and view her pictures on the Penguin Community. A new paranormal romance series that follows desire into the depths of the ocean Lighthouse keeper Tessa Lonike savors her solitude on Little Mer, an island off the coast of Maine, guarding her true identity as a mermaid. But when Tessa spots a man thrashing around in the ice cold waters during a storm, she must use her ability as a mermaid to pull him to shore. And a year later, when Kenneth meets her again, he's determined not to let Tessa slip away. But when Tessa'a archaeologist ex-lover comes back to town with a clue to her heritage, she may be forced to leave her happiness behind...

Some of the greatest writers in the history of the art-Hart Crane, Ernest Hemingway, Jerzy Kosinski, Sylvia Plath, Anne Sexton, and Virginia Woolf-all chose to silence themselves by suicide, leaving their families and friends with heartbreak and the world of literature with gaping holes. Their reasons for killing themselves, when known, were varied and, quite often, unreasonable. Some were plagued by depression or self-doubt, and others by frustration and helplessness in a world they could neither change nor tolerate. Profoundly moving and morbidly attractive, Final Drafts is a necessary historical record, biographical treatment, and psychological examination of the authors who left this "cruel world" by their own hands, either instantly or over long periods of relentless self-destructive behavor. It is also a devoted examination of references to suicide in literature, both by those who took their own lives and those who decided to live. Mark Seinfelt has selected many well-known (mostly fiction) writers, from those whose work dates to over a century ago-when the medical community was ill-equipped to deal with substance abuse and depression-to more recent writers such as Kosinski, Michael Dorris, and Eugene Izzi, who have left a puzzled literary community with a sad legacy. Seinfelt reveals that many authors contemplated ending their lives in their work; were obsessed with destroying themselves; were unable-in the case of the Holocaust-to live with the fact that their contemporaries had been killed; believed death to be a freedom from the horrors that forced them to create; and, sometimes, were simply unable to withstand rejection or criticism of their work. Other noted authors discussed in this volume include John Berryman, Ambrose Bierce, Harry Crosby, John Davidson, William Inge, Randall Jarrell, Arthur Koestler, T.E. Lawrence, Primo Levi, Jack London, Jay Anthony Lukas, Tom McHale, Yukio Mishima, Henry de Montherlant, Seth Morgan, George Sterling, Sara Teasdale, Ernst Toller, John Kennedy Toole, Sergey Yesenin, and many others.