The life of a strange adventurer named Melchior Sternfels von Fuchshaim: namely where and in what manner he came into this world, what he saw, learned, experienced, and endured therein ; also why he again left it of his own free will.

A companion volume to Simplicissimus: the story of young girl named Courage, caught up in the turmoil of the Thirty Years' War, who survives, even prospers, by the use of her native cunning and sexual attraction. Completely amoral, she flits through a succession of husbands and lovers and ends her life with a band of Gypsies. The conceit here is that Courage supposedly tells her story to get back at Simplicissimus, who treats her dismissively in his own memoirs. This is a remorseless tale of lechery, knavery and trickery.

The reign of Kaiser Wilhelm II was a transitional period in German history when the traditions of the nineteenth century were coming into conflict with the emerging cultural, social, and political patterns of the twentieth century. The resulting tensions were clearly reflected in the period's leading satirical journals, Kladderadatsch and Simplicissimus. Both journals appealed to a diverse middle-class readership and attracted widespread attention through their flamboyant and sometimes scurrilous attacks on authority. Their satire, expressed through cartoons, anecdotes, verse, and fiction, ranged across nearly every aspect of German life and employed the talents of some of the period's most important writers and artists. That their purpose was essentially serious was shown by the frequent seizures of offending issues and the jail sentences meted out to satirists whose jabs struck too near home. Kladderadatsch, founded in Berlin in 1848, was liberal politically but generally mild in its social satire. It remained for Simplicissimus, founded in Munich in 1896, to launch a more radical critique of bourgeois culture. The primary target of both journals was the absurdities of an essentially weak monarchy personified in a Kaiser who seemed always to be "on stage." Simplicissimus, in addition, delighted in ridiculing a military establishment dominated by class, a repressive educational system, and a hypocritical religious hierarchy. Even the family came in for satirical treatment. Through the history of these two periodicals, Ann Taylor Allen demonstrates the uses of humor in a society that offered few effective outlets for dissent. She also provides important new insights into the role of popular journalism in this critical period.

'Gaudy, wild, raw, amusing, rollicking and ragged, boiling with life, on intimate terms with death and evil - but in the end, contrite and fully tired of a world wasting itself in blood, pillage and lust' Thomas Mann A story of war in all its absurdity and horror, this incomparable novel describes the fortunes of a young boy travelling through a world ravaged by conflict, and the terrible things he witnesses. Written by someone who fought in the Thirty Years War which decimated Europe in the seventeenth century, it combines brutal, documentary realism with fantastical, knockabout humour to depict a universe turned upside down. This pioneering work of fiction is considered to be the first great German novel. Translated by J. A. Underwood with an Introduction by Kevin Cramer