Gloria is a woman of great faith and many dreams. Her life has been full of pain and sadness from her early years in Puerto Rico when she loses her loving father at five years of age. Providence guides her to an orphanage where she finds love and a family. She grows into a humble woman full of ambitions, but is derailed as she meets the love of her life, an alcoholic. From then on her life becomes a struggle for survival as she becomes a single mother of three children and has no support from the father. She dreams of a better life for herself and the children who suffer from malnutrition and other ailments. She also becomes sick and on the verge of dying, recovers and is able to make her dreams of a better life a reality, as she comes to America.

Gloria is a woman of great faith and many dreams. Her life has been full of pain and sadness from her early years in Puerto Rico when she loses her loving father at five years of age. Providence guides her to an orphanage where she finds love and a family. She grows into a humble woman full of ambitions, but is derailed as she meets the love of her life, an alcoholic. From then on her life becomes a struggle for survival as she becomes a single mother of three children and has no support from the father. She dreams of a better life for herself and the children who suffer from malnutrition and other ailments. She also becomes sick and on the verge of dying, recovers and is able to make her dreams of a better life a reality, as she comes to America.

A talented poet and a gifted dramatist, Antonia Pulci (1452-1501) pursued two vocations, first as a wife and later as founder of an Augustinian order. During and after her marriage, Pulci authored several sacre rappresentazioni—one-act plays on Christian subjects. Often written to be performed by nuns for female audiences, Pulci's plays focus closely on the concerns of women. Exploring the choice that Renaissance women had between marriage, the convent, or uncloistered religious life, Pulci's female characters do not merely glorify the religious life at the expense of the secular. Rather, these women consider and deal with the unwanted advances of men, negligent and abusive husbands and suitors, the dangers of childbearing, and the disappointments of child rearing. They manage households and kingdoms successfully. Pulci's heroines are thoughtful; their capacity for analysis and action regularly resolve the moral, filial, and religious crises of their husbands and admirers. Available in English for the first time, this volume recovers the long muted voice of an early and important female Italian poet and playwright.

Word, Silence, and the Climate Emergency: God, Ekklesia, and Christian Doctrine is an exposition of Christian doctrine taking into account the current global emergency. Gorringe grounds our knowledge of God first in the revelation to the prophets and specifically in their political stance but above all in Jesus of Nazareth. God, or the NAME, Gorringe argues, is the antithesis of all the gods of projection, known in the silence of the cross and of the isolation cell. In a Triune format, the nature of God and the discourse of creation and providence are first considered before turning to the claim that “God was in Christ.” The final third of the book considers the nature and task of ekklesia, especially in the light of the global emergency which, Gorringe argues, is a confessional issue and the heart of ekklesia's present concern.

Saint Rafael Arnaiz was born in Burgos, Spain, on April 9, 1911. When he was twenty-one years old, he left behind the comforts of his wealthy family and an unfinished degree in architecture to join the Trappist-Cistercian abbey of San Isidro de Dueñas. A sudden onset of diabetes and the beginning of the Spanish Civil War (1936–1939) turned his monastic journey into an unusual one. In these unfavorable circumstances and despite the shortness of his life (he died soon after his twenty-seventh birthday), Rafael developed a solid spirituality, which in its simplicity is a straight path to holiness. He has been compared to mystics like Teresa of Ávila and John of the Cross, whose writings inspired him, and his theology of the cross, born from his prayer, places him in continuity with the best of the monastic tradition. In his letters and journals, compiled in this volume, his heart speaks of the joys and struggles of striving to live for God alone.

Signposts to Silence provides a theoretical map of what it terms ‘metaphysical mysticism’: the search for the furthest, most inclusive horizon, the domain of silence, which underlies the religious and metaphysical urge of humankind in its finest forms. Tracing the footsteps of pioneers of this exploration, the investigation also documents a number of historical pilgrimages from a variety of cultural and religious backgrounds. Such mountaineers of the spirit, who created paths trodden by groups of followers over centuries and in some cases millennia, include Lao-Tzu and Chuang-Tzu, Siddhattha and Jesus, Sankara and Fa-tsang, Plato and Plotinus, Isaac Luria and Ibn Arabi, Aquinas and Hegel. Such figures, teachings and traditions (including the religions of ‘Judaism’, ‘Christianity’ and ‘Islam’; ‘Hinduism’, ‘Buddhism’ and ‘Taoism’) are understood as, at their most sublime, not final destiny and the end of the road, but signposts to a horizon of ultimate silence. The hermeneutical method employed in tracking such pioneers involves four steps: • sound historical-critical understanding of the context of the various traditions and figures • reconstruction of the subjective intentional structure of such persons and their teachings • design, by the author, of a theoretical map of the overall terrain of ‘metaphysical mysticism’, on which all such journeys of the spirit are to be located, while providing a theoretical context for understanding them tendentionally (i.e. taking the ultimate drift of their thinking essentially to transcend their subjective intentions) • drawing out, within the space available, some political (taken in a wide sense) implications from the above, such as religio-political stances as well as ecological and gender implications. Continuing the general direction of thought within what the author endorses to be the best in metaphysical mysticism in its historical manifestations, the book aims to contribute to peace amongst religions in the contemporary global cultural situation. It relativizes all claims to exclusive, absolute truth that might be proclaimed by any religious or metaphysical, mystical position, while providing space for not only tolerating, but also affirming the unique value and dignity of each. This orientation moves beyond the stances of enmity or indifference or syncretism or homogenisation of all, as well as that of mere friendly toleration. It investigates the seemingly daunting and inhospitable yet immensely significant Antarctica of the Spirit, the ‘meta’-space of silence behind the various forms of wordy ‘inter’-relationships. It affirms pars pro toto, totum pro parte, and pars pro parte: that each religious, mystical and metaphysical orientation in its relative singularity represents or contains the whole and derives value from that, and that each represents or contains every other. This homoversal solidarity stimulating individual uniqueness is different from and in fact implies criticism of the process of globalisation. While not taking part in a scientific argument as such, Signposts to Silence aims at promoting an understanding of science and metaphysical mysticism as mutual context for each other, and it listens to a number of voices from the domain of science that understand this.