Winner of the 2014 Orion Book Award for Nonfiction Winner of the John Burroughs Association 2014 Medal for Distinguished Natural History Book In Sightlines, Kathleen Jamie reports from the field—from her native Scottish “byways and hills” to the frigid Arctic in fourteen enthralling essays. She dissects whatever her gaze falls upon—vistas of cells beneath a hospital microscope, orcas rounding a headland, the aurora borealis lighting up the frozen sea. In so doing, she questions what, exactly, constitutes “nature,” and upends the idea that it is always picturesque. Written with precision, subtlety, and wry humor, Sightlines urges the reader: “Keep looking, even when there’s nothing much to see.”

Winner of the 2019 National Book Award “The sight lines in Sze’s 10th collection are just that―imagistic lines strung together by jump-cuts, creating a filmic collage that itself seems to be a portrait of simultaneity.” ―The New York Times From the current phenomenon of drawing calligraphy with water in public parks in China to Thomas Jefferson laying out dinosaur bones on the White House floor, from the last sighting of the axolotl to a man who stops building plutonium triggers, Sight Lines moves through space and time and brings the disparate and divergent into stunning and meaningful focus. In this new work, Arthur Sze employs a wide range of voices—from lichen on a ceiling to a man behind on his rent—and his mythic imagination continually evokes how humans are endangering the planet; yet, balancing rigor with passion, he seizes the significant and luminous and transforms these moments into riveting and enduring poetry. “These new poems are stronger yet and by confronting time head on, may best stand its tests.” ―Lit Hub “The wonders and realities of the world as seen through travel, nature walks, and daily routine bring life to the poems in Sight Lines.” ―Library Journal

Newly available in paperback, this landmark volume is the definitive study of the work of visionary American artist Nancy Holt (1938–2014). Since the late 1960s, Holt’s wide-ranging production has included Land art—particularly the monumental Sun Tunnels (1973–76)—as well as significant projects in sculpture, installation, photography, film, and video. A comprehensive representation of Holt’s working process in both word and image, Alena J. Williams’s momentous publication illuminates the artist’s interest in physical space and reveals how the geographic variety and boundlessness of the American landscape afforded her numerous opportunities to develop large-scale projects beyond the confines of New York City’s gallery walls. Contributions by a distinguished group of writers—including Pamela M. Lee, Lucy R. Lippard, Ines Schaber, and Matthew Coolidge—chart Holt’s fascinating trajectory from her initial experiments with sound, light, and industrial materials to major site interventions and environmental sculpture. James Meyer’s valuable interview with Holt and Julia Alderson’s illustrated chronology expand our knowledge of this groundbreaking artist and the crucial contexts in which she worked. More than twenty original writings by the artist and a rare selection of her concrete poetry, documentary photographs, and preparatory drawings reveal Holt’s revolutionary concepts of space, time, optics, and scale.

Following a family tragedy, author Janet Grace Riehl returns to her childhood home in the Midwest. There she turns to her craft-writing-for comfort and understanding in a world that seems stripped of meaning. In her search she discovers a new sense of connection-a reunion with life before and after her sister's death.

It's surprising what you can find by simply stepping out to look. Award-winning poet Kathleen Jamie has an eye and an ease with the nature and landscapes of Scotland as well as an incisive sense of our domestic realities. In Findings she draws together these themes to describe travels like no other contemporary writer. Whether she is following the call of a peregrine in the hills above her home in Fife, sailing into a dark winter solstice on the Orkney islands, or pacing around the carcass of a whale on a rain-swept Hebridean beach, she creates a subtle and modern narrative, peculiarly alive to her connections and surroundings.

Chase Payne is a walking contradiction. He's the most powerful psychic in the Community, but the least respected. He's the son of the Community's founder, but with his tattoo sleeves and abrasive attitude, he's nothing like his charismatic family. No one knows what to make of him, which is how he wound up locked in a cell on the Farm yet again. But this time, the only man he's ever loved is there too. Elijah Estrella was used to being the sassy sidekick who fooled around with Chase for fun. But that was before he realized the Community wasn't the haven he'd believed in and Chase was the only person who'd ever truly tried to protect him. Now they're surrounded by people who want to turn them against their friends, and the only way out is to pretend the brainwashing works. With Chase playing the role of a tyrant's second-in-command, and Elijah acting like Chase's mindless sex toy, they risk everything by plotting a daring escape. In the end, it's only their psychic abilities, fueled by their growing love for each other, that will allow them to take the Community down once and for all.

A powerful personal account of outer exploration and inner discovery.