Adventure, romance, and danger collide when a young Alaskan fisherman nets the body of a Russian open water swimming competitor. Another swimmer, who'd been the dead woman's roommate years ago, is pulled into the search for answers as it grows more and more clear that something sinister is at play.

Three Novellas from Bestselling Authors In Dee Henderson's Missing, a Wyoming sheriff is called to Chicago when his elderly mother goes missing. Paired with a savvy Chicago cop, the two realize her disappearance is no accident, and a race against the clock begins. Dani Pettrey returns to Alaska with Shadowed, introducing readers to the parents of her beloved McKenna clan. Adventure, romance, and danger collide when a young fisherman nets the body of an open-water swimming competitor who may actually be a possible Russian defector. Lynette Eason's Blackout delivers the story of a woman once implicated in a robbery gone wrong. The loot has never been found--but her memory of that night has always been unreliable. Can she remember enough to find her way to safety when the true culprit comes after her?

A young woman once implicated in a robbery gone wrong finds herself at risk years later when the real culprit is up for parole. The loot taken that night has never been found and he believes she knows where it's hidden--only her memory of that night has always been unreliable. Can she remember enough to find her way to safety?

A collection of memories from fans and actors of the 1960's/70's Gothic ABC Soap Opera 'Dark Shadows'. Additionally the book contains several rare photographs from that time period.

I wrote my first poem when I was in second grade. Okay, maybe it was my second term in second grade, but it amazed my teacher and my principal so much that they asked me to read it to every class in Woodside Elementary School. I was proud. I was embarrassed. I was too scared to do it, so I didnt. It went something like this: Poor me, I got bit by a bee. I told my mommy and daddy, About that bad bee that bit me. It was a very long time ago, and that is about all that I remember of it. Our memories fade with age. Maybe that is a good thing.

"The world is so sad and solemn," wrote Nathaniel Hawthorne, "that things meant in jest are liable, by an overwhelming influence, to become dreadful earnest; gaily dressed fantasies turning to ghostly and black-clad images of themselves." From the radical dualism of Hawthorne's vision, Samuel Coale argues, springs a continuing tradition in the American novel. In Hawthorne's Shadow is the first critical study to describe precisely the formal shape of Hawthorne's psychological romance and to explore his themes and images in relation to such contemporary writers as John Cheever, Norman Mailer, Joan Didion, John Gardner, Joyce Carol Oates, William Styron, and John Updike. When viewed from this perspective, certain writers—particularly Cheever, Mailer, Oates, and Gardner—appear in a new and very different light, leading to a considerable reevaluation of their achievement and their place in American fiction. Mr. Coale's long interviews and conversations with John Cheever, John Gardner, William Styron, and others have provided insights and perspectives that make this book particularly valuable to students of contemporary American literature. Coale links contemporary writers to an on-going American romantic tradition, represented by such earlier authors as Melville, Harold Frederic, Faulkner, Flannery O'Connor, and Carson McCullers. He explores the distinctly Manichean matter of much American romance, linking it to America's Puritan past and to the almost schizophrenic dynamics of American culture in general. Finally, he reexamines the post-modernist writers in light of Hawthorne's "shadow" and shows that, however similar they may be in some ways, they differ remarkably from the previous American romantic tradition.