This is the first book to tell the inspiring story of near tragedy and ultimate triumph behind the dazzling work of one of today's most respected and best-loved artists. Chuck Close is one of the most acclaimed American artists to emerge since Andy Warhol. His larger-than-life portraits look out from the walls of museums and galleries around the globe. His virtuosity and variety of technique, combined with the ambition and accessibility of his chosen subject matter the portrait re-invented on a heroic scale has made him a great favorite with the public and has won him the respect of his peers. Chuck Close has achieved fame, yet his full story has never been told until now. Author Christopher Finch has known Close since the late 1960s when the artist was creating his first masterpieces in an unheated SoHo loft. Finch chronicles Close's childhood battles with illness and dyslexia and his rise to the pinnacle of the art world. At the age of 48 he was struck down by an occluded spinal artery that left him a partial quadriplegic. With extraordinary determination, Close overcame this potentially career-ending disability, not only learning to paint again but producing work of extraordinary richness that equals or surpasses his previous achievements. With style and authority, Finch reveals the human reality behind Close's visually eloquent but eternally silent portraits.

Josef Albers (1888–1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers’s thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers’s approach to color—dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests—ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry.

A study of the prints of Robert Motherwell, covering the years 1943 to 1991. This fourth edition is based on research and scholarship. In addition to cataloguing more than 500 prints in virtually every medium, it includes an essay on Motherwell's print-making, an illustrated chronology, concordance, bibliography and exhibition history. 500 colour & 100 b/w illustrations

EDMUND is my autobiographical novella. A passionate expression of self and art. Art is a beautiful powerful voice unheard. Both secular and spiritual, an allegory of life. "Donald Munson is a poet singing the joy of nature, a poem in visual terms. He has a personal style of great distinction." -Eva Gatling, Ex. Officio, The Heckscher Museum "His work assimilates, then transcends, to illuminate abstracted essential truths with a masterful visual language..." -Douglas P. Clement, Take Magazine