Sacred Playgrounds explores the wisdom of camping ministry for Christian education and faith formation, examining its rich history and fundamental characteristics with compelling stories, groundbreaking research, and theological grounding. Christian summer camp is an integral part of the ecology of faith formation in North America, though it has received surprisingly little attention in the scholarly community until now. Camping ministry is often dismissed as simple fun and games or a brief spiritual high that does not last. However, camp experiences often serve as deeply relational and immersive faith experiences that have lasting impacts on participants. Five fundamental characteristics combine dynamically in the effective camp experience: participatory, faith-centered, safe space, relational, and unplugged from home. Together, they open the space for participants to consider new understandings of God, to have time for deep self-reflection, and to build intentional Christian community. These camp experiences are essential components in a larger ecology of faith formation, including the home and congregation. The insight and evidence presented in this book demonstrate that the contributions of camping ministry must be taken seriously among scholars, Christian educators, and ministry professionals.

In his final work, a visionary game designer reveals how a surprising range of play-based experiences can unlock our imagination and help us capture the power of fun and delight. Bernard De Koven (1941–2018) was a pioneering designer of games and theorist of fun. He studied games long before the field of game studies existed. For De Koven, games could not be reduced to artifacts and rules; they were about a sense of transcendent fun. This book, his last, is about the imagination: the imagination as a playground, a possibility space, and a gateway to wonder. The Infinite Playground extends a play-centered invitation to experience the power and delight unlocked by imagination. It offers a curriculum for playful learning. De Koven guides the readers through a series of observations and techniques, interspersed with games. He begins with the fundamentals of play, and proceeds through the private imagination, the shared imagination, and imagining the world—observing, “the things we imagine can become the world.” Along the way, he reminisces about playing ping-pong with basketball great Bill Russell; begins the instructions for a game called Reception Line with “Mill around”; and introduces blathering games—Blather, Group Blather, Singing Blather, and The Blather Chorale—that allow the player's consciousness to meander freely. Delivered during the last months of his life, The Infinite Playground has been painstakingly cowritten with Holly Gramazio, who worked together with coeditors Celia Pearce and Eric Zimmerman to complete the project as Bernie De Koven's illness made it impossible for him to continue writing. Other prominent game scholars and designers influenced by De Koven, including Katie Salen Tekinbaş, Jesper Juul, Frank Lantz, and members of Bernie's own family, contribute short interstitial essays.

“His is a voice that must be heard.” —Patti Smith “A poetic rush to madness. . . a stunning, original voice as lyrical as it is unnerving." —Alan Weisman, author of The World Without Us and Countdown "In the shadow of catastrophe, Markiyan Kamysh writes with all of youth’s wayward lyricism, like a nuclear Kerouac." —Rob Doyle, author of Threshold A rare portrait of the dystopian reality of Chornobyl, Ukraine, as it was before the Russian occupation of 2022. Since the nuclear disaster in April 1986, Chornobyl remains a toxic, forbidden wasteland. As with all dangerous places, it attracts a wild assortment of adventurers who feel called to climb over the barbed wire illegally and witness the aftermath for themselves. Breaking the law here is a pilgrimage: a defiant, sacred experience. In Stalking the Atomic City, Kamysh tells us about thieves who hide in the abandoned buildings, the policemen who chase them, and the romantic utopists who have built families here, even as deadly toxic waste lingers in the buildings, playgrounds, and streams. The book is complete with stunning photographs that may well be the last images to capture Chornobyl’s desolate beauty since occupying Russian forces started to loot and destroy the site in March 2022. An extraordinary guide to this alien world many of us will never see, Kamysh’s singular prose that is both brash and bold, compared to Kerouac and gonzo journalists, captures the understated elegance and timeless significance of this dystopian reality.

How can we design places that fulfill urgent needs of the community, achieve environmental justice, and inspire long-term stewardship? By bringing community members to the table with designers to collectively create vibrant, important places in cities and neighborhoods. For decades, participatory design practices have helped enliven neighborhoods and promote cultural understanding. Yet, many designers still rely on the same techniques that were developed in the 1950s and 60s. These approaches offer predictability, but hold waning promise for addressing current and future design challenges. Design as Democracy is written to reinvigorate democratic design, providing inspiration, techniques, and case stories for a wide range of contexts. Edited by six leading practitioners and academics in the field of participatory design, with nearly 50 contributors from around the world, it offers fresh insights for creating meaningful dialogue between designers and communities and for transforming places with justice and democracy in mind.

A compelling history, a manifesto, and a manual for change.

Poor design and wasted funding characterize today's American playgrounds. A range of factors--including a litigious culture, overzealous safety guidelines, and an ethos of risk aversion--have created uniform and unimaginative playgrounds. These spaces fail to nurture the development of children or promote playgrounds as an active component in enlivening community space. Solomon's book demonstrates how to alter the status quo by allying data with design. Recent information from the behavioral sciences indicates that kids need to take risks; experience failure but also have a chance to succeed and master difficult tasks; learn to plan and solve problems; exercise self-control; and develop friendships. Solomon illustrates how architects and landscape architects (most of whom work in Europe and Japan) have already addressed these needs with strong, successful playground designs. These innovative spaces, many of which are more multifunctional and cost effective than traditional playgrounds, are both sustainable and welcoming. Having become vibrant hubs within their neighborhoods, these play sites are models for anyone designing or commissioning an urban area for children and their families. The Science of Play, a clarion call to use playground design to deepen the American commitment to public space, will interest architects, landscape architects, urban policy makers, city managers, local politicians, and parents.