The sequel to the New York Times bestseller Rosemary's Baby: a thrilling, cautionary tale of the troubling forces that war within each of us. The modern master of suspense Ira Levin returns to the horror of his 1967 groundbreaking novel Rosemary's Baby with this darkly comic sequel set at the dawn of the millennium. Thirty-three years ago, Rosemary gave birth to the Devil's child while under the control of a satanic cult of witches. Now the year is 1999, and humanity dreads the approaching twenty-first century, desperately in search of a savior for this troubled world. in New York City, rosemary's son Andy is believed to be that savior. But is he the force of good his followers accept him to be? Or is he his father's son? Rosemary and Andy will be reunited in a battle of wills that shall decide the fate of humanity—and keep readers on the edge of the seats until the final page.

Rosemary Woodhouse and her struggling actor husband Guy move into the Bramford, an old New York City apartment building with an ominous reputation and mostly elderly residents. Neighbors Roman and Minnie Castavet soon come nosing around to welcome the Woodhouses to the building, and despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband takes a shine to them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant—and the Castavets start taking a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castavets' circle is not what it seems...

If you're an audience member or movie critic, you sit in a dark cinema and pray for a fascinating tale expertly told. If you are a producer, director, screenwriter or performer, you pray for a well-received and financially successful film. On June 12, 1968, prayers were answered. Rosemary's Baby hit American theatres. This book is a definitive illustrated history commemorating the 50th anniversary of this landmark picture, from director and casting choices to the kudos and condemnation it received upon its release.

Rosemary's Baby is one of the greatest movies of the late 1960s and one of the best of all horror movies, an outstanding modern Gothic tale. An art-house fable and an elegant popular entertainment, it finds its home on the cusp between a cinema of sentiment and one of sensation. Michael Newton's study of the film traces its development at a time when Hollywood stood poised between the old world and the new, its dominance threatened by the rise of TV and cultural change, and the roles played variously by super producer Robert Evans, the film's producer William Castle, director Polanski and its stars including Mia Farrow and John Cassavetes. Newton's close textual analysis explores the film's meanings and resonances, and, looking beyond the film itself, he examines its reception and cultural impact, and its afterlife, in which Rosemary's Baby has become linked with the terrible murder of Polanski's wife and unborn child by members of the Manson cult, and with controversies surrounding the director.

The internationally bestselling novel by the author of A Kiss Before Dying, The Boys from Brazil, and Rosemary's Baby With an Introduction by Peter Straub For Joanna, her husband, Walter, and their children, the move to beautiful Stepford seems almost too good to be true. It is. For behind the town's idyllic facade lies a terrible secret -- a secret so shattering that no one who encounters it will ever be the same. At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.