There is no shortage of explanations for the longevity of Defoe’s Robinson Crusoe, which has been interpreted as both religious allegory and frontier myth, with Crusoe seen as an example of the self-sufficient adventurer and the archetypal colonizer and capitalist. Defoe’s original has been reimagined multiple times in legions of Robinsonade or castaway stories, but the Crusoe myth is far from spent. This wideranging collection brings together eleven scholars who suggest new and unfamiliar ways of thinking about this most familiar of works, and who ask us to consider the enduring appeal of “Crusoe,” more recognizable today than ever before.

Daniel Defoe’s Robinson Crusoe (1719) has had an enduring and widespread impact, becoming a universal myth. This volume offers various approaches to the rewriting of the desert(ed) island myth of the novel. Its originality comes from the time range covered, as its focus ranges from medieval proto-Robinsonades to twentieth-century cinematic adaptations. It begins with an exploration of Robinsonades written before Robinson Crusoe, prompting discussion about the label “Robinsonade” and why critics have seen Defoe’s narrative as the hypotext of the genre. Robinson Crusoe can only be understood in the context of the imperial expansion of Britain in the 18th century and the rise of capitalism, but Robinsonades adapt to the audiences they address. At the turn of the 19th century, despite the changing context and the increasingly unrealistic claim that one could be stranded on a desert island fertile enough for rebuilding a new life and civilization, the myth of Robinson resurfaced in R. L. Stevenson’s and Joseph Conrad’s fictions. The 19th century was also marked by industrial revolution, progress and scientism, and the authors who wrote Robinsonades at that period witnessed how those developments changed the world. The volume includes a discussion of Jules Verne’s work as a critical perspective on colonial narratives, and deals with transmedial and transgeneric approaches, analysing the bridges and comparisons between the depictions of such narratives in literature, cinema, and television. Finally, the volume proposes a topical approach to the genre by focusing on the link between literature and the environment, and how the Robinsonade can awaken people’s consciences and help make a difference in the world. Bearing in mind the idea that Robinsonades can be wake-up calls, the epilogue of this volume offers a very original comparison between the Robinsonade and the political situation in Great Britain regarding Europe.

"Robinson Crusoe is a novel by Daniel Defoe, first published on 25 April 1719. The first edition credited the work's protagonist Robinson Crusoe as its author, leading many readers to believe he was a real person and the book a travelogue of true incidents.Epistolary, confessional, and didactic in form, the book is presented as an autobiography of the title character (whose birth name is Robinson Kreutznaer)-a castaway who spends 28 years on a remote tropical desert island near Trinidad, encountering cannibals, captives, and mutineers, before ultimately being rescued. The story has been thought to be based on the life of Alexander Selkirk, a Scottish castaway who lived for four years on a Pacific island called ""Más a Tierra"", now part of Chile, which was renamed Robinson Crusoe Island in 1966"

Published in 1719, Defoe's Robinson Crusoe is one of those extraordinary literary works whose importance lies not only in the text itself but in its persistently lively afterlife. This celebratory collection of tercentenary essays testifies to the Robinsonade's endurance, analyzing its various literary, aesthetic, philosophical, and cultural implications in historical context.

Daniel Defoeâ (TM)s Robinson Crusoe (1719) has had an enduring and widespread impact, becoming a universal myth. This volume offers various approaches to the rewriting of the desert(ed) island myth of the novel. Its originality comes from the time range covered, as its focus ranges from medieval proto-Robinsonades to twentieth-century cinematic adaptations. It begins with an exploration of Robinsonades written before Robinson Crusoe, prompting discussion about the label â oeRobinsonadeâ and why critics have seen Defoeâ (TM)s narrative as the hypotext of the genre. Robinson Crusoe can only be understood in the context of the imperial expansion of Britain in the 18th century and the rise of capitalism, but Robinsonades adapt to the audiences they address. At the turn of the 19th century, despite the changing context and the increasingly unrealistic claim that one could be stranded on a desert island fertile enough for rebuilding a new life and civilization, the myth of Robinson resurfaced in R. L. Stevensonâ (TM)s and Joseph Conradâ (TM)s fictions. The 19th century was also marked by industrial revolution, progress and scientism, and the authors who wrote Robinsonades at that period witnessed how those developments changed the world. The volume includes a discussion of Jules Verneâ (TM)s work as a critical perspective on colonial narratives, and deals with transmedial and transgeneric approaches, analysing the bridges and comparisons between the depictions of such narratives in literature, cinema, and television. Finally, the volume proposes a topical approach to the genre by focusing on the link between literature and the environment, and how the Robinsonade can awaken peopleâ (TM)s consciences and help make a difference in the world. Bearing in mind the idea that Robinsonades can be wake-up calls, the epilogue of this volume offers a very original comparison between the Robinsonade and the political situation in Great Britain regarding Europe.

In this ambitious new interdisciplinary study, Useche proposes the metaphor of the social foundry to parse how industrialization informed and shaped cultural and national discourses in late nineteenth- and early twentieth-century Spain. Across a variety of texts, Spanish writers, scientists, educators, and politicians appropriated the new economies of industrial production—particularly its emphasis on the human capacity to transform reality through energy and work—to produce new conceptual frameworks that changed their vision of the future. These influences soon appeared in plans to enhance the nation’s productivity, justify systems of class stratification and labor exploitation, or suggest state organizational improvements. This fresh look at canonical writers such as Emilia Pardo Bazán, Concha Espina, Benito Pérez Galdós, Vicente Blasco Ibáñez, and José Echegaray as well as lesser known authors offers close readings of their work as it reflected the complexity of Spain’s process of modernization.