The Communist revolution promised Chinese women an end to thousands of years of subjugation, an equality with men in all matters legal, political, social, and economic. This book examines the extent to which this promise has been kept. Based on nearly a year of field research and interviews with over 300 women in six widely separated rural and urban areas, it gives us a vivid picture of Chinese women today - their day-to-day lives, their views of the present, and their hopes for the future. To date nothing approximating equality has been achieved: in working conditions, in pay, in educational opportunity. In the cities, and to a lesser extent in the countryside, women are better off than in pre-revolutionary China. But nowhere except in the rhetoric of the regime are they equal to men. Nor does the immediate future look much brighter, given the continuing social constraints, the government's controversial family limitation program, and the nature of the new economic policies introduced in 1980. So far as possible, the women interviewed are allowed to speak for themselves. Some take refuge behind government slogans, some are shy or wary, but a surprising number are quick to give their own opinions despite an ever-present government cadre. These opinions, combined with the author's astute observations on their local and national context, add up to a wholly new perspective on an all too familiar problem.

Here is a convincing reflection that changes our understanding of gender in Maoist culture, esp. for what critics from the 1990s onwards have termed its erasure of gender and sexuality. In particular the strong heroines of the yangbanxi, or model works which dominated the Cultural Revolution period, have been seen as genderless revolutionaries whose images were damaging to women. Drawing on contemporary theories ranging from literary and cultural studies to sociology, this book challenges that established view through detailed semiotic analysis of theatrical systems of the yangbanxi including costume, props, kinesics, and various audio and linguistic systems. Acknowledging the complex interplay of traditional, modern, Chinese and foreign gender ideologies as manifest in the 'model works', it fundamentally changes our insights into gender in Maoist culture.

Considers four major events in modern Chinese history in the perspective of the rapid changes that were shaping the Chinese society, economy, polity, and sense of place in the world in the 1980s, a time when China was making rapid strides toward becoming more integrated with the outside world.

In spite of dislocations and ruptures in China’s revolutionary language, to rethink this discourse is to revisit a history in terms of sedimented layers of linguistic meanings and political aspirations. Earlier meanings of revolutionary words may persist or coexist with non-revolutionary rivals. Recovery of the vital uses of key revolutionary words projects critical alternatives in which contemporary capitalist myths can be contested.

World Theatre: The Basics presents a well-rounded introduction to non-Western theatre, exploring the history and current practice of theatrical traditions in Asia, Africa, the Middle East, Oceania, the Caribbean, and the non-English-speaking cultures of the Americas. Featuring a selection of case studies and examples from each region, it helps the reader to understand the key issues surrounding world theatre scholarship and global, postcolonial, and transnational performance practices. An essential read for anyone seeking to learn more about world theatre, World Theatre: The Basics provides a clear, accessible roadmap for approaching non-Western theatre.

'You cannot kill ideas. Fidel, for the Third World, was not merely another leader. He was the mirror of its aspirations. That mirror will never be shattered.' - From the Introduction.//Fidel Castro's speeches were classrooms for the revolution. Through these speeches, Fidel came before the people to explain the conjuncture and problems the government faced with honesty and by putting them into historical context. Each of his speeches is a tour de force of explication, a history lesson, a sociology lesson, a political lesson, and even a lesson on literature. Fidel reached back to revolutionaries from an earlier time and dug into the data produced by the government. The traditions, experiences, and oral histories of national liberation and Marxism-Leninism articulated by Fidel came alive as he spoke to new audiences engaged in building a socialist experiment just miles away from the heart of the empire.Fidel Castro launched a battle of ideas in defense of socialist thought and the permanent mobilization of the people's consciousness. The speeches collected in this book carry forward the battle of ideas that framed the last decades of Fidel's life until he left us on 26 November 2016 at the age of ninety.

In this magnificent and encyclopedic overview, James T. Kloppenberg presents the history of democracy from the perspective of those who struggled to envision and achieve it. The story of democracy remains one without an ending, a dynamic of progress and regress that continues to our own day. In the classical age "democracy" was seen as the failure rather than the ideal of good governance. Democracies were deemed chaotic and bloody, indicative of rule by the rabble rather than by enlightened minds. Beginning in the 16th and 17th centuries, however, first in Europe and then in England's North American colonies, the reputation of democracy began to rise, resulting in changes that were sometimes revolutionary and dramatic, sometimes gradual and incremental. Kloppenberg offers a fresh look at how concepts and institutions of representative government developed and how understandings of self-rule changed over time on both sides of the Atlantic. Notions about what constituted true democracy preoccupied many of the most influential thinkers of the Western world, from Montaigne and Roger Williams to Milton and John Locke; from Rousseau and Jefferson to Wollstonecraft and Madison; and from de Tocqueville and J. S. Mill to Lincoln and Frederick Douglass. Over three centuries, explosive ideas and practices of democracy sparked revolutions--English, American, and French--that again and again culminated in civil wars, disastrous failures of democracy that impeded further progress. Comprehensive, provocative, and authoritative, Toward Democracy traces self-government through three pivotal centuries. The product of twenty years of research and reflection, this momentous work reveals how nations have repeatedly fallen short in their attempts to construct democratic societies based on the principles of autonomy, equality, deliberation, and reciprocity that they have claimed to prize. Underlying this exploration lies Kloppenberg's compelling conviction that democracy was and remains an ethical ideal rather than merely a set of institutions, a goal toward which we continue to struggle.