Remembered Words is a selection of Alastair Fowler's essays on genre, realism, and the emblem (three interrelated subjects), published over six decades. It offers readers a way to arrive at a sense of how approaches to these subjects have changed over that period. Specifically, it shows how genre has come to be understood in terms of family resemblance theory. Remembered Words argues that realism can be seen as altering historically, so that Renaissance realism, for example, differs from those of later periods. Similar changes are traced in the emblem, which Fowler shows to be not only a particular genre, but an element of various kinds of realism. Famous passages in ancient literature are remembered in the familiar emblems of the Renaissance; and Renaissance emblems form the basis of metaphors in later literature. Meanwhile, the general approach of the critic and the reader has been altering over the years--as becomes evident when one takes into account the time-scale of sixty years (an unusually long working life for a critic). Modern theoretical approaches--which are often casually regarded as self-evident--may appear less inevitable and more arbitrary. This is not to say that they are necessarily wrong, just that they need to be argued for. Remembered Words is intended for senior undergraduates and for graduate students, who may use it to form ideas of Fowler's approach and that of his contemporaries and predecessors over the last half century.

Remembered Words is the title of a series of watercolor paintings that Roni Horn (born 1955) created in 2013 and 2014. An important part of Horn's work revolves around language. In this new series she pairs "remembered words" with dots, adding the words to the dots like footnotes or captions, creating a kind of personal, even autobiographical dictionary. The combination of the dots--which are sometimes properly arranged in color-coordinated rows, or in other drawings distributed in a random and overlapping manner, wild and out of control--with the words creates unexpected relations and meanings, long strings of associations, absurd and beautiful simultaneously.

With a delightfully edited collection of children's quotes paired with exquisite, fanciful collage artwork, this lovely keepsake journal serves as a lasting keepsake of children's observations that are brilliant, hilarious, and wonderful.

This perfect gift for readers, writers, and literature majors alike unearths the quirks of the English language. For example, do you know why a mortgage is literally a “death pledge”? Why guns have girls’ names? Why “salt” is related to “soldier”? Discover the answers to all of these etymological questions and more in this fascinating book for fans of of Eats, Shoots & Leaves. The Etymologicon is a completely unauthorized guide to the strange underpinnings of the English language. It explains how you get from “gruntled” to “disgruntled”; why you are absolutely right to believe that your meager salary barely covers “money for salt”; how the biggest chain of coffee shops in the world connects to whaling in Nantucket; and what, precisely, the Rolling Stones have to do with gardening. This witty book will awake the linguist in you and illuminate the hidden meanings behind common words and phrases, tracing their evolution through all of their surprising paths throughout history.

Walker Percy (1916-1990), the reclusive southern author most famous for his 1961 novel The Moviegoer, spent much of his adult life in Covington, Louisiana. In the spirit of traditional southern storytelling, this biography of Percy takes its shape from candid interviews with his family, close friends, and acquaintances. In thirteen interviews, we get to know Percy through his lifelong friend Shelby Foote, Percy's brothers LeRoy and Phin, his former priest, his housekeeper, and former teachers, among others--all in their own words. Over the course of the interviews, readers learn intimate details of Percy's writing process; his interaction with community members of different ethnic, religious, and socioeconomic backgrounds; and his commitment to civil rights issues. What emerges is a multidimensional portrait of Percy as a man, a friend, and a family member.