The newest development in alternative art: the use of salvaged and repurposed materials by contemporary artists. Tristan Manco reveals how artists of all kinds are bringing creativity to basic, often unglamorous materials—from broken bottles, old flip-flops, and skateboards to sustainable resources such as wood, straw, and paper. Through hundreds of illustrations, in-depth artist profiles, and detailed discussions of various materials, he showcases the work of more than thirty innovative and inspiring artists from around the world, from the United States, Mexico, Brazil, and Chile to the UK, Spain, France, and Italy. Some of the artists have invented new techniques—American artist Rosemarie Fiore uses fireworks to create paintings—while others have pushed the envelope in the presentation of their work by creating fresh, dynamic forms of display. Whether it is Chilean artist Carlos Zuniga’s creative use of text pages from found books and directories or Brazilian sculptor Henrique Oliveira’s ambitious organic forms in salvaged plywood, the book highlights how imaginative approaches to media and technique encourage us to look at the world in new ways.

A revelatory, long-overdue survey of the bold and explicit feminist painting of Betty Tompkins, from the late 1960s to the present This first monographic work on the New York-based feminist painter Betty Tompkins (born 1945) presents around 50 paintings and drawings made during her career. Tompkins is best known for her large-format Fuck Paintings, a series launched in 1969 depicting close-up sex, the source images of which are taken from pornographic magazines. The series is famous for having been censored many times. In this and other series, such as the Cunt Paintings and Pussy Paintings, Tompkins uses a cold and restricted palette of black, white and gray for the pornographic images that she appropriates. Stylistically close to photorealism, the images are cropped and produced with an airbrush on pastel backgrounds. Sometimes the artist covers up the image with misogynistic texts. Although her paintings were rarely shown, due to their explicit content, Tompkins has influenced a younger generation. Since the 1970s, she has tirelessly questioned what determines the codes of representation of female bodies. This work thus takes on a new dimension within the framework of the recent #MeToo movement. In this essential volume, collages and drawings reveal Tompkins' work processes, highlighting her grid work, a major synthesis of minimalism and formalism. Among the works on paper, the 2014 Photo Drawings series is unveiled here for the first time.

Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics

"In Raw Material, Stephany Wilkes tells not only her own story, but also that of American wool. What begins as a knitter's search for local yarn becomes a dirty, unlikely, and irresistible side job. Wilkes become a certified sheep shearer and wool classer, working at the very first step in the textile supply chain, ultimately leaving her high-tech job for a new way of life considered long dead in the American West."--Provided by publisher.

Analyzes the intertwined metaphoric language of capitalism and disease in nineteenth-century England.

DIVProfusely illustrated guide clearly outlines procedure for making attractive and useful paper in vast number of sizes, shapes, textures and colors—all from vegetable fibers. /div

Franklin Booth: Silent Symphony is a massive, 304-page book featuring over 400 pieces that span the artist's entire career. Accompanying photos of Franklin Booth (1874-1948), his family, friends and colleagues--along with illustrations by his peers and inspirations--add nearly fifty more images. A new essay by the award-winning illustrator and professor Alice A. Carter delves into Booth's life. This biography highlights his childhood in Indiana, family life and the earliest days of his professional career, his road trips, studio life and teaching career with intimate stories and much more. Quotes of first-hand encounters with Booth by his students, friends and fellow artists also are shared. Pen-and-ink drawings cover a fifty-year span--from Booth's earliest days to his final works. These include his story illustrations for top magazines of the time, plus a diverse and rare assortment of pieces made for poems, advertisements and prints. Book illustrations completed in color as well as pen-and-ink also are featured, along with rare sketches for an unrealized project. All art was scanned and photographed from its original source material using the latest technology and has been painstakingly prepped for this publication. Franklin Booth's meticulous and unique pen technique has been revered by artists and students for the last hundred years. No one has ever been able to duplicate his style. Booth utilized his own life, philosophies and experiences as vehicles to project his thoughts to the viewer, which makes his work deeply compelling and infused with his respect for nature and art. He always listened to his own voice and developed a style that was not a natural product of his era. This allowed his work to become timeless and to continue capturing audiences today. Franklin Booth's influence can still be seen in modern comic books, fantasy illustrations, concept art and films. The magnitude of his art is made for the big screen, with his figures in epic scenes. His work has made its way through decades of shifting genres and changes in the art world and is still as immediate today as it was in the early twentieth century.