A revelatory, long-overdue survey of the bold and explicit feminist painting of Betty Tompkins, from the late 1960s to the present This first monographic work on the New York-based feminist painter Betty Tompkins (born 1945) presents around 50 paintings and drawings made during her career. Tompkins is best known for her large-format Fuck Paintings, a series launched in 1969 depicting close-up sex, the source images of which are taken from pornographic magazines. The series is famous for having been censored many times. In this and other series, such as the Cunt Paintings and Pussy Paintings, Tompkins uses a cold and restricted palette of black, white and gray for the pornographic images that she appropriates. Stylistically close to photorealism, the images are cropped and produced with an airbrush on pastel backgrounds. Sometimes the artist covers up the image with misogynistic texts. Although her paintings were rarely shown, due to their explicit content, Tompkins has influenced a younger generation. Since the 1970s, she has tirelessly questioned what determines the codes of representation of female bodies. This work thus takes on a new dimension within the framework of the recent #MeToo movement. In this essential volume, collages and drawings reveal Tompkins' work processes, highlighting her grid work, a major synthesis of minimalism and formalism. Among the works on paper, the 2014 Photo Drawings series is unveiled here for the first time.

"When Elise Perez meets Jamey Hyde on a desolate winter afternoon, fate implodes, and neither of their lives will ever be the same. Although they are next-door neighbors in New Haven, they come from different worlds. Elise grew up in a housing project without a father and didn't graduate from high school; Jamey is a junior at Yale, heir to a private investment bank fortune and beholden to high family expectations. Nevertheless, the attraction is instant, and what starts out as sexual obsession turns into something greater, stranger, and impossible to ignore."--

This title documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farms anti-consumer antics in the 1970s to Marina Zurkows 2007 animation that anticipates the havoc wreaked upon the planet by global warming.

Illustrates how aspects can offer a profound depiction of an individual and his or her destiny. • Contains comprehensive sections full of interpretations for every planetary combination. • Concepts are explained through the use of actual birth charts and diagrams. • A core textbook at the Faculty of Astrological Studies in London. Aspects are an essential piece of the astrological puzzle when it comes to interpreting and using the information that astrology can give us. It is not enough to know the placement of the planets on the horoscope. It is the relationships between the stars and planets that let us grasp the destiny of the individual. Aspects describe the drama of our lives--the complex configurations that influence what will happen to us over time. Sue Tompkins, a fellow of the Faculty of Astrological Studies in London, shows how to interpret aspects when doing daily astrological readings. She uses the lives of real people to plot the aspects and offers examples of every possible planetary combination. Detailing the influence of oppositions, trines and elemental trines, and cardinal, mutable, and fixed crosses, Tompkins shows how aspects provide the energy in the chart that transforms the horoscope into something symbolizing an alive and vital human being. With Aspects in Astrology, Tompkins provides both the novice and the experienced astrologer the evidence and concrete methods needed to grasp the vast knowledge offered to us by our horoscope.

This richly illustrated volume examines the idiosyncraticphenomenon of social nudism in mid-20th-century Britain, anisland nation fabled for its lack of sunshine and its reservedsocial attitudes.Structured across three interrelated phases, readers firstencounter the movement at its genesis in the 1920s,when nudism was synonymous with vegetarianism,intellectualism and utopianism. That nascent cultureproliferated in the postwar era, with a widening landscapeof amateur clubs and governing organizations alongsidehigh circulation publications and censorship-challengingphotographers. Finally, Annebella Pollen examines themovement's redefinition as naturism, its cultural battles andits struggle to survive amid shifts in sexual liberation in thepermissive 1960s.Unadorned bodies were the central campaigning tool ofBritish naturism's photographic propaganda. They drewattention to the cause and drove publication sales but theyalso attracted regular public opprobrium. Naturism's shiftingvisual culture thus provides a microcosmic view of Britishmoral, legal and aesthetic transformations in a period of rapidsocial change, revealing evolving perspectives on health andsex, gender and ethnicity, pleasure and power.

At once practical and creative, this book was feminism's Whole Earth Catalog Originally published in 1973, The New Woman's Survival Catalog is a seminal survey of the second-wave feminist effort across the US. Edited by Kirsten Grimstad and Susan Rennie in just five months, The New Woman's Survival Catalog makes a nod to Stewart Brand's influential Whole Earth Catalog, mapping a vast network of feminist alternative cultural activity in the 1970s. Grimstad and Rennie set out on a two-month road trip in the summer of 1973, meeting and interviewing a range of organizations and individuals, and gathering vital information on everything from arts groups to bookstores and independent presses, health, parenting and rape crisis centers and educational, legal and financial resources. "These projects express a rejection of the values of existing institutional structures," Grimstad and Rennie wrote, "and, unlike the hip male counterculture, represent an active attempt to reshape culture through changing values and consciousness." Arranged in themed sections on art, communications, work and money, child care, self-help, self-defense and activism, The New Woman's Survival Catalog provides crucial insight into feminist initiatives and activism nationwide during the Women's Movement. It includes a "Making the Book" section that details the publication's production. Kirsten Grimstad and Susan Rennie are the coeditors of The New Woman's Survival Catalog and The New Woman's Survival Sourcebook (1975). They went on to cofound Chrysalis: A Magazine of Women's Culture, published out of the Woman's Building in downtown Los Angeles from 1977 to 1981. Grimstad is currently Co-Chair of Undergraduate Studies at Antioch University, Los Angeles; she is the author of The Modern Revival of Gnosticism and Thomas Mann's Doktor Faustus (2002). Rennie taught social sciences at Union Institute & University in Cincinnati, worked as a women's health activist and now lives in Venice, California.