In an 1867 that never was, the American colonies are finally gearing up to revolt against oppressive British rule enforced by advanced technology. Airship captain Hamilton Arkwright and ne’er-do-well Jonny Callahan fight to prevent a war crime, and though affection grows between them, they remain on conflicting sides.

This is the extraordinary story of the foundation of what would become the major threat to the West during the Cold War--built by the Bolsheviks from nothing. There are more than 200 photographs, most previously unpublished. It includes all classes of battleships, cruisers, destroyers, submarines, and other surface vessels, with full specifications including builders, tonnage, speed, and armament. There is no other book available for the naval enthusiast on this subject, because the information was buried--despite the fact that, for example, the Soviet Union had more submarines than the Germans and the Americans put together at the start of World War II. This is a truly unique volume on a neglected area of military history. At the revolution, the Tsar's navy, such as it was, was obsolete and scattered, much of it never to return home. From a standing start a huge fleet was built by the Bolsheviks, who were obliged to deal with the West: engines from Italy, warship plans and gun turrets from Germany (in exchange for 3.5 million tons of food and material as late as February 1940). Stalin himself took a deadly, keen interest, insisting for example that at the last moment the boilers on a new Soviet destroyer class were repositioned. It was done! The pictorial content alone of Raising the Red Banner is of immense interest to naval enthusiasts and students of WWII.

In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow’s Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness.

"The tumultuous history of Texas is told through the flags that have flown over the state since the days of the first explorers. Carefully researched full-color illustrations bring to life more than thirty flags from Texas history, including the stately banners of France and Spain, the dramatic and colorful pennants of the Texans seeking independence, and the famous Lone Star flag."--BOOK COVER

A rare window for the English speaking world to learn how scholars in China understand and interpret central issues pertaining to women and family from the founding of the People’s Republic to the reform era.

Decolonizing the Republic is a conscientious discussion of the African diaspora in Paris in the post–World War II period. This book is the first to examine the intersection of black activism and the migration of Caribbeans and Africans to Paris during this era and, as Patrick Manning notes in the foreword, successfully shows how “black Parisians—in their daily labors, weekend celebrations, and periodic protests—opened the way to ‘decolonizing the Republic,’ advancing the respect for their rights as citizens.” Contrasted to earlier works focusing on the black intellectual elite, Decolonizing the Republic maps the formation of a working-class black France. Readers will better comprehend how those peoples of African descent who settled in France and fought to improve their socioeconomic conditions changed the French perception of Caribbean and African identity, laying the foundation for contemporary black activists to deploy a new politics of social inclusion across the demographics of race, class, gender, and nationality. This book complicates conventional understandings of decolonization, and in doing so opens a new and much-needed chapter in the history of the black Atlantic.

Desecrating the American Flag is the only comprehensive, edited, and annotated collection of critical documents regarding the controversies swirling around the desecration of the American flag. Should violators of the Stars and Stripes be prosecuted? Or legally protected? This issue reached center stage in American politics throughout the 1990s when Congress debated whether or not to amend the constitution to forbid flag desecration; but this debate has been hotly contested since the Civil War. Robert Justin Goldstein brings together almost 150 key documents spanning more than 100 years. He culls from a variety of sources—Congressional hearings, debates, legal briefs, oral arguments, newspaper articles, and court rulings, for example—and then carefully edits each document to retain key material. Introductory essays place each document within a broader historical, political, and legal context.