Set in 1955, this final installment in Taylor's best-selling Scranton Trilogy explores a family's legacy of loss and a sometimes mystical vision of a better tomorrow EVERYBODY HAS SECRETS. EVEN THE DEAD. Fifty-year-old Violet has had a good life. The love of an honest man. The joys of motherhood. Yet, even in 1955, her heart still aches over the death of her sister more than four decades earlier. Lately, Violet can't help thinking about the little girl, picturing her in the moments before the accident, wearing that pleated white dress and a hair bow to match. Maybe if her big sister were here now, she could tell Violet what to do about the secret she's been keeping from her daughter Daisy. Daisy has a secret of her own. When she first moved back home to Scranton, she wasn't ready to give up her dreams of performing in Atlantic City. Then she met Johnny, a man who needs music as much as she does. Her first real chance at love. If only they can find the courage to buck small-town thinking when it comes to interracial dating. Small-town thinking. Zethray had seen her fair share of it. That's why she advertised a room to rent in The Negro Motorist Green Book. Give folks a safe place to stay away from home. That's how Johnny ended up at her door. Now he's sweet on some young woman. Not that he told Zethray, but she knows. The dead like to talk, and she listens. If only her mother would tell the secret behind her shocking death. Instead, she stands silent, while that little girl with the bow in her hair runs wild. Rain Breaks No Bones is the final novel in Barbara J. Taylor's Scranton Trilogy, starting with Sing in the Morning, Cry at Night, followed by All Waiting Is Long. Though the novels are connected, they each stand alone.

Set in 1955, this final installment in Taylor's best-selling Scranton Trilogy explores a family's legacy of loss and a sometimes mystical vision of a better tomorrow

From bestselling author Kathy Reichs comes a book set in Charleston, South Carolina, the center of a lucrative, clandestine, sophisticated trade in body parts—the kind that leaves the donor dead. Summoned to South Carolina to fill in for a negligent colleague, Tempe is stuck teaching a lackluster archaeology field school in the ruins of a Native American burial ground on the Charleston shore. But when Tempe stumbles upon a fresh skeleton among the ancient bones, her old friend Emma Rousseau, the local coroner, persuades her to stay on and help with the investigation. When Emma reveals a disturbing secret, it becomes more important than ever for Tempe to help her friend close the case. The body count begins to climb. An unidentified man is found hanging from a tree deep in the woods. Another corpse shows up in a barrel. There are mysterious nicks on bones in several bodies, and signs of strangulation. Tempe follows the trail to a free street clinic with a belligerent staff, a suspicious doctor, and a donor who is a charismatic televangelist. Clues abound in the most unlikely places as Tempe uses her unique knowledge and skills to build her case, even as the local sheriff remains dubious and her own life is threatened. Tempe’s love life is also complicated. Ryan, her current flame, has come down to visit her from Montreal, and Pete, her former husband, is investigating the disappearance of a local woman—and he and Tempe are staying in the same borrowed beach house. Ryan and Pete compete for her attentions, and Tempe finds herself more distracted by her feelings for both men than she expected. Break No Bones is a smart, taut thriller featuring the kind of high-stakes crime that makes the headlines every week. Reichs, the inspiration for the hit Fox TV show Bones, is writing at the top of her form, and Tempe has never been more compelling.

“Suspenseful . . . startling plot twists and incisive commentary on the social unrest of a coal-mining town during the Great Depression . . . a breathtaking ending.” —Publishers Weekly In 1930, twenty-five-year-old Violet travels with her sixteen-year-old sister, Lily, from Scranton, Pennsylvania, to the Good Shepherd Infant Asylum in Philadelphia, so Lily can deliver her illegitimate child in secret. In doing so, Violet jeopardizes her engagement to her sweetheart, Stanley Adamski. Meanwhile, Mother Mary Joseph, who runs the Good Shepherd, has no idea the asylum’s physician is involved in eugenics and experimenting on girls with various sterilization techniques. Five years later, Lily and Violet are back in Scranton, one married, one about to be, each finding her own way in a place where a woman’s worth is tied to her virtue. Against the backdrop of the sweeping eugenics movement and rogue coal mine strikes, the Morgan sisters must choose between duty and desire. Either way, they risk losing their marriages and each other. The follow-up to Barbara J. Taylor’s debut, Sing in the Morning, Cry at Night—named one of the Best Summer Books of 2014 by Publishers Weekly—All Waiting is Long continues her Dickensian exploration of the Morgan family. “Taylor’s characters—a cast of nuns and prostitutes, mobsters and miners, social activists and church busybodies—reflect the varying pressures and expectations of small-town life with rich, insightful prose and dialogue that rings true to each character’s voice. Will the web of lies the two sisters weave around themselves survive? You’ll have to read it yourself to find out. Recommended.” —Historical Novel Review “Powerful . . . Every page is saturated with the 1930s milieu as the sisters navigate the adversities of their reality . . . The overall result is a thought-provoking book club discussion cornucopia.” —Booklist (starred review)

Nominated for a 2014 Lime Award for Excellence in Fiction Named a Best Book of Summer 2014 by Publishers Weekly Named a Pick of the Week for the week of June 30th by Publishers Weekly "An earnest, well-done historical novel that skillfully blends fact and fiction." --Publishers Weekly "A profound story of how one unforeseen event may tear a family apart, but another can just as unexpectedly bring them back together again." --Publishers Weekly, Best Book of Summer 2014 Pick "Solomon enticingly described the novel Sing in the Morning, Cry at Night by Barbara J. Taylor (Akashic), set in a coal-mining town in 1913, as 'one of those sit on the couch and don't bother me' reads." --Shelf Awareness, NCIBA Spring Rep Picks "An absolute gem of a book filled with beautiful characters and classical writing techniques rarely seen in modern literature." --The Christian Manifesto, Top Fiction Pick of 2014 "This story is at once poignant and hopeful, spiced up by such characters as Billy Sunday, the revivalist, and Grief, the specter who haunts Grace to the very edge of sanity. A rich debut." --Historical Novel Society "Like Dickens, the novel faces family tragedy, in this case the town blaming 8-year-old Violet Morgan for her older sister's death. As her parents fall victim to their own vices, Violet learns how to form her own friendships to survive." --Arts.Mic "A fantastic novel worthy of the greatest accolades. Writing a book about a historical event can be difficult, as is crafting a bestseller, but Barbara J. Taylor is successful at both." --Downtown Magazine "Taylor's careful attention to detail and her deep knowledge of the community and its people give the novel a welcome gravity." --The Columbus Dispatch "One of the most compelling books I've ever read...a haunting story that will stay with the reader long after reading this novel." --Story Circle Book Reviews "Rave reviews are pouring in for this historical novel of a family tragedy." --The Halifax Reader, "6 New Books to Look for in July" "This well-written book is peopled with characters the reader can really care about and captures the feeling of a gritty twentieth century coal mining community." --Breakthrough, newsletter of the Osteogenesis Imperfecta Foundation "Like all good historical fiction, I learned from this novel." --Time 2 Read "This book has...prizewinner written all over it....Worth the read!" --I've Read This "This haunting story of tragedy and hope in an early twentieth century mining town is...an expertly crafted arrow that shoots straight for the heart. Reminiscent of classics such as How Green Was My Valley...this book is a must-read for fans of character-driven, authentic historical fiction." --Amy Drown Blog Almost everyone in town blames eight-year-old Violet Morgan for the death of her nine-year-old sister, Daisy. Sing in the Morning, Cry at Night opens on September 4, 1913, two months after the Fourth of July tragedy. Owen, the girls' father, "turns to drink" and abandons his family. Their mother Grace falls victim to the seductive powers of Grief, an imagined figure who has seduced her off-and-on since childhood. Violet forms an unlikely friendship with Stanley Adamski, a motherless outcast who works in the mines as a breaker boy. During an unexpected blizzard, Grace goes into premature labor at home and is forced to rely on Violet, while Owen is "off being saved" at a Billy Sunday Revival. Inspired by a haunting family story, Sing in the Morning, Cry at Night blends real life incidents with fiction to show how grace can be found in the midst of tragedy.

A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family. Esch and her three brothers are stocking up on food, but there isn't much to save. Lately, Esch can't keep down what food she gets; at fifteen, she has just realized that she's pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull's new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that make up the novel's framework yield to a dramatic conclusion, this unforgettable family - motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce - pulls itself up to face another day.

The secrets of the dead are in her hands. The bones of three young women are unearthed in the basement of a Montreal pizza parlor, and forensic anthropologist Tempe Brennan has unsolved murder on her mind as she examines the shallowly buried remains. Coming up against a homicide cop who is convinced the dead have been entombed on the site for centuries, Tempe perseveres, even with her own relationship with Detective Andrew Ryan at a delicate turning point. In the lab, the clean, well-perserved bones offer few clues. But when Carbon 14 confirms her hunch that these were recent deaths despite the antique buttons found near the bodies, Tempe's probing must produce answers quickly to stop a killer whose grisly handiwork has seen the light of day.