Between the early 14th and early 15th centur ies, England experienced momentous social and political turb ulence. This volume studies the impact of the Church during the period in question. '

Heresy was the most feared crime in the medieval moral universe. It was seen as a social disease capable of poisoning the body politic and shattering the unity of the church. The study of heresy in late medieval England has, to date, focused largely on the heretics. In consequence, we know very little about how this crime was defined by the churchmen who passed authoritative judgement on it. By examining the drafting, publicizing, and implementing of new laws against heresy in the fourteenth and fifteenth centuries, using published and unpublished judicial records, this book presents the first general study of inquisition in medieval England. In it Ian Forrest argues that because heresy was a problem simultaneously national and local, detection relied upon collaboration between rulers and the ruled. While involvement in detection brought local society into contact with the apparatus of government, uneducated laymen still had to be kept at arm's length, because judgements about heresy were deemed too subtle and important to be left to them. Detection required bishops and inquisitors to balance reported suspicions against canonical proof, and threats to public safety against the rights of the suspect and the deficiencies of human justice. At present, the character and significance of heresy in late medieval England is the subject of much debate. Ian Forrest believes that this debate has to be informed by a greater awareness of the legal and social contexts within which heresy took on its many real and imagined attributes.

MEDIEVAL POETRY In a series of original essays from leading literary scholars, this Companion offers a chronological sweep of medieval poetry from Old English to the great genres of romance, narrative, and alliterative poetry of the 15th century. Beginning in the Anglo-Saxon period, the volume explores the Old English language and its alliterative tradition, before moving on to examine the genres of heroic, devotional, wisdom and epic poetry, culminating in a discussion of arguably the founding text of the English literary canon, the great epic Beowulf. In part two, the Companion moves on to discuss the linguistic and social changes brought about as a result of the Norman Conquest, exploring how this influenced the development of literary genres. Essays probe the shifts and continuities in genres such as lyric, chronicle and dream vision, and the emergence of new genres such as popular and courtly romance, and drama. A particular focus is the continuation of the alliterative tradition from the Anglo-Saxon period to the fifteenth century. A series of chapters on major authors, including Chaucer, Gower, and Langland, provide fresh approaches to reading and studying key texts, such as The Canterbury Tales, Piers Plowman and Sir Gawain and the Green Knight. Finally, the collection examines cultural change at the close of the medieval period and the variety of literature produced in the ‘long fifteenth century’, including writing by and for women, Scots poetry, clerical and courtly works, and secular and sacred drama.

The nature of political prophecy in the middle ages analysed, confirming its importance in the discussion of public affairs.

This volume collects poems and historical documents relevant to understanding the political climate of fourteenth- and fifteenth-century Britain, many of which have been out of print for a century. This new edition, geared towards classroom use with its notes, introductions, gloss, and glossary, opens up the fascinating study of late medieval English history. This volume contains five sections: Poems of Political Prophecy; Anticlerical Poems and Documents; Literature of Richard II's Reign and the Peasants' Revolt; Poems against Simony and the Abuse of Money; and Plowman Writings-all tied together by a common attitude of satire and complaint, and a distrust of those who may abuse power. This volume would make an excellent source for a class on English satire or late medieval politics.

The Middle English lyric is intimately related to late medieval preaching, not only because many lyrical poems have been preserved in sermon manuscripts, but also because preaching furnished a unique opportunity to create and utilize poems. Preachers, Poets, and the Early English Lyric explores this relationship in detail. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era—among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet—offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions. Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory.