"We have here on the planet with us a man of such courage and strength of spirit that he has not lost what Alfred Adler calls 'the nerve for excellence.' He has kept it despite the burden of an awareness not only of the enormity of his project and of the limitations of his own human understanding, but also of the abject ignorance and indifference of his audience... "Somehow Connell makes you care. Many modern poets demand a good deal of work; Connell excites it. Sometimes the note–taker's [narrator] tone is hectoring, even belligerent; if you have any competitive spirit at all, you seize a thread—any thread—follow it, and lo, it traces a pattern. . . you understand at last that these notes are not tentative explorations, and far less are they 'expression:' they are instead the magnificent artifices of a giant intellect... "These poems are masterpieces. You could bend a lifetime of energy to their study, and have lived well. The fabric of their meaning is seamless, inexhaustible. . . their language is steely and bladelike; from both of its surfaces flickering lights gleam. Each page sheds insight on every other page; understanding snaps back and forth, tacking like a sloop up the long fjord of mystery."—Annie Dillard, Harper

In the year 2513, the only thing higher than the seas is what’s at stake for those who sail them. Rose was born facing due north, with an inherent perception of cardinal points flowing through her veins. Her uncanny sense of direction earns her a coveted place among the Archipelago Fleet elite, but it also attracts the attention of Admiral Comita, who sends her on a secret mission deep into pirate territory. Accompanied by a ragtag crew of mercenaries and under the command of Miranda, a captain as bloodthirsty as she is alluring, Rose discovers the hard way that even the best sense of direction won’t be enough to keep her alive if she can’t learn to navigate something far more dangerous than the turbulent seas. Aboard the mercenary ship, Man o’ War, Rose learns quickly that trusting the wrong person can get you killed—and Miranda’s crew have no intention of making things easy for her—especially Miranda’s trusted first mate, Orca, who is as stubborn as she is brutal.

2015 Pulitzer Prize finalist "Compass Rose [is] a collection in which the poet uses capacious intelligence and lyrical power to offer a dazzling picture of our inter-connected world."—Pulitzer Prize finalist announcement [Sze] brings together disparate realms of experience—astronomy, botany, anthropology, Taoism—and observes their correspondences with an exuberant attentiveness."—The New Yorker A child playing a game, tea leaves resting in a bowl, an abandoned dog, a foot sticking out from a funeral pyre, an Afghan farmer pausing as mortars fire at the enemy: in Arthur Sze's tenth book, the world spins on many points of reference, unfolding with full sensuous detail. Arthur Sze is the author of The Ginkgo Light (2009), Quipu (2005), and The Redshifting Web (1998). He lives in Santa Fe, New Mexico.

North to Orsinia and the boundaries between reality and madness ... South to discover Antarctica with nine South American women ... West to find an enchanted harp and the borderland between life and death ... and onward to all points on and off the compass. Twenty astonishing stories from acclaimed author Ursula K. Le Guin carry us to worlds of wonder and horror, desire and destiny, enchantment and doom.

"We have here on the planet with us a man of such courage and strength of spirit that he has not lost what Alfred Adler calls 'the nerve for excellence.' He has kept it despite the burden of an awareness not only of the enormity of his project and of the limitations of his own human understanding, but also of the abject ignorance and indifference of his audience... "Somehow Connell makes you care. Many modern poets demand a good deal of work; Connell excites it. Sometimes the note–taker's [narrator] tone is hectoring, even belligerent; if you have any competitive spirit at all, you seize a thread—any thread—follow it, and lo, it traces a pattern. . . you understand at last that these notes are not tentative explorations, and far less are they 'expression:' they are instead the magnificent artifices of a giant intellect... "These poems are masterpieces. You could bend a lifetime of energy to their study, and have lived well. The fabric of their meaning is seamless, inexhaustible. . . their language is steely and bladelike; from both of its surfaces flickering lights gleam. Each page sheds insight on every other page; understanding snaps back and forth, tacking like a sloop up the long fjord of mystery."—Annie Dillard, Harper

The Cat in the Hat introduces beginning readers to maps–the different kinds (city, state, world, topographic, temperature, terrain, etc.); their formats (flat, globe, atlas, puzzle); the tools we use to read them (symbols, scales, grids, compasses); and funny facts about the places they show us (“Michigan looks like a scarf and a mitten! Louisiana looks like a chair you can sit in!”).