This is the fifth volume in a six-volume translation of the major writings of Wilhelm Dilthey (1833-1911), a philosopher and historian of culture who has had a significant, and continuing, influence on twentieth-century Continental philosophy and in a broad range of scholarly disciplines. In addition to his landmark works on the theories of history and the human sciences, Dilthey made important contributions to hermeneutics and phenomenology, aesthetics, psychology, and the methodology of the social sciences. This volume presents Dilthey's principal writings on aesthetics and the philosophical understanding of poetry, as well as representative essays of literary criticism. The essay "The Imagination of the Poet" (also known as his Poetics) is his most sustained attempt to examine the philosophical bearings of literature in relation to psychological and historical theory. Also included are "The Three Epochs of Modern Aesthetics and its Present Task," "Fragments for a Poetics," and two final essays discussing Goethe and Hölderlin. The latter are drawn from Das Erlebnis und die Dichtung, a volume that was acclaimed on publication as a classic of literary criticism and that continues to be a model for the geistesgeschichtliche approach to literary history.

An account of the performance of poetry from late Antiquity to the Renaissance that explores the role and importance of poetry in western culture.

EXPERIENCE POEMS AND PICTURES combines original poetry, pictures of artwork by diverse teens and adults from the United States and Sri Lanka, with prompts for viewing and writing about artwork and exploring poetry to create new art. The poems, written from a faith perspective, address topics of family, friendships, life, death and hope. The artwork includes paintings in multiple mediums, quilting, and manipulated photos on a range of topics in a range of styles. Appealing to students of all ages, the book can become a mentor text for teachers wanting to publish student writing and art.

An analysis of the historical position of Paul Celan's poetry, this book addresses the question of a lyric language that would not be the expression of subjectivity. Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action, a figure not only of domination but of the extermination of everything other than itself.

A collection of 95 remarkable poems by the poets and a few close friends.