The Field is John B. Keane's fierce and tender study of the love a man can have for land and the ruthless lengths he will go to in order to obtain the object of his desire. It is dominated by Bull McCabe, one of the most famous characters in Irish writing today. An Oscar-nominated adaptation of The Field proved highly successful and popular worldwide, and starred Richard Harris, John Hurt, Brenda Fricker and Tom Berenger.

In the glossy world of footballers' WAGs, love is the toughest game of all . . . Jean Bennett, aspiring jewellery designer, knows as much about football as she does astrophysics. But when she moves to the bright lights of Sydney and falls in love with star footballer Josh Fox, she has to learn – fast. Thrown eyelashes first into the world of WAGs, Jean is way out of her league. She navigates her way through semi-finals, a gruelling social calendar and salacious scandals on Josh's arm, safe in the knowledge he belongs to her – or so she thinks. But as her hair gets blonder, her heels higher and her tops lower, Jean begins to wonder who she's become . . . 'Zoe Foster continues her romp into the romantic travails of Generation Y with this high-calorie slice of chick lit.' SUNDAY MAIL Praise for Air Kisses 'Air Kisses is written in such a sexy way that it's difficult to put down . . . Clever and cheeky.' Sun-Herald 'This girl can write, with a humour and charm that frequently has you thumbing through the wit-strewn pages with a smile stretching from ear to ear.' Sunday Age

American Studies has only gradually turned its attention to video games in the twenty-first century, even though the medium has grown into a cultural industry that is arguably the most important force in American and global popular culture today. There is an urgent need for a substantial theoretical reflection on how the field and its object of study relate to each other. This anthology, the first of its kind, seeks to address this need by asking a dialectic question: first, how may American Studies apply its highly diverse theoretical and methodological tools to the analysis of video games, and second, how are these theories and methods in turn affected by the games? The eighteen essays offer exemplary approaches to video games from the perspective of American cultural and historical studies as they consider a broad variety of topics: the US-American games industry, Puritan rhetoric, cultural geography, mobility and race, urbanity and space, digital sports, ludic textuality, survival horror and the eighteenth-century novel, gamer culture and neoliberalism, terrorism and agency, algorithm culture, glitches, theme parks, historical guilt, visual art, sonic meaning-making, and nonverbal gameplay.

Thirteen-year old McKay is a talented baseball player, but as equally untalented when it comes to algebra. If he doesn't bring his grade up, his parents threaten to make him quit the team. His best friend Tony thinks the natural solution is for McKay to befriend Serena, a pretty girl in class, who also happens to get straight A's in algebra. Not only will that get McKay the tutor he desperately needs, but it will give Tony the chance to flirt with Serena's two best friends. Unfortunately, if McKay follows Tony's advice on how to "play the game," he might find himself in an even worse spot than when he was merely failing algebra. With a keen sense of wit, and more self-confidence than he gives himself credit for, McKay will keep readers alternately laughing and groaning as he is dragged kicking and screaming into the subtle (and often not so subtle) world of teen dating.

Darcy Miller wants to play for the boys' high school baseball team, but in just a few short months, Darcy goes from typical high school senior to a trash-talk-show candidate as the ridiculous meets the sublime in this debut novel.

The world of sports seems entwined with lawsuits. This is so, Paul Weiler explains, because of two characteristics intrinsic to all competitive sports. First, sporting contests lose their drama if the competition becomes too lopsided. Second, the winning athletes and teams usually take the "lion's share" of both fan attention and spending. So interest in second-rate teams and in second-rate leagues rapidly wanes, leaving one dominant league with monopoly power. The ideal of evenly balanced sporting contests is continually challenged by economic, social, and technological forces. Consequently, Weiler argues, the law is essential to level the playing field for players, owners, and ultimately fans and taxpayers. For example, he shows why players' use of performance-enhancing drugs, even legal ones, should be treated as a more serious offense than, say, use of cocaine. He also explains why proposals to break up dominant leagues and create new ones will not work, and thus why both union representation of players and legal protection for fans--and taxpayers--are necessary. Using well-known incidents--and supplying little-known facts--Weiler analyzes a wide array of moral and economic issues that arise in all competitive sports. He tells us, for example, how Commissioner Bud Selig should respond to Pete Rose's quest for admission to the Hall of Fame; what kind of settlement will allow baseball players and owners to avoid a replay of their past labor battles; and how our political leaders should address the recent wave of taxpayer-built stadiums.